SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kemble"/1) | (@(roleclean,performerclean) "Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4727 matches on Roles/Actors, 965 matches on Performance Comments, 485 matches on Event Comments, 458 matches on Author, and 5 matches on Performance Title.
Event Comment: This Comedy written by Mr Kelly was brought on the Stage by Capt. Addington as his own was well perform'd & receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #24 12s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3; Miss Brooker, 8 weeks not on list #8. (Treasurer's Book). [Mainpiece reviewed favorably by the Westminster Magazine: "He that cannot relish such a pleasing picture of Manners with such powerful Sentiments, so interesting a Fable, and so striking a Moral, must be a churl indeed."] Receipts: #244 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Polly Honeycomb

Event Comment: The Bills were posted for the School for Wives but Mr King sent word about Eleven o'clock that he was so ill he could not play & fresh bills were put up for Zara. Mrs Barry being out of Town Miss Younge play'd Zara & was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Chorus 2 nights (this incl.) #4 1s. Receipts: #195 10s. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Deserter

Event Comment: For Mainpiece New Scenes, Dresses, Music, Machinery, and Decorations (playbill). This piece was written by Mr G. which he wrote in a hurry & on purpose to Shew Some fine Scenes which were design'd by Mons DeLoutherberg particularly a Burning Palace &c. which was extremely fine & Novel. Mr Weston Play'd very well, The Music by Mr Dibdin. the worst he ever Compos'd. The Piece was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid for supernumary soldiers #1 12s. (Treasurer's Book). [The afterpiece reviewed, but not well liked by the Westminster Magazine.] Receipts: #219 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Miss in Her Teens

Event Comment: Introductory Interlude played By Particular Desire. Hamlet Mr Smith B[ad] (Hopkins Diary). [Kemble's note "Mr Smith Hamlet-very dull and heavy" (Hopkins MS Notes).] Paid Madlle Hidou on Acct #63. Receipts: #135 5s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Elopement

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Miller of Mansfield

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deserter

Dance: III: The Sailors Revels, as17740920

Event Comment: This Comedy is written by Mr Cumberland but I think inferior to his other Productions was tolerably well receiv'd but a most excellent Epilogue was Written by Mr G. & Spoken by Mrs Abington which gave a great Lift to the Play Uncommon Applause to the Epilogue (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid Mr Lauchery per order #1 1s. (Treasurer's Book). [From the Westminster Magazine, Dec. 1774: We cannot think Mr Cumberland has courted the Comic Muse in this play so successfully as in the West Indian, and the rest of his comedies. His language is unexceptionably good; he is often as witty as Congreve, as easy as Vanbrugh, and as satirical as Wycherly. But language alone will not do. The plot is ill conducted.] Receipts: #243 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Hob in the Well

Event Comment: Mainpiece: With New Scenes and Dresses. This Tragedy was Written by Dr Franklyn very heavy. Was pretty well receiv'd & had Considerable Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #15 10s.; Paid salary list #567 11s.; J. French on acct #20; Mr Blanchard per Mr Beckett #5 5s. Receipts: #225 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Anatomist

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: Mrs Yates would not play for Mr Slingsby altho' her name has been advertis'd from the beginning--Mrs Hartly of Covent Garden was ask'd to do the part, She refus'd it as it was to be done there for a Benefit the week after at Last Mr Reddish said Mrs Canning Should do it, & Such a performance I think was never Seen in Drury Lane Theatre very bad indeed many hisses (Hopkins Diary). Benefit for Slingsby. [MacMillan's note from Kemble differs slightly in wording.] Paid 1 yrs. Subscription to St George's Hospital to Lady Day 1776, #10 10s. Receipts: #270 10s. Charges: #68 8s. Profits to Slingsby: #202 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: A Peep behind the Curtain

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Event Comment: Matilda deferr'd Reddish Ill. Matilda was advertis'd for this Night but Mr Reddish came Yesterday as Mad as a March Hare, Said he had all the Terrors of the Damn'd upon him, & that he had not had a Wink of Sleep all Night. Call'd the Great Gods & the dear Woman (Mrs Canning) that lay by his Side to Witness the Truth of this Assertion & behav'd like a Man in Despair (Hopkins Diary). [MacMillan's note from Kemble delicately omits reference to Mrs Canning.] Paid salary list 4 day #378 10s. 8d.; J. French on acct #5 5s.; Mr. J. Johnston Music bill #10 1s. Receipts: #180 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Harlequin's Jacket

Dance: Slingsby, Sga Hidou. [Title unspecified.

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Event Comment: Mr Smith Leon very la! la! (Hopkins Diary). [Macmillan's note from Kemble: Mr Smith Leon-So-So-."] Given to 2 Fire Engines #1 1s. Receipts: #163 19s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequin's Jacket; or, The New Year's Gift

Event Comment: Mrs King was put in the Bills in the following manner: Rosalind By Command by Mrs King. A Circumstance I never knew before, nor do I know by what accident it happened. I'm Sure it's a particular Honour, which her acting cannot deserve (Hopkins Diary). By Command. [Macmillan's note form Kemble comments on Hopkins' astonishment at the command procedure: "This circumstance was a contrivance of Mr Garrick's in order to mortify Mrs Yates, Mrs Abington, and Miss Younge."] Paid Mr Loutherbourg on acct. #31 13s. 4d. (Treasurer's Book). [This payment occured monthly, and was made up to #261 10s. 4d. by a final payment of #8 on 29 June 1776. No further itemization of it will be made.] Receipts: #260 12s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: Afterpiece: By Particular Desire. Mr G.-never play'd better, and when he was in the Woman's Cloaths he had a head drest with Feathers, Fruit etc. as extravagant as possible to Burlesque the present Mode of Dressing-it had a Monstrous Effect (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Fredrick his bill for sattin #40 10s.; a Tow Bill 10s. (Treasurer's Book). [This monthly bill for Tow amounted to #4 10s. for the season and will not be further mentioned.] Receipts: #217 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Event Comment: Mr Garrick inexpressibly fine. Mrs Abington Beatrice, first time-very Great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Sparks and Co. Lace Bill #10 15s. Mr King (glassman) for lustres his bill #75 2s. (Treasurer's Book). [From the Gazeteer and New Daily Advertiser, 7 Nov.: "The desertion of the theatres in consequence of the disease with which so many are afflicted, has been productive of one agreeable effect, that of bringing Mr Garrick forward in Benedict much earlier than was expected. It cannot be a matter of surprise that Roscius should have escaped the infection and his spirits and constitution seems proof against the attacks of age itself; after above 30 campaigns, his ardour and execution appear rather to increase. Benedict owes all its consequence to his attachment; there is a peculiar turn of humour in this soldier that none but Mr Garrick has ever been able to enter into the true spirit of. Last night he supported the character with undiminished excellence, and in the speech where he meditates and then resolves on marriage, he soared beyond himself. Beatrice is Shakespeare's Benedict in petticoats, and very happily has got into the hands of Mrs Abington" (Quoted in Hampden, Eighteenth Century Journal).] Receipts: #264 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: May Day

Event Comment: This Play is alter'd by Mr Lenox from Eastward hoe! it was well perform'd and had Applause--some hisses at the End it won't do much (Hopkins Diary). Characters new dress'd in Habits of the Time. (MacMillan's note from Kemble differs slightly.] Paid Mr Abrahams by Mr D. G. #40; Mr Caesar for Trimmings #6 16s. 6d. (Treasurer's Book). [Long review of the play and its merits and demerits as an adaptation appeared in the Westminster Magazine for Nov. It was approved of in general.] Receipts: #189 8s. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: May Day

Dance: The Merry Peasants, as17751018

Event Comment: Rosetta first time by Miss Sharp--a loud Voice a bad face and mean figure She had Applause--but it won't do (Hopkins Diary). [MacMillan's note from Kemble differs slightly and adds: Miss Sharpe was a Scholar of Mr Bates's--since married to Mr William Palmer, brother to Mr John and Mr Robert Palmer."] Rec'd the late Mr Powell's bond for #200 and 9 years interest in full #290; Stopages #11 18s. Paid Barrow and Co., Oil Bill #50 3s.; Powney, (stationer) #14 11s. 6d.; Tallow Chandler's third bill #47 12s. 4d.; Evans on Wardrobe acct #10 10s.; Grist on acct #6 6s.; Machin, Chorus 13 nights, #3 5s. Receipts: #116 13s. [Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

Event Comment: Mr G. never better (Hopkins Diary). [MacMillan's note from Kemble: Mr Garrick prodigiously fine.'] Receipts: #286 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lottery

Event Comment: In Saluting Cherry . She tumbled down upon the Stage--and Miss Jaratt being in certain condition Mr G. could not very easily raise her (Hopkins Diary). [MacMillan's note from Kemble suggests this as Miss Jarratt's first appearance in Cherry, but she first appeared in the character 20 Oct.] Paid Mr Griffith on note #10 10s.; Mr J. Johnston, Music Bill #19 3s. Rec'd stopages #12. Receipts: #259 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Deserter

Dance: IV: The Irish Fair, as17751003

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio