Event Comment: Benefit for Wilson. Afterpiece [1st time; M. ENT 3]: The Dialogue and part of the Songs written by Richard? Wilson. The Overture, new Music and accompaniments composed by Reeve. The Songs, Duets, Glees compiled from Arnold, Rogers, Giordani, Shield, Hook, Dibdin, W. Wilson, Stevens, Broderip and David Rizzio. [Larpent MS 908; not published. Prologue probably by Richard Wilson. Epilogue by Joseph Haynes.] Public Advertiser, 14 May: Tickets to be had of Wilson. No. 10, Bow-street, Covent Garden. Receipts: #354 14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0)

Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Event Comment: [Mainpiece in place of The Force of Ridicule; afterpiece of Richard Coeur de Lion, both advertised on playbill of 28 Nov.] "The new Comedy last night was deferred upon the pretext of Miss Farren's illness...The Manager sent after Mrs Siddons, who was found at Covent-Garden Theatre, seeing Abroad and at Home. Brandon, however, ordered her a chair, and she kindly performed Isabella. Wroughton read the Father" (Oracle, 30 Nov.). "For near an hour the audience waited patiently...At half past seven Palmer addressed the audience" He said that Miss Farren was ill, that to those who preferred to leave the theatre their money would be returned, and that instead of the new play Mrs Siddons would act Isabella, "as soon as the dresses could be prepared for that purpose. This address was by no means favourably received, and hundreds of persons immediately left the house. A few minutes after eight, the Curtain drew up to the tragedy, which was well performed, and much applauded by the few who remained to witness it" (Morning Herald, 30 Nov.). "November 30. Miss Farren last night refused to appear in a new Play at Drury Lane which made much confusion in the House. The cause assigned was indisposition but that was not believed by the audience; and the fact Lysons says is, that as she cannot obtain payment from the Theatre, she resolutely told them she wd. not appear unless her demands were paid...Such is the unprincipled conduct of Sheridan" (Diary of Joseph Farington, 1922, I, 174). [On 1 Dec. Morning Herald prints a letter from Miss Farren, from Green-street, Grosvenor-square. saying that she really was ill. The editor of the paper adds a note in which he affirms his positive knowledge that rumours about a dispute as to Miss Farren's unpaid salary were without foundation.] Receipts: #134 2s. (82.2; 50.18; 1.2)

Event Comment: [By Franz Joseph Haydn; 1st time in London. 1st performed privately in Vienna, 29 Apr. 1798, and in public at the Vienna National Theatre, 19 Mar. 1799.] "Although not equal in grandeur to the divine compositions of the immortal Handel, [it] is, nevertheless, on the whole, a very charming production" (Morning Herald, 29 Mar.). [And see Ashley's note on 2 Apr.