SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Theatre in Paris"/1) | (@(roleclean,performerclean) "Kings Theatre in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3836 matches on Event Comments, 3153 matches on Performance Title, 3135 matches on Performance Comments, 23 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Oscar and Malvina

Music: As17911024

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Dance: Afterpiece: Grand Dance-[See17911210]

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Sailor's Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Glorious First of June

Performances

Mainpiece Title: King Lear

Afterpiece Title: Mago and Dago

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Event Comment: N.B. That the Ladies and Gentlemen may not be detained at the Theatre while Tickets are given them, they are desir'd to send for them to Mr Arne's House in Craven Buildings near Drury Lane, Number 17, or to Mr Bradshaw, Box-Keeper, at the Kings Arms in Great Russel St., where tickets may be had, and places taken. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Ladies are desir'd to send their servants to keep places by Four o'clock. NB: Mr Arne humbly hopes the Town will not be offended at this small advance of Prices, being at an extraordinary expence for copying all the Music, building the stage, additional instrumental performers, chorus singers, and erecting an Organ. [The attendance apparently was heavy. See note to repeated performance on 19 March.] Mainpiece: Written by Dryden and set to Music by Handel

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

Performance Comment: Written by Congreve, New Set by Mr Arne; Paris-Beard; Mercury-Lowe; Venus-Mrs Arne; Pallas-Mrs Clive; Juno-Mrs Edwards.
Cast
Role: Paris Actor: Beard
Event Comment: Benefit for Lowe. Afterpiece: A Musical Masque. With new Additions. Books of the Masque may be had at the theatre, Price 6d

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Judgment of Paris

Performance Comment: Venus-Miss Brent, 1st time in that part here; Pallas-Mrs Lampe; Juno-Mrs Abegg; Mercury-Mattocks; Paris-Lowe.
Cast
Role: Paris Actor: Lowe.

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: To begin at 7 p.m. For one night only, being particularly desired by several Persons of Distinction. Performance by a considerable number of the best "catch" singers and instrumental performers. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Books of the Catches and Glees to be had at the theatre. Performance will be over time enough for those ladies and gentlemen who are engag'd at Mrs Cornelys's

Performances

Mainpiece Title: Catches And Glees

Afterpiece Title: The Judgment of Paris

Performance Comment: The poem by Mr Congreve-, the music by Dr Arne-; The vocal parts-Gaudry; Mercury-Phillips; Paris-Mrs Scott; Juno-Mrs Woodman; Venus-Mrs Barthelemon.
Cast
Role: Paris Actor: Mrs Scott

Song: God Save our Noble King- (in Honor of His Majesty's Birthday)

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Performances

Mainpiece Title: The Massacre Of Paris

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Englishman in Paris

Dance: HHornpipe-Miss Baker

Song: Vernon, Miss Young

Entertainment: A Lecture on Life, or all is a lottery-King, for that night only

Performances

Mainpiece Title: The Rival Queens

Cast
Role: Parisatis Actor: Miss Pearce

Monologue: 1773 5 11 True Blue. As 20 April, but Principal Parts-DuBellamy, _Mattocks, Mrs +Baker, Mrs _Mattocks

Afterpiece Title: The Englishman in Paris

Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bernard; Sir Jasper Wilding-Thompson; Young Wilding-Davies; Beaufort-Macready; Quildrive-C. Powell; Dapper-Rock; Old Philpot-Quick; Corinna-Miss Brangin; Maria-Miss Richards (from the Theatre Royal, Margate; 1st appearance on this stage). 1st appearance on this stage).

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Performance Comment: Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre]).at this theatre]).
Event Comment: The Company will be apprised at the doors as soon as the audience part of the Theatre is full. "When the curtain drew up for the new ballet, ladies [were] at the wings sitting...[and] several hundred gentlemen occupied the back of the stage, so that the beautiful scenery which had been prepared for the ballet lost all its effect" (Oracle, 22 Feb., which also states that the part of Roxalana was danced by Mme Hilligsberg). [Didelot and 1st appeared at the former king's theatre on 8 Dec. 1787.

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310