SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Dryden"/1) | (@(roleclean,performerclean) "John Dryden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1754 matches on Performance Comments, 1401 matches on Event Comments, 366 matches on Performance Title, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Smith; King-Clarke; Prince of Wales-Lewis, first time; Prince John-Harris; Douglas-Owenson; Westmorland-Thompson; Blunt-R. Smith; Vernon-Hull; Worcester-Gardner; Bardolph-Davis; Poins-Lewes; Francis-Cushing; Carriers-Dunstall, Quick; Hostess-Mrs Pitt; Lady Percy-Mrs Hartley; Falstaff-Shuter (playbill). [The Public Advertiser assigns King-$Young.]
Cast
Role: Prince John Actor: Harris
Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Afterpiece Title: Midas

Performances

Mainpiece Title: King John

Performance Comment: King John-Henderson; Hubert-Bensley; Salisbury-Packer; Pembroke-Farren; Essex-Lamash; Prince Henry-R. Palmer; Rob. Faulconbridge-Waldron; Messenger-Norris; Bastard-Smith; King Philip-Aickin; Dauphin-Brereton; Prince Arthur-Miss Field; Pandulpho-Chambers; Chatilion-Davies; Austria-Wrighten; Citizen-Hurst; Heralds-Chaplin, Wright; Queen Elinor-Miss Sherry; Lady Blanch-Mrs Colles; Lady Faulconbridge-Mrs Johnston; Constance-Mrs Yates.
Cast
Role: King John Actor: Henderson
Role: Lady Faulconbridge Actor: Mrs Johnston

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Wroughton; King-Bensley; Prince of Wales-Bannister Jun. (1st appearance in that character); Westmoreland-Thompson; Sir Walter Blunt-Booth; Sir Richard Vernon-Hull; Worcester-Fearon; Poins-Robson; Bardolph-Egan; Francis-Cushing; Carriers-Wewitzer, Messink; Sir John Falstaff-Henderson; Hostess-Mrs Pitt; Lady Percy-Mrs Hartley.
Cast
Role: Sir John Falstaff Actor: Henderson

Afterpiece Title: The Minor

Dance: As17790216

Performances

Mainpiece Title: The First Part Of King Henry The Fourth, With The Humours Of Sir John Falstaff

Performance Comment: Sir John Falstaff-Henderson; King-Clarke; Prince of Wales-Lewis; Westmoreland-Thompson; Sir Walter Blunt-Whitfield; Sir Richard Vernon-Hull; Worcester-Fearon; Poins-Robson; Francis-Edwin; Bardolph-Booth; Douglas-L'Estrange; Carriers-Wewitzer, Messink; Hotspur-Peile (1st appearance in that character); Hostess-Mrs Pitt; Lady Percy-Mrs Hartley.
Cast
Role: Sir John Falstaff Actor: Henderson

Afterpiece Title: Midas

Performances

Mainpiece Title: True Blue

Afterpiece Title: The First Part of King Henry the Fourth, With the Humours of Sir John Falstaff

Performance Comment: Sir John Falstaff-Henderson; King-Clarke; Prince of Wales-Lewis; Sir Richard Vernon-Whitfield; Worcester-Fearon; Poins-Robson; Francis-Edwin; Bardolph-Booth; Douglas-L'Estrange; Westmoreland-Thompson; Sir Walter Blunt-W. Bates; Northumberland-Webb; Sheriff-Egan; Carriers-Jones, Messink; Hotspur-Wroughton; Hostess-Mrs Pitt; Lady Percy (1st time)-Mrs Lewis.
Cast
Role: Sir John Falstaff Actor: Henderson

Afterpiece Title: The Norwood Gypsies

Dance: 1st piece: Dance of Sailors, as17800918; End II 2nd piece: The Humours of Leixlip, as17800927; 3rd piece: Dancing, as17800927

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Performance Comment: Sir John Falstaff-Henderson; King-Clarke Prince of Wales-Lewis; Blunt-W. Bates; Sir Richard Vernon-Whitfield; Worcester-Fearon; Northumberland-Webb; Sheriff-J. Wilson; Poins-Robson; Francis-Edwin; Bardolph-Booth; Douglas-L'Estrange; Westmoreland-Thompson; Carriers-Egan, Jones; Hotspur-Wroughton; Hostess-Mrs Pitt; Lady Percy (1st time)-Mrs Inchbald .
Cast
Role: Sir John Falstaff Actor: Henderson

Afterpiece Title: The Son-in-Law

Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Dance: End of Act II of mainpiece, as17811101

Performances

Mainpiece Title: King John

Performance Comment: King John-Henderson; Prince Henry-W. Bates; Essex-Egan Hubert-Aickin; Pembroke-Booth; Salisbury-Davies; King of France-Clarke Dauphin-Whitfield; Austria-Mahon; Pandulph-Fearon; Chatillon-Hull Governor of Angiers-Thompson; Prince Arthur-Miss Heard; Bastard-Wroughton (1st appearance in that character); Queen Eleanor-Miss Platt; Lady Falconbridge-Mrs Poussin; Lady Blanch-Mrs Whitfield; Constance-Mrs Yates .
Cast
Role: King John Actor: Henderson

Afterpiece Title: Rosina

Performances

Mainpiece Title: King John

Performance Comment: King John-Henderson; Hubert-Aickin; Prince Arthur-Miss Heard (of DL); Salisbury-Davics; Pembroke-Kemble; King of France-Clarke; Dauphin-Whitfield; Austria-Mahon; Pandulph-Fearon; Prince Henry-Miss Francis; Essex-Helme; Chatillon-Booth; Governor of Angiers-Thompson; Bastard-Wroughton; Queen Eleanor-Miss Platt; Lady Faulconbridge-Mrs Poussin; Lady Blanch-Mrs Inchbald; Constance-Mrs Crawford (1st appearance in that character these 6 years) .
Cast
Role: King John Actor: Henderson

Afterpiece Title: The Son-in-Law

Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Hubert-Bensley; Salisbury-Staunton; Pembroke-Williames; Essex-Chaplin; Bastard-Smith; King Philip-Aickin; Dauphin-Barrymore; Prince Arthur-Miss Field; Pandulph-Packer; Austria-Wrighten; Citizen-Fawcett; Chatilion-Bannister Jun.; Queen Elinor-Mrs Hopkins; Lady Blanch-Miss Palmer; Lady Falconbridge-Mrs Hedges; Constance-Mrs Siddons .
Cast
Role: King John Actor: Kemble

Afterpiece Title: Too Civil by Half

Related Works
Related Work: Too Civil by Half Author(s): John Dent

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Performance Comment: Falstaff (for that night only)-Mrs Webb; Hotspur-A Gentleman (1st appearance on any stage [unidentified]); King-Bensley; Westmorland-Usher; Sir Walter Blunt-Riley; Prince John-Master Farley; Worcester-Gardner; Poins-R. Palmer; Vernon-Davies; Bardolph-Wewitzer; Francis-Barrett; Carriers-Parsons, Burton; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Cuyler .
Cast
Role: Prince John Actor: Master Farley

Afterpiece Title: Gretna Green

Related Works
Related Work: Gretna Green Author(s): John O'Keeffe

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.
Cast
Role: Sir John Cockle Actor: Kemble
Related Works
Related Work: The Lie of the Day; or, A Party at Hampton Court Author(s): John O'Keeffe
Related Work: The Court of Alexander Author(s): John A. Fisher

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Related Works
Related Work: The Ghosts Author(s): John Holden

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Related Works
Related Work: Lingo’s Opinions on Men and Manners (A Comical, Whimsical, Operatical, Farcical Rhapsody) Author(s): John Edwin
Related Work: Hurlothrumbo; or, News from Terra Australis Incognita: With the Whimsical Flights of My Lord Flame Author(s): Samuel Johnson

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).
Cast
Role: Sir John Brute Actor: Wilkinson

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Arthur-Miss DeCamp; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; J. Gurney-Lyons; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Chatillon-Benson; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins; Lady Faulconbridge-Mrs Cuyler.
Cast
Role: King John Actor: Kemble

Afterpiece Title: The Humourist

Performances

Mainpiece Title: At Hay King John

Performance Comment: King John-Kemble; Arthur-Master DeCamp; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; J. Gurney-Lyons; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Chatillion-Benson; Elinor-Mrs Ward; Constance-Mrs Siddons; Blanch-Miss Collins; Lady Faulconbridge-Mrs Cuyler.
Cast
Role: King John Actor: Kemble

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-C. Kemble; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; James Gurney-Welsh; English Herald-Trueman; Sheriff-Cooke; Executioner-Evans; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Mellon.
Cast
Role: King John Actor: Kemble

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Benefit John Clegg, a Youth of Nine Years of Age, lately arriv'd from Ireland. At the Desire of several Ladies of Quality. Pit and Boxes half a guinea. Gallery 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Violin-John Clegg; Concert-Kytch

Event Comment: Mr Salomon having insinuated that he alone is in possession of a correct Score of this celebrated Oratorio, I feel compelled, in justice to myself, to state that the Oratorio was published by subscription at Vienna, and that the printed Copy, from which I had the Parts transcribed, was delivered by Dr Haydn to a subscriber in Vienna, and brought from thence expressly for me, and on which is the Doctor's initials. The accuracy with which it was performed, and the enthusiasm with which it was received, are, I hope, convincing proofs that no other directions are necessary to "produce the effect required by the Author." I should not thus have obtruded myself, but I conceived it requisite to justify myself from the imputation of having attempted to impose a spurious production upon that public to whom I am under so many obligations. I am, with the greatest respect and gratitude, their most obedient servant, John Ashley. March 29. [On 29 Mar. the following card had appeared in most of the daily newspapers: Mr Salomon having received from Dr Haydn an early Copy of his New Oratorio called The Creation of the World, and having been favoured by him exclusively with particular directions on the style and manner in which it must be executed, in order to produce the effects required by the Author, begs to acquaint the Nobility and Gentry, that he means to perform it on Monday, the 21st of April next, at the King's Theatre. The performance took place on that date in the Ancient Music Room, i.e. the large concert-room situated inside the King's, on the east side, level with the first tier of the boxes. The reason for this change was, states the playbill, "the present Performances in the Opera House not allowing sufficient time to erect an Orchestra on the Stage." The principal singers were Mme Mara, Mme Dussek, Small, Page, Denman, Bartleman. Samuel Wesley presided at the organ and at the piano forte.

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Related Works
Related Work: The Pilgrim Author(s): John FletcherJohn Vanbrugh
Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Performance Comment: Edition of 1685: Prologue to the Opera By Mr Dryden-; Epilogue to the Opera by Mr Dryden-.
Cast
Role: Mr Dryden Actor:
Role: Epilogue to the Opera by Mr Dryden Actor: .
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast
Role: Mr Dryden Actor:
Event Comment: James Brydges, Diary: I set Mr Bullock down at ye Playhouse, & came home (Huntington MS St 26). John Dryden wrote to Mrs Steward on 23 Feb. [1699@1700, but possibly 1698@99, as the letter concerns theatrical affairs of the autumn and winter of 1698-99]: The Poem of The Confederates [see The Island Princess, November 1698] some think to be Mr Walsh: the copies are both lik'd. And there are really two factions of ladyes, for the two play-houses. If you do not understand the names of some persons mention'd I can help you to the knowledge of them. You know, Sir Tho. Skipwith is master of the play-house in Drury-Lane; and my Lord Scarsdale is the patron of Betterton's house, being in love with somebody there [presumably Anne Bracegirdle] (The Letters of John Dryden, p. 133)

Performances

Event Comment: Betterton's Company. John Dryden to Mrs Steward, 4 March 1698@9: This Day is playd a reviv'd Comedy of Mr Congreve's called the Double Dealer, which was never very takeing; in the play bill was printed, Written by Mr Congreve; with Severall Expressions omitted: What kind of Expressions those were you may easily ghess; if you have seen the Monday's Gazette, wherein is the King s Order, for the reformation of the Stage: but the printing an Authours name, in a Play bill, is a new manner of proceeding, at least in England (Letters of John Dryden, 112-13)

Performances

Mainpiece Title: The Double Dealer

Event Comment: Betterton's Company. This performance is known by a letter of John Dryden to Mrs Steward, 7 Nov. 1699: There is this day to be acted a New tragedy, made by Mr Hopkins, & as I believe in rhime. He has formerly written a play in verse calld Boadicea, which you fair Ladyes likd: & is a poet who writes good verse without knowing how, or why; I mean he writes naturally well, without art or learning, or good sence (The Letters of John Dryden, p. 124). The Dedication to the play is dated 1 Nov. 1699, but the play was not advertised until, apparently, in the Post Man, 17-20 Feb. 1699@1700

Performances

Mainpiece Title: Friendship Improved; Or, The Female Warriour

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and three in the Box at Marryage hater. 16s. See Hotson, Commonwealth and Restoration Stage, p. 378. John Dryden to Mrs Steward, 14 Dec. 1699: Both the Iphigenias have been played with bad Success; & being both acted, one against the other, in the same week, clashed together, like two rotten ships, which cou'd not endure the shock; & sunk to rights (The Letters of John Dryden, p. 131)

Performances

Mainpiece Title: The Marriage Hater Matched