SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kentish man"/1) | (@(roleclean,performerclean) "Kentish man")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1421 matches on Performance Title, 539 matches on Performance Comments, 474 matches on Event Comments, 4 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Cheats of Harlequin; or, The Farmer Outwitted

Performance Comment: Farmer-Rainton; Harlequin-Surel; Pierot (Farmer's Man)-Roger; Colombine (Farmer's Wife)-Mrs Walter.

Dance: new Turkish Dance-Burney, Mrs Walter; A new Pierrot Dance-Burney, Rainton

Event Comment: At the particular Desire of several Gentlemen and Ladies. For the Benefit of a Young Man. By a Company of Young Gentlemen. At Lee's Great Booth, on the Bowling-Green. Afterpiece: Being particularly desired. Written by Mr Gibson Jr. Intermix'd with Songs. [Announced only in Craftsman, 16 May.

Performances

Mainpiece Title: The Perfidious Brother

Afterpiece Title: Love at First Sight

Performances

Mainpiece Title: Perseus And Andromeda

Event Comment: At the Desire of several Gentlemen and Ladies. With Comical Songs, Scots, English, and Italian. Also his inimitable Medley of Plays, and Drunken Man. At Crown Tavern in Smithfield. N.B. A private Audience on a Day's Notice

Performances

Mainpiece Title: Phiz Oratory

Performances

Mainpiece Title: Aesop

Performance Comment: Oronces-a Gentleman.

Dance:

Performances

Mainpiece Title: The London Merchant

Performance Comment: George Barnwell-Peterson; Thorowgood-Furnival; Old Barnwell-Symonds; Trueman-Jenkins; Maria-Miss Price; Millwood-Miss Smith; Lucy-Miss Furnivall.
Cast
Role: Trueman Actor: Jenkins

Afterpiece Title: Merlin; or, The British Enchanters

Performance Comment: Harlequin (Merlin)-Collier; Demons-Cross, Hicks, Wright; Gardener-Jenkins; Pumpkin (his Man)-Pigeon; Colombine-Miss Price.
Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty; Or, Tarquin's Overthrow

Performance Comment: Edition of 1733 lists: Porsenna-Walker; Tarquin-Mullart; Aruns-Mrs Mullart , in Men's Clothes; Palmenio-Cole; Quintus-Lyon; Scaevola-Giles; Vario-Hale; Valeria-Mrs Bullock; Clelia-Mrs Cantrell; Drusilla-Mrs Norsa; Prologue by Aaron Hill to be spoken-a young Gentleman, a Student, at the particular Desire of the Person who brings out the Tragedy; Ephlogue-.

Afterpiece Title: The Stage-Mutineers

Cast
Role: 1st Manager Actor: Hale
Role: 2d Manager Actor: Giles

Dance: As17330814

Event Comment: At Fielding-Hippisley Booth. Daily Post, 4 Sept.: We hear...that there have been such frequent Calls for Copies of that favourite Duetto of Sweet If You Love Me Smiling Turn. (sung by Salway and Mrs Pritchard) that they have been provided printed Copies of it be given Gratis daily at their Booth...and that further to entertain...Hippisley, at the End of the last Time of Acting every Night, will divert the Audience with his Comic Scene call'd the Drunken Man, as will also Mons LeBrun with his Drunken Peasant

Performances

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: La Bagatell by Essex and Miss La Tour. Whim by F. Tench and Miss Man. Les Bergeries, as17331228

Performance Comment: Whim by F. Tench and Miss Man. Les Bergeries, as17331228 .

Performances

Mainpiece Title: Tony Aston's Medley

Performance Comment: Gomez and Elvira (Spanish Fryar); Humours of Scrub (Stratagem); Humours of Teague (Committee); Humours of Hob (Country Wake); Fondlewife and Laetitia (old Batchelor); Ben and Prue (Love for Jjjve); Jerry Blackacre (Plain Dealer); Vellum and Abigail (Drummer). And the Drunken Man .

Performances

Mainpiece Title: Tony Aston's Medley: His Comical, Whimsical, Nonesuch, What D'ye Mean Medley

Performance Comment: With flighty Songs of his own producing, the Drunken Man and something else .
Event Comment: Egmont, Diary, II, 33: In the evening went to The Island Princess . . . where was shown [in the afterpiece] the tallest man of all that I have seen. He is seven feet ten inches and half in height, a German by birth

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Cupid and Psyche

Cast
Role: Old Woman Actor: Mullart
Event Comment: At the particular Desire of several Persons of Quality. Note, This is the last time of Mynheer Cajanus, the Tall Man's, Appearance on the Stage

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Cupid and Psyche

Cast
Role: Old Woman Actor: Mullart

Performances

Mainpiece Title: The Plain Dealer

Dance: Scots Dance, as17341004 Shepherd and Shepherdess by Malter and Mlle Salle. Engiish Maggot by Haughton and Mrs Laguerre. The Kilkenny (new) by Glover and Mrs Laguerre. By Desire, Hippisley's Drunken Man

Performance Comment: Engiish Maggot by Haughton and Mrs Laguerre. The Kilkenny (new) by Glover and Mrs Laguerre. By Desire, Hippisley's Drunken Man .

Song: The Black and White Joke, as17340416

Event Comment: Benefit the Lilliputians. By Command of their Royal Highnesses the Princesses Mary and Louisa

Performances

Mainpiece Title: The French Cuckold

Afterpiece Title: The Intrigues of Harlequin

Afterpiece Title: Don Pasquin d'Avalos

Afterpiece Title: Le Carillon Comique & Dame Alison & Maitre Gervase

Dance: The last Lilliputian Scotch Dance. A new Lilliputian Chacone of Characters: Harlequin Man and Woman. Pierot and Pierraite. Punch and Dame Ragondy. Scaramouch

Performance Comment: A new Lilliputian Chacone of Characters: Harlequin Man and Woman. Pierot and Pierraite. Punch and Dame Ragondy. Scaramouch .
Event Comment: Benefit Mr Perkins, who has unfortunately lost his Sight. At Lee's Great Theatrical Booth. Written by the late Mr Addison. The doors open at three; the play begins at five. [Perkins is the author of The Blind Man's Complaint in Gentleman's Magazine, September 1734.]

Performances

Mainpiece Title: The Drummer

Performance Comment: Sir George-Freeman; Fantome-Stone; Tinsel-Turner; Vellum-Clarke; Butler-Harris; Gardener-Jones; Lady Trueman-Mrs Miller; Abigail-Mrs Clarke. With a Prologue, Written and Spoken by Mr Perkins, principally addressed to the Antient and Honourable Society of Free-Masons .
Cast
Role: Lady Trueman Actor: Mrs Miller

Song: The Apprentices, Wardens, and Masters Songs, to be sung by a worthy Brother

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Colombine Courtezan

Dance: III: Drunken Peasant by Philips. V: Drunken Man by Salway

Performance Comment: V: Drunken Man by Salway .
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Performances

Mainpiece Title: The Relapse

Performance Comment: Foppington-A. Hallam; Loveless-Ryan; Worthy-Delane; Berinthia-Mrs Horton; Amanda-Mrs Hallam; Hoyden-Miss Bincks; Sir Tunbelly-Mullart; Young Fashion-Walker; Coupler-Hippisley; Surgeon-James; Lory-Chapman; Nurse-Mrs Mullart.
Cast
Role: Amanda Actor: Mrs Hallam
Related Works
Related Work: Antiochus the Great: or, The Fatal Relapse Author(s): Jane Wiseman

Afterpiece Title: The Devil to Pay

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quality. Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. [For an Epilogue designed to be spoken to King John, as amended by Colley Cibber, see Grub St. Journal, 3 March.

Performances

Mainpiece Title: The Universal Passion

Dance: Muilment

Event Comment: Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. Daily Advertiser, 8 March: As the late tumultuous and riotous Behaviour of the Footmen at [dl] is become a Topick of Publick Discourse, a true and exact Account of the Disturbances they have made will be publish'd in this Paper: In the mean time we have the Pleasure to inform the Town, all proper Care being taken, every thing was very quiet last Night, and 'tis believ'd will continue so. The Director of the aforesaid Theatre having receiv'd a threatening Letter last Saturday in the Afternoon from the Footmen, a true Copy of it will be published in Tomorrow's Paper, with a Reward to those who shall discover the Author or Authors, so that he or they may be brought to Justice

Performances

Mainpiece Title: The Universal Passion

Dance: Denoyer, Mlle Roland, Muilment, Philips, Villeneuve, Mrs Walter

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quailty. Mainpiece: Written by the Author of the Man of Taste. Founded on Shakespear's Much Ado About Nothing. Afterpiece: Written by the Author of the Toy Shop. Daily Advertiser, 14 March: We hear that there was not the least Disturbance from the Footmen at the Playhouse all last Week; and there is such a sufficient Guard order'd, as well as a Civil Power appointed, that there's no Apprehension of any in the future: Besides, we are glad to hear that the Quality and Gentry are resolv'd in general to discard any Servants that should be known to attempt it, and to give them up to the Rigour of the Law. [For Occasional Prompter XXV (on the lethargy of managers), see Daily Journal, 14 March.

Performances

Mainpiece Title: The Universal Passion

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Harlequin-Denoyer's Apprentice; V: Dutchman and Frow-Philips, Miss Brett. [Daily Advertiser, 14 March, a less authoritative source, differs on the dances: I: Drunken Peasant-Philips; III: Turkish Dance-Muilment; Villeneuve, Livier; V: Grand Ball-Denoyer, Mlle Roland.

Music: A Comic Medley Overture-composed by Arne

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Universal Passion

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Harlequin-Denoyer's@Prentice; V: English Maggot-Villeneuve, Mrs Walter

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre