Event Comment: Benefit for Wright and Keen. Receipts: #163 1s. 5d. Charges: #64 10s. Profits to Wright and Keen: #98 11s. 6d. (Treasurer's Book)

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Event Comment: Benefit for Wright and Butler. Morning Chronicle, 17 Apr.: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Afterpiece: With Alterations and Additions. Not acted these 4 years. To conclude with a Grand Sea-Fightv, Dance, etc. [These were included in both subsequent performances.] The Scenery designed by DeLoutherbourg, and executed under his direction. Receipts: #276 14s. 6d. (52.9.0; 12.5.6; 0.4.0; tickets: 211.16.0) (charge: #74 14s.)

Event Comment: Benefit Wright and the Widow Penkethman

Event Comment: Benefit Robinson, Wright, Hobson. Mainpiece: Taken from the French of Moliere. [Tickets for Gillibrand, Fulwood, Lee also taken.

Event Comment: Benefit Wright. Mainpiece: Written by Shakespear. Afterpiece: In Two Dramatick Dialogues, written by D@@Swift, [Compiler unknown. Apparently not published. Tickets for Lowe also taken.

Event Comment: Tickets deliver'd out by Mrs Wright will be taken

Event Comment: This Farce is taken From the Midsummer Night's Dream, by Coleman, & is a very pleasing Farce, & well receiv'd by the Audience (Hopkins). Songs of the Entertainment to be given at theatre. Mdsr Night's Dream Cut. Serious parts quite out. Went off well (Cross Diary). This Farce is taken from The Midsummer Night.-Mr Colman thought it was a pity so much pains and expense as was bestowed on the Midsummer Night's Dream should be thrown away,-he luckily thought of turning it into a farce, which alteration he made in one night,-and now I think as pleasing a farce as most that are done.-Miss Wright? is vastly great in her songs (Hopkins Diary-MacMillan). [See "A Midsummer Night's Dream in the hands of Garrick and Colman," PMLA, June 1939.

Event Comment: Benefit for Miss Wright. Part of Pit laid into the boxes. [Prologue and Epilogue to Falstaff's Wedding as spoken by Dodd and Mrs Pritchard printed in the Public Advertiser.

Event Comment: Benefit for Wright and Keen. Tickets deliver'd by Watkins, Wilson, and Miss Berkley will be taken. Last time King will perform Richard III this season

Event Comment: Benefit for Keen and Wright. Tickets deliver'd by Philips will be taken. [For Philips' first dance, see 7 May 1754.

Event Comment: Mr Reddish who has to perform the part of Alonzo was not come to begin the 3d Act, which put us in great Confusion, at Length Mr J. Aickin consented to read the part, & we Cut Mr Aickins part quite out-An Apology was made to the Audience that Mr Reddish was not come, nor had he sent any Message-The Play went on;-before the play was finish'd Mr Reddish came to the House when the Play was over Mr King & Mr Reddish went on the Stage Mr King apologis'd the Audience in behalf of Mr Reddish & told them that Mr R. was ready to make oath that he had entirely forgot that it was a play Night, & that it was by meer chance he came to the House at all-his looks were so truely pitiable, the Audience had Compassion & excus'd him (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Genest, V, 353, notes that the rebellion of the audience was quelled by an offer of return of entrance money to those wished to leave. He also notes that Reddish on the eleventh published an affidavit in confirmation of his statement, begging Pardon for disappointing the public.] Paid Mr Wright per order Mr G. G. #13 5s. 2d. Receipts: #143 7s. (Treasurer's Book)

Event Comment: Benefit for Wright and Keen. Rec'd stopages #14 12s.; Paid salary list #525 12s.; Mr King's extra salary #3. Receipts: #133 12s. Charges: #65 15s. Profits to beneficiaries: #67 17s. (Treasurer's Book)

Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Event Comment: Benefit for Miss Wright and Mrs Hedges. Receipts: #233 19s. (35/0; 15/3; 3/4; tickets: 180/12) (charge: #106 16s. 6d.)

Event Comment: Written by the late Richard Steele. Benefit Mrs Wright and Mrs Stevens. At the Desire of several Persons of Quality. Receipts: money #19 9s. 6d.; tickets #146 19s

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Event Comment: Grimaldi being extremely ill, and it being uncertain when he may be able to perform, Wright has undertaken to supply his Character of the Clown, and Hamoir that of the Old Harlequin, and hope the Public will accept them with their usual kind Indulgence. In afterpiece: Repulse of the Spaniards, as 7 Jan. Receipts: #219 16s. (213/17; 5/4; tickets not come in: 0/15)