SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Scholars at Westminster"/1) | (@(roleclean,performerclean) "Kings Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Redemption selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon on 26 And 27 May 1784

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Cheats of Scapin

Dance: II: A new Serious Dance by a Scholar of Nivelon. IV: A new Comic Dance by another Scholar of Nivelon. V: Tambourine by Miss Rogers

Song: I: By Roberts. III: Chancon a Boire, as17360504

Performances

Mainpiece Title: The Stratagem

Dance: Several new Dances composed by Gherardi, to be executed by his scholars who are all English.End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others

Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Performances

Mainpiece Title: A Rehearsal Of Kings Or The Projecting Gingerbread Baker With The Unheard Of Catastrophe Of Macplunderkan King Of Roguomania And The Ignoble Fall Of Baron Tromperland King Of Clouts

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Minor

Entertainment: I: King (for this night only) will present the Public with a Serio-Comic, Satiric, Prophetic, Poetic Oration, call'd The Brass Prophecy or News Ten Years Hence-King; End Farce, By Particular Desire: The Picture of the Playhouse or Bucks Have at ye All-King

Dance: IV: A New Hornpipe-Miss Baker. *uöfidl After: The Farmer's Return from London. As17620329

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: Will And No Will Or Wits Last Stake

Afterpiece Title: Trials of the Heart

Afterpiece Title: The Wedding Day

Song: End 2nd piece: The Country Club-Bannister Jun.; In 3rd piece: In the dead of the Night-Mrs Jordan

Entertainment: Monologue End: Foote's Prologue to The Author-King; in which is introduced the well-known Fable of The Man the Boy and the Ass-King

Performances

Mainpiece Title: A King And No King

Performances

Mainpiece Title: Darius King Of Persia

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deuce Is in Him

Dance: III: The Medley, as17641120

Entertainment: For that Night Only, a short Epilogic Lecture on Conjurors-King; By Particular Desire, a Picture of the Playhouse; or, Bucks Have at Ye All-King

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Hermit or Harlequin at Rhodes

Dance: I: The Wake, as17680929

Entertainment: End of Opera: King (for that night only) will present the Audience with a Comic Paraphrase-King on Shakespeare's The Seven Ages

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Trip to Scotland

Dance: V: A Minuet-Giorgi, Mrs King

Performances

Mainpiece Title: At Kings False Colours

Afterpiece Title: The Prisoner

Event Comment: The King's Company. The date of the first production is not known, but see the discussion of Wits Led by the Nose, mid-June 1677, for the relationship of the two plays. The Rival Kings was entered, and deleted, in the Stationers' Register, 26 July 1678; but because the play was entered in the Term Catalogues, November 1677, it seems likely that its premiere occurred in 1677

Performances

Mainpiece Title: The Rival Kings Or The Loves Of Oroondates And Statira

Performances

Mainpiece Title: The History Of King Lear

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performances

Mainpiece Title: Concert

Music: Wherein several Songs in Italian and English-Mrs Tofts; With several select Pieces of Musick- (compos'd by the late famous Mr Henry Purcell) taken out of the Operas of The Fairy Queen, King Arthur, Dioclesian, and Bonduca; And an Ode upon the Happy Accession of Her Majesty to the Throne- set to Musick by Mr Daniel Purcell, never perform'd before

Dance: L'Abbe, DuRuell, Cherrier, Mrs Elford, Mrs Campion, Devonshire Girl

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Performances

Mainpiece Title: The Tragical History Of King Richard The Third