SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Potter"/1) | (@(roleclean,performerclean) "John Potter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 1684 matches on Performance Comments, 1164 matches on Event Comments, 323 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Vaughan, Condell, Potter (box-keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. [Deficit to each beneficiary #9 10s. 10d., covered by income from tickets: Vaughan #50 13s. (Box 106; Pit 101; Gallery 90); Condell #81 3s. (Box 206; Pit 145; Gallery 79); Potter #60 6s. (Box 126; Pit 145; Gallery 138).] (Account Book). Receipts: #52 12s. 6d. (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

Dance: III: New Pantomime Ballet(4th time)-Mas. Blurton, Miss Besford, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Benefit for Condell, Potter (box-keepers) and Eddis. Tickets sold at the door will not be admitted. Tickets deliver'd for the Conscious Lovers will be taken. Charges #83 11s. 6d. Deficit to beneficiaries #27 10s., covered by income from tickets: Condell #84 7s. (Box 225; Pit 140; Gallery 71); Potter #60 7s. (Box 142; Pit 93; Gallery 109); Eddis #52 9s. (Box 118; Pit 153) (Account Book). Paid Miss Morris in Full for her performance this season #50 (Account Book). [But see note 1 May.] Receipts; #56 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Citizen

Dance: III: A Pantomime Dance-Fishar, Miss Capon

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Upholsterer

Dance: IV: The Lilt, as17720326

Event Comment: Benefit for Condell, Evans and Potter (Box-keepers). Doors open at 5 o'clock. To begin exactly at 6 o'clock. Charges #81 5s. Deficit to each #12 2s., cover'd by income from tickets: Condell, #76 10s. (Box 210; Pit 124; Gallery 54); Potter, #39 7s. (Box 66; Pit 75; Gallery 116); Evans, #88 5s. (Box 180; Pit 215; Gallery 110). Paid Partridge (hosier) #16 1s. Receipts: #44 19s. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Upholsterer

Dance: End: A Comic Dance-Aldridge, Mrs Stephens

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: By desire. Paid Powney (Stationer) #6 7s.; Smart (Laceman) #49 7s; Cole (Turner) #8 18s.; Carr & Company #29 8s.; Potter (Hatter) 15s.; Clutterbuck [financier] #72 10s.; Fryar (Hosier) #10 9s.; Norton for Music #4 1s.; for Printing 400 card tickets 4s.; Burton for writing #1 2s. 3d.; Cross for writing 4s. (Treasurer's Book). Receipts: #160 (Cross); #151 9s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Box-Keepers, Vaughan, Green, and Potter

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: CComic Dance, as17580417

Event Comment: Benefit for Vaughan, Green, Potter (Boxkeepers). No Building on Stage. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: As17581016

Event Comment: Last time of Company's performing this season. Receipts: #83 18s. Paid Kemp 7 nights #11 4s.; Paid Sarjant on acct of his salary; Paid Martin in full for salary #10; Whitfield for 3 months #7 10s. Advanced to Poitier Jr #5 5s. Paid for 7 doz. wax candles #10 17s. Paid Potter for his attendance this season 181 nights at 2s. per night, #18 2s. Paid Mr Tarriot for his daughter's dancing this season #21. Advanc'd to Mrs Viviez #3 3s. Paid Pattinson 2 bills #31 12s. 6d. Paid Woodfall in full #83 10s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Evans, Potter and Ansell, boxkeepers

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Dance: II: The Cossacks, as17620427 End: The Pleasures of Spring, as17620212

Event Comment: Benefit for Evans, Ansell , Potter (box-keepers)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Knights

Related Works
Related Work: The Knight of the Burning Pestle Author(s): John Fletcher
Related Work: The Knights of Malta Author(s): John Fletcher

Dance: IV: The French Gardeners, as17630407

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: The Rites of Hecate or Harlequin from the Moon

Event Comment: Benefit for Vaughan, Potter and Ansell (box-keepers)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Miss in Her Teens

Dance: III: Hornpipe-Miss Pitt; End: The Calabrian Peasants, as17631222

Event Comment: Benefit for an Ancient Widow Gentlewoman and her Daughter (in great distress); Rawlins, Potter, Waylin. None admitted behind scenes. Tickets delivered by Mas. Besford, and Mrs Naylor, &c. will be taken

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: Benefit for Green and Ansell (box-keepers). Tickets sold at the Doors will not be admitted. Charges #83 1s. 6d. Deficit #53 13s., covered by income from tickets: Ansell #112 7s. (Box 341; Pit 162; Gallery 28); Green #135 4s. (Box 470; Pit 106; Gallery 18). Rec'd of Condell his deficiency and #20 in full for Fruit Rent this season: also deficiencies from Mrs Naylor and Potter. Paid Mr Scovell for copying Music in Maid of the Mill--#3 9s. (Account Book). Receipts: #53 13s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

Event Comment: Benefit for Ansell and Green (Box-keepers). Tickets sold at Doors will not be admitted. Charges #82 17s. Deficit to each #29 5s. 9d., covered by income from tickets: Ansell #117 12s. (Box 355; Pit 173; Gallery 29); Green #132 12s. (Box 436; Pit 128; Gallery 44); Deficiencies and half value paid up by Wild, Potter, Mrs Lampe & Mrs Jones, Mrs Paddick and Sharratt (Account Book). Receipts: #24 5s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Spanish Lady

Dance: IV: The Whim, as17691123

Event Comment: Benefit for Coldell [sic. Query: Condell?], Potter and Evans (Box-keepers). Tickets deliver'd for The Jovial Crew will be taken

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: II: Comic Dance, as17701017

Music: End of Opera: Concerto on the Harpsichord-Mas. Condell, his first performance in public

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Love; Jerry Sneak, with the Song of Johnny Pringle-Weston; Jollup-Baddeley; Bruin-Wright; Lint-Castle; Snuffle-Hartry; Heel@Tap-Bransby; Roger-Messink; Mrs Bruin-Miss Platt; Mrs Sneak-Miss Pope.

Dance: III: A Comic Dance, as17710921

Event Comment: Reddish spoiled last scene by being imperfect (Potter, Theatrical Review). Paid three days salary at #81 8s. 11d. per diem--#244 6s.; Paid Mrs W. Barry's half salary 17s. 6d.; Paid Messrs. Reddish, J. Palmer, and Waldron short paid last week #1 (Treasurer's Book). Receipts: #229 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Pharo Table Author(s): John O'Keeffe

Afterpiece Title: Harlequins Invasion

Event Comment: Benefit for Condell, Potter and Evans (Box-Keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. Deficit to each beneficiary #13 8s. 6d., cover'd by income from tickets. Receipts: #40 19s. 6d. (Account Book). @Tickets Box Pit Gallery Value@Condell 186 145 57 #73 19s.@Potter 130 80 99 #54 8s.@Evans 174 233 93 #87 15s.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Commissary

Dance: III: A Hornpipe-Miller, scholar to Fishar; IV: A New Dance-Langrish, Miss Besford, as17730426

Music: End: Concerto on Harpsichord-Master Condell

Event Comment: Tickets delivered by Cushing, Stoppelaer, Walters, Potter. Mrs Sharpe, Mrs Warneck will be taken this Evening. Receipts: #168 17s. (50.15; 1.12; tickets: 116.10)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: Don Quixote in England

Dance: End: The Serenade, as17770426

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances