SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kennedy"/1) | (@(roleclean,performerclean) "Kennedy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1862 matches on Roles/Actors, 366 matches on Performance Comments, 52 matches on Performance Title, 43 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Dance: In Act I of mainpiece a Masquerade incident to the Play, and a Minuet by Harris and Miss Matthews

Song: End of Act iv of mainpiece Juliet's Funeral Procession, with a solemn Dirge. Vocal Parts by Bannister, Mattocks, Reinhold, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Kennedy

Performance Comment: Vocal Parts by Bannister, Mattocks, Reinhold, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Kennedy .

Performances

Mainpiece Title: L'allegro Il Penseroso

Performance Comment: Principal Vocal Parts by Norris, Reinhold; Miss George, Mrs Kennedy. 1st Violin by Richards .

Afterpiece Title: The Coronation Anthems

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Performance Comment: Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy .

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Characters by Quick, Farren, Bonnor, Wewitzer, Davies, Kennedy, Fearon, Stevens, Cubitt, Bates, Thompson; Mrs Webb, Mrs White, Mrs Wilson. [Partial cast suggested by Genest, VI, 359: Sir Fretful Plagiary-Quick; Sneer-Farren; Puff-Bonnor; Don Ferolo Whiskerandos-Wewitzer; Dangle-Davies; Mrs Dangle-Mrs Webb; Tilburina-Mrs Wilson.] hathi. hathi.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Principal Vocal Parts by Arrowsmith, Angier; Mrs Kennedy, Mrs Arne. 1st Violin-Pieltain .

Music: Between the Acts an organ concerto (composed by Dr Arne) by [Michael] Arne

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Deserter

Dance: End of Act I of mainpiece the Minuet de la Cour by Harris and Miss Besford; After Mrs Kennedy's song The Wapping Landlady; or, Jack in Distress by Blurton

Song: End of Act II of mainpiece Alas! Poor Sue, as17850418; End of mainpiece a favourite song by Mrs Kennedy

Performance Comment: Poor Sue, as17850418; End of mainpiece a favourite song by Mrs Kennedy .

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: An Harmonic Jubilee

Performance Comment: SCENE I. A Landscape. Tantivy the welkin resounds (composed by Hook) by Mrs Martyr. SCENE II. A View of Gibraltar. The trumpet's hoarse clang (the words by Johnstone; the music by Reeve) by Darley. SCENE III. A Forest. How sweet o'er the woodlands by Johnstone and Davies. SCENE IV. A Camp. Say, bonny lass, will you carry a wallet? by Mrs Kennedy and Mrs Martyr. SCENE V. A Landscape. We three archers be by Brett, Darley, Davies. scene VI. A Cathedral. A Description of the Tombs in Westminster Abbey by Edwin .

Afterpiece Title: The Deserter

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. [Macready was from the Smock Alley Theatre, Dublin. In mainpiece the playbill assigns Miss Ogle to Mrs T. Kennedy, but on the Kemble playbill her name is deleted, and a MS annotation substitutes Mrs Lewis's.] "The dress worn by Lewis, with small buttons innumerable, that gave it the air of a Hussar's jacket lengthened, was lately a coat won by the Prince of Wales" (Morning Chronicle, 20 Sept.). Receipts: #242 5s. 6d. (239.19.6; 2.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: Benefit for Mrs Wells [who imitated Mrs Siddons, Mrs Crawford, Mrs Jordan, Mrs Martyr, Mrs Kennedy (World, 19 Aug.). 1st piece in place of Seeing is Believing; 2nd of Ways and Means, both advertised on playbill of 17 Aug.]

Performances

Mainpiece Title: Gretna Green

Afterpiece Title: The Liar

Afterpiece Title: The Virgin Unmask'd

Entertainment: End I 2nd piece: Tragic Imitations-Mrs Wells; End II: Comic and Vocal Imitations-Mrs Wells; End play: Favourite Speech the "ring" speech in IV.ii from Isabella-Mrs Wells

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Afterpiece Title: All the World's a Stage