SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Katherine Phillips"/1) | (@(roleclean,performerclean) "Katherine Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 390 matches on Performance Comments, 143 matches on Event Comments, 130 matches on Performance Title, 91 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-The Gentleman who performed the character of Young Meadows [on 14 Oct.: Dignum]; Dorus-Parsons; Merlin-Bannister; Dorilas-Chaplin; Damon-Fawcett; Linco-Dodd; Urganda-Miss George (1st appearance in that character); Fatima-Mrs Wrighten; Cupid-Miss J. Stageldoir; Shepherdesses-Miss Barnes, Miss Burnett; Dorcas-Mrs Love; Sylvia-Miss Phillips (1st appearance in that character) .
Cast
Role: Sylvia Actor: Miss Phillips

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c. [These were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Chaplet

Performance Comment: Damon-Dignum (who performed the characters of Young Meadows [on 14 Oct.] and Cymon [on 26 Nov.]); Palemon-Williames; Pastora-Mrs Wrighten; Laura-Miss Phillips .
Cast
Role: Laura Actor: Miss Phillips

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Waldron; Hilliard-Williames; Vincent-Staunton; Scentwell-Burton; Beggars-Chapman, Fawcett, Wright, Phillimore, Chaplin, Wilson, Alfred, Spencer; Mrs Love, Mrs Smith, Mrs Booth, Mrs Burnett, Miss Simson, Miss Hale, Miss Burnett, Miss Tidswell, &c.; Meriel-Miss Field; Rachel-Miss Phillips .
Cast
Role: Rachel Actor: Miss Phillips

Dance: In Act I of afterpiece the celebrated Crutch Dance [performers not listed]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Waterman

Performance Comment: Tugg-Bannister; Bundle-Staunton; Robin-Suett; Wilhelmina-Miss Phillips; Mrs Bundle-Mrs Wrighten .
Cast
Role: Wilhelmina Actor: Miss Phillips

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Rosin A

Performance Comment: Belville -Bannister; Captain Belville-Williames; Rustic-Chapman; Irishman-Phillimore; William-Dignum; Phoebe-Miss George; Dorcas-Mrs Love; Rosina-Miss Phillips .
Cast
Role: Rosina Actor: Miss Phillips

Dance: As17850307athi

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Flitch of Bacon

Performance Comment: Captain Wilson-Bannister; Captain Greville-Dignum (1st appearance in that character); Tipple-Suett; Justice Benbow-Packer; Kilderkin-Chaplin; Ned-Wilson; Putty-Alfred; Major Benbow-Parsons; Eliza-Miss Phillips (1st appearance in that character) .
Cast
Role: Eliza Actor: Miss Phillips

Song: End of Act II of mainpiece The Mansion of Peace (composed by Webbe) by Dignum; End of Act IV Awake, AEolean Lyre, as17850422, but Wilson in place of Staunton; End of mainpiece Bright Phoebus has mounted the Chariot of Day (composed by Hook) by Dignum

Performances

Mainpiece Title: Hamlet: Prince Of Denmark

Performance Comment: Hamlet-Curtis; King-Yatesmore; Horatio-Smith; Polonius-Waldron; Laertes-Hill; Ostrick-Wilson; Guildenstern-Meadows; Bernardo-Price; Marcellus-Johnston; Grave-diggers-Simpson, Watts; Ghost-Benson; Ophelia-Miss Phillips; Player Queen-Miss Williams; Queen-Mrs Johnston .
Cast
Role: Ophelia Actor: Miss Phillips

Afterpiece Title: Taste; or, The Diversions of the Morning

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Afterpiece Title: Catherine and Petruchio; or, The Taming of a Shrew

Performance Comment: Petruchio-Benson; Baptista-Smith; Hortensio-Hill; Taylor-Simpson; Biondello-Wilson; Music-Master-Meadows; Pedro-Watts; Nathaniel-Price; Grumio-Waldron; Bianca-Miss Phillips; Curtis-Miss Williams; Catherine-Mrs Johnston. monologues. End of 1st piece Buds have at ye all by Curtis; End of 2nd piece Parents and Children, as17860628. End of 2nd piece Parents and Children, as17860628.
Cast
Role: Bianca Actor: Miss Phillips

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Agreeable Surprise

Performance Comment: Lingo-Waldron; Compton-Price; Eugene-Hill; Chicane-Smith; Thomas-Benson; John-Wilson; Cudden-Meadows; Farmer Stump-Watts; Sir Felix Friendly-Simpson; Laura-Miss Phillips; Mrs Cheshire-Mrs Johnston; Fringe-Miss Williams; Cowslip-Mrs Waldron .
Cast
Role: Laura Actor: Miss Phillips

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Son-in-Law

Dance: As17910701

Performances

Mainpiece Title: At king's She Wou'd And She Wou'd Not

Afterpiece Title: Ozmyn and Daraxa

Dance: In afterpiece: Miss Menage, the Miss D'Egvilles

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performance Comment: In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips.

Performances

Mainpiece Title: The Cherokee

Performance Comment: Principal Characters. Europeans: Kelly, Master Welsh, Cooke, Dignum, Hollingsworth, Bannister Jun., Bannister, Suett, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. Indian Chiefs: Barrymore, C. Kemble, Sedgwick, Caulfield. Indian Warriors-Phillimore, Dubois, Fairbrother, Boimaison, G. D'Egville, Butler, Keys, Nicolini, Roffey, Whitmell, Wells, Garman, Banks; Chorusses-Danby, Evans, Lyons, Maddocks, Trueman, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Fisher, Pilbrow, Tett, Walker, Willoughby, Master DeCamp, Mrs Bramwell, Mrs Boimaison, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Iliff, Miss Davies, Mrs Maddocks, Miss Beaufort, Miss Brooker, Mrs Brigg, Mrs Barrett, Miss Bourk, Mrs Harris, Mrs Haskey, Miss Phillips; Cast from Songs (E. Cox, 1794): Europeans: Col. Blandford-Kelly; Henry-Master Welsh; Officer-Cooke; Ramble-Dignum; Average-Hollingsworth; Jack Average-Bannister Jun.; Ser. Bluster-Bannister; Jeremy-Suett; Zilipha-Mrs Crouch; Eleanor-Sga Storace; Fanny-Miss Leak; Winifred-Mrs Bland; Indian Chiefs: Malooko-Barrymore; Zamorin-C. Kemble; Ontayo-Sedgwick; Patowmac-Caulfield; Indian-Phillimore; Partheca-Mrs Bramwell.

Afterpiece Title: The Wedding Day

Performances

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

Performance Comment: Macedonians: Alexander-J. D'Egville; Hephestion-Aumer; Clytus-Dubois; Perdiccas-Fairbrother; Parmenio-Phillimore; Ptolemy-Caulfield; Attalus-Benson; Eumenes-Bland; Philip-G. D'Egville; Officers-; Guards-; Attendants-; Thalestris-Mrs Fialon (1st appearance on this stage); Amazons-Miss Collins, Miss Heard, Miss D'Egville, Miss Redhead, Miss Stageldoir, Miss Stuart, Miss Tidswell, Mrs Bramwell; Persians: Darius-Fialon; Son of Darius-Master Menage; Oxathres-Boimaison; Memnon-Webb; Arsites-Maddocks; Spithridates-Banks; Raesaces-Lyons; High Priest of the Sun-Roffey; Sysigambis-Mrs Cuyler; Parisatis-Mrs Hedges; Artemisia-Mrs Butler; Statira-Miss J. Hilligsberg (1st appearance on this stage); Satraps-Kelly Jun., Evans, Brady, Caulfield Jun., Powell, Creed; Attendant Females-Miss Brooker, Miss Phillips, Miss Daniel, Mrs Harris, Mrs Haskey, Miss Chatterley, Miss Granger, Mrs Jones, Miss Menage, Miss D'Egville; Priests-; Persian Army=-.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Performance Comment: and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: Lady Mary Bertie to Katherine Noel, 2 Jan. 1670@1: There is letely come out a new play writ by Mr Dreyden who made the Indian Emperor. It is caled the Conquest of Grenada. My brother Norreys tooke a box and carryed my Lady Rochester and his mistresse and all us to, and on Tuestay wee are to goe see the second part of it which is then the first tim acted (Rutland MSS, HMC, 12th Report, Part V [London, 1889], 22). From this letter it is difficult to tell whether by "Tuestay" is meant Tuesday 3 Jan. 1670@1 or Tuesday 10 Jan. 1670@1. Hence, Part II has been entered on both days

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: I have news to send you but that there are two very fine new plays lately acted (HMC, 12th Report, Part V [London, 1889], II, 22)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: They say the greate Ball is to be danced on Munday night (HMC, 12th Report, Part V, Vol. II, p. 22). If this refers to the ballet, see 9 Feb. 1670@1

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 16 Feb. 1670@1: Here is no newes but that the grand Ballett is not to be danced till Shrove-Munday (HMC, 12th Report, Part V, Vol. II, p. 22). The Bulstrode Papers, 20 Feb. 1670@1: This evening was danced over the grand ballet at Whitehall, wherein the Court appeared in their greatest gallantry imaginable, and the time spent in songs, the chiefest dances and musicke the town could afford (I, 173). Lady Mary Bertie, 23 Feb. 1670@1: I was on Munday atcourt to see the grane ballett danced. It was so hard to get room that wee were forced to goe by four a clocke, though it did not begin till nine or ten. The [they (?)] were very richly [dressed] and danced very finely, and shifted their clothes three times. There was also fine musickes and excelent sing some new song made purpose for it (HMC, 12th Appendix, Part V, Vol. II, p. 22)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances