The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Joseph Atkinson Esq"/1) | (@(roleclean,performerclean) "Joseph Atkinson Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 950 matches on Author, 370 matches on Event Comments, 248 matches on Performance Comments, 30 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Apprentice

Performance Comment: Dick-Davis; Wingate-Moss; Simon-Jacobs; Gargle-Lloyd; Irishman-Fearon; Scotchman-Hamilton; First Spouter-Courtney; Ghost-Pierce; Watchman-Hutton; Charlotte-Miss Atkinson.

Dance: As17730614

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

Performance Comment: As17730820, but to avoid confusion full list noted: Weston, DuBellamy, Castle, Bolton, LaMash, Francis, Hamilton, Fearon, Courtney, Bannister, Mrs Weston, Lings, Osborne, Ward, Lloyd, Jacobs, Miss Platt, Mrs Palmer, Miss Atkinson, Miss Wilde, Miss Craven; Waiter-Hutton; Prologue-Weston; Tripple Hornpipe-Giorgi's Scholars; and a New Epilogue Song-Bannister.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-DuBellamy (from Covent Garden); Peachum-Kennedy; Lockit-Morris; Filch-Hamilton; Mat-Fearon; Ben Budge-Pitt; Lucy-Miss Atkinson; Polly-Mrs Baker (from Covent Garden); In Act III, Hornpipe-Miss Long.

Afterpiece Title: The King and The Miller of Mansfield

Performances

Mainpiece Title: The Artifice

Performance Comment: Sir John Freeman-Brinsley; Fainwell-Fitzgerald (from the Theatre-Royal, Dublin); Young Freeman-Venables; Tally-Atkinson; Sam-Powell; Sir Phillip Moneylovc-Kenny; Watchit-Walker; Mrs Watchit-Mrs Johnson; Olivia-Mrs Child; Louisa-Miss Hurst; Judith-Mr Pressley; Lucy-Mrs Painter; Widow Heedless-Mrs Lefevre .

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Event Comment: FFoote read part of his The Minor on 9 Nov. 1759 in a course of Comic Lectures and left for Dublin on 10 Nov. (Theatrical Duplicity or, A Genuine Narrative of the Conduct of David Garrick, Esq. to Joseph Reed on his Tragedy of Dido. MS in Harvard Theatre Collection)

Performances

Mainpiece Title: Comic Lectures

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Know all men by these presents, that Colley Cibber, Esq</a>; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Performances

Mainpiece Title: Othello, By Gentlemen

Performance Comment: Othello-Sir Francis Delaval; Iago-John Delaval Esq; Cassio-E. Delaval Esq; Brabantio, Lodovico-Sim Pine Esq; Roderigo-Capt. Stevens; Desdemona-Mrs Quarme (Hogan) , Mrs Quan (Cross), Mrs Qualm (Winston); Emelia-Mrs Stevens (Hogan).

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: Tickets deliver'd out by Wright, Atkinson, Mrs King, Miss Bradshaw, Miss Pitt, &c for the Confederacy will be taken. Care will be taken to stop those Tickets that are sold at the door

Performances

Mainpiece Title: The Lying Lover

Afterpiece Title: The Anatomist

Song: Bibby

Dance: The Mechels

Event Comment: Benefit for Barrisford, Pritchard, Atkinson and Goodwin. Receipts: #100 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Miller of Mansfield

Dance: III: Hornpipe-the little Swiss

Event Comment: Benefit Dunbar, Jones, Atkinson, Pritchard, Bride (General Advertiser). Benefit for Dunbarr & Boxkeepers (Cross). Tickets deliver'd for Love's Last Shift will be taken. On Friday next the Roman Father will be acted at Drury Lane, being the last time of the company's performing this season

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Miss in Her Teens

Dance: II: Hornpipe-Master Shawford; IV: Black Joke, as17500420 V: Comic Dance, as17500313

Event Comment: Benefit for Foley, Bride Berrisford, Tomlinson, Smith, Atkinson. [Cross lists The Virgin Unmasked as the afterpiece, but not so advertised in the papers.] Receipts: #200 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Lying Valet

Dance: II: Comic Dance, as17501231; IV: Hornpipe-the Little Swiss

Song: III: Master Mattocks

Event Comment: Benefit for Saunders, Atkinson, Berrisford. Receipts: #170 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Lying Valet

Dance: IV: A Hornpipe-the Little Swiss

Song: II: Master Vernon

Event Comment: Benefit for Barrisford, Tomlings, Atkinson, Foley, Tomlinson, and Burke. [The General Advertiser lists Tubal-Costollo.] Tickets deliver'd out by $Baker, Lewis, and Mr Lloyd will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Don Quixote

Dance: IV: A Hornpipe-the Little Swiss; V: A Comic Dance-Shawford Jun, Miss Shawford

Song: III: Mattocks

Event Comment: Benefit for Mrs Yates. Pit and Boxes laid together where servants will be allowed to keep places. Those Ladies and Gentlemen who have taken places in the Pit, are humbly desired to come as early as posible, for their own conveniency, and to prevent trouble in getting to their seats. Charges #66 5s. Balance to Mrs Yates #39 18s., plus income from 713 Box & Pit seats (laid together for price purposes) #178 5s. Paid Miss Atkinson and Miss Pope for walking 12 nights in Man & Wife; 26 Nights in Harlequin's Jubilee; 12 Nights in Timanthes #6 5s. each. Paid Mrs Warwell for walking 12 nights in Man & Wife #1 10s.; Paid Miss Lawrence and Mrs Bates 5s. each for walking 2 nights in Harlequin's Jubilee (Account Book). Receipts: #106 3s

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Edgar and Emmeline

Dance: End: The Tartars, as17691207

Entertainment: End: By Particular Desire, The Epilogue[Spoken Last Year;-Mrs Yates [as17690313, the New Epilogue for Mrs Yates's Benefit, after Orestes]

Performances

Mainpiece Title: The Macaroni

Performance Comment: Parts-Cresswick (from the Theatre Royal in York), Fearon, Bolton, Farren, Davis, Williams LeMarch, Lloyd, Jacobs, a Young Lady, first time; Miss Atkinson, Mr Palmer, Mrs Dyer, Mrs Williams; Epilogue-to be spoken in the character of the Macaroni.

Afterpiece Title: The Apprentice

Song: III: O What a Charming Thing's a Battle-Bannister

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Performance Comment: Principal Characters by Barrett, Swords, Johnson, Jackson, Barnes, Lyon, Alfred, Morris; Miss Atkinson, Mrs Sauley, Miss Brice, Miss Churchill, Miss Williams. Cast not known. With a Prologue and Epilogue .

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq</a>-.

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq</a>-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.