Event Comment: Pepys, Diary: Thence to Islington, and so to St John's to the Red Bull, and there saw the latter part of a rude prize fought

Event Comment: A facsimile of a bill announcing A Trial of Skill at this playhouse, 30 May 1664, is in Rariora, ed. John Eliot Hodgkin (London, n.d.), III, 53-54. See also William VanLennep, The Death of the Red Bull, Theatre Notebook, XVI (1962), 133-34

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Event Comment: In April or May 1667, probably, John Dryden's The Wild Gallant may have been revived, perhaps because of the success of Secret Love. The 1667 edition of The Wild Gallant, which was entered in the Stationers' Register, 7 Aug. 1667, contains: A Prologue to The Wild Gallant revived. An Epilogue to The Wild Gallant revived

Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Event Comment: Pepys, Diary: I met Rolt and Sir John Chichly, and Harris, the player, and there we talked of many things, and particularly of Catiline, which is to be suddenly acted at the King's house; and there all agree that it cannot be well done at that house, there not being good actors enow: and Burt acts Cicero, which they all conclude he will not be able to do well. The King gives them #500 for robes, there being, as they say, to be sixteen scarlett robes. Thence home for dinner, and would have had Harris home with me, but it was too late for him to get to the playhouse after it

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo

Event Comment: The King's Company. For this cast, see John Harold Wilson, Notes and Queries, 21 Feb. 1948, pp. 71-72. Pepys, Diary: My wide and Deb. to the King's House, to see The Virgin Martyr, the first time it hath been acted a great while: and it is mighty pleasant; not that the play is worth much, but it is finely acted by Becke Marshal. But that which did please me beyond any thing 1n the whole world was the wind-musique when the angel comes down, which is so sweet that it ravished me, and indeed, in a word, did wrap up my soul so that it made me really sick, just as I have formerly been when in love with my wife

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Event Comment: In the Term Catalogues a new edition of John Wilson's The Cheats was announced as licensed on 30 May 1671. This play had previously been given in March 1663. The edition of 1671 states that it has been given by the King's Company at the Theatre Royal, and it may have been revived at this time

Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Event Comment: The King's Company acted at Oxford. John Dryden wrote a Prologue, To the University of Oxon, Spoken by Mr Hart, at the Acting of The Silent Woman, 1673, and an Epilogue, Spoken by the Same. There were first printed in the 1684 Miscellany Poems

Event Comment: A disturbance occurred at this theatre on this day. Newdigate newsletters (Folger Shakespeare Library), 21 March 1673@4: His Maty has also been pleased to Order ye Recorder of London to examine ye Disorders & disturbances on Tuesday last at ye Dukes Theatre by some persons in drink (John Harold Wilson, Theatre Notes, p. 79). See also CSPD, 1673-1675, p. 231

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 10 Sept. 1674: This Evening their Maty & Court are diverted by a play Acted by his Royall Hss Servants at Whitehall. [Transcribed by Professor John Harold Wilson.

Event Comment: Preparations for the production of a play (Calisto) at court in midwinter had been underway by this time. On this day Margaret Blagge wrote to John Evelyn: the play goes on mightily, which I hoped would never have proceeded farther....Would you believe it, there are some that envy me the honour (as they esteeme it) of acting in this play (The Life of Mrs Godolphin, ed. Samuel Lord Bishop of Oxford [1847], p. 96. See also pp. 93-95.). Several orders for costumes, scenes, and properties dated through the winter offer valuable information concerning details of the preparations. See Nicoll, Restoration Drama, pp. 357-58, p. 43n; Boswell, Restoration Court Stage, pp. 178-227

Event Comment: London Gazette, No. 923, 21-24 Sept. 1674: At Mr John Banisters house in White-Fryers, called the Musick School, will be several Masters performing Vocal and Instrumental Musick, on Tuesday next, and every evening for the future. Beginning exactly at five of the clock

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Event Comment: [Evelyn, Diary: [I] was at the repetition of the Pastoral, on which [occasion] my friend Mrs Blagg, had about her neere 20.000 pounds worth of Jewells, of which one she lost, borrowed of the Countesse of Suffolck, worth about 80 pounds, which the Duke made good; & indeede the presse of people was so greate, that it was a wonder she lost no more. There is some doubt that this was a full performance of the work, for Evelyn refers to it as "the repetition" and other evidence points to 15 Feb. 1674@5 as the first complete production. See Boswell, Restoration Court Stage, pp. 180-81. It is probable that Mrs Blagge's loss of jewels occurred, not on this date, but on 15 Feb. 1674@5. For a more complete account of that incident, see The Life of Mrs Godolphin by John Evelyn of Wotton, ed. Samuel Lord Bishop of Oxford (London, 1874), pp. 97-101. See also 15 Feb. 1674@5