SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Day"/1) | (@(roleclean,performerclean) "John Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 3059 matches on Event Comments, 1992 matches on Performance Comments, 823 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Feast of St Cecilia was celebrated Yearly, and the performance was usually held in Stationers' Hall, but the edition in 1687 of A Song for St Cecilia's Day does not specify the place of performance

Performances

Mainpiece Title: A Song For St Cecilia's Day

Performance Comment: The Music by John Baptist Draghi.
Related Works
Related Work: A Song for St Cecilia's Day Author(s): John Dryden
Event Comment: Benefit Chapman. Mainpiece: Written by the late Sir John Vanbrugh. N.B. The afore-nam'd Gentlemen attempt those Characters for their own Diversion (as other Gentlemen have done before 'em) and Mr Chapman's Profit only

Performances

Mainpiece Title: The False Friend

Performance Comment: John-W. Mills; Galindo-Miller .
Cast
Role: John Actor: W. Mills
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Event Comment: Benefit Chapman. Mainpiece: Written by the late Sir John Vanbrugh. N.B. The afore-nam'd Gentlemen attempt those Characters for their own Diversion (as other Gentlemen have done before 'em) and Mr Chapman's Profit only

Performances

Mainpiece Title: The False Friend

Performance Comment: John-W. Mills; Galindo-Miller .
Cast
Role: John Actor: W. Mills
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Event Comment: Benefit for Lewis. 1st piece [1st time: C 3, by John O'Keeffe, altered by him from his The Toy]. [2nd piece in place of The Irish Mimick, advertised on playbill of 17 Mar.] Oracle, 15 Mar.: Tickets to be had of Lewis, No. 6, Bow-street, Covent-Garden. Receipts: #384 18s. (272.4; 12.8; tickets: 100.6)

Performances

Mainpiece Title: The Lie Of The Day; Or, A Party At Hampton Court

Related Works
Related Work: The Lie of the Day; or, A Party at Hampton Court Author(s): John O'Keeffe

Afterpiece Title: Catharine and Petruchio

Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Event Comment: RRylands MS: Old Cibber play'd Brute. [The preceding day's notice started this performance was By Command of his Royal Highness, The Prince of Wales, although no such notice appears in the day's Bill. But the following note is included on the day's bill in the London Daily Post and General Advertiser.] By His Majesty's Command, no persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. [Fleetwood made an earnest attempt this year to clear the stage for action. All notices up to this day contain the prohibition of members of the audience behind scenes as stated on the bill of 15 Oct. Hereafter the prohibition is enforced by His Majesty's Command.] Receipts: #182

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17411120, but Sir John Brute-Cibber Sr; Razor-Cibber Jr; Lord Rake-_; Justice-_; Constable-_.
Cast
Role: Sir John Brute Actor: Cibber Sr
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Song: I: Bright Author of my Present Flame-Lowe; IV: Non Ch'amarmi a Song of Farinelli's-Mrs Arne

Dance: II: A Pierrot Dance, as17411114; III: The Drunken Peasant, as17411029; V: A Musette, as17411114

Event Comment: The Duke's Company. Langbaine, English Dramatick Poets, p. 509: [It] was alter'd (as I have heard by Mr Carthwright) by Mr Betterton. Downes, p. 30: [Done] by the same Author [Betterton]...and all the other Parts Exactly perform'd, it lasted Successively 8 Days, and very frequently Acted afterwards. Pepys, Diary: To the Duke of York's playhouse, and there, in the side balcony, over against the musick, did hear, but not see, a new play, the first day acted, The Roman Virgin, and old play, and but ordinary, I thought; but the trouble of my eyes with the light of the candles did almost kill me

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performance Comment: [Altered from John Webster, Appius and Virginia, probably by ThomasBetterton.] Downes (Roscius Anglicanus, p. 30): Virginius-Betterton; Appius-Harris; Virginia-Mrs Betterton. [An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.
Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster
Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Performance Comment: Edition of 1685: Prologue written by Mrs Behn-Mrs Cook (the first Day); Prologue to Valentinian-Mrs Cook (the second Day); Prologue intended for Valentinian-Mrs Barry; Epilogue by a Person of Quality-Mrs Barry; Downes (Roscius Anglicanus, p. 40): Valentinian-Goodman; Aecius-Betterton; Maximus-Kynaston; Pontius-Griffin; Lucina-Mrs Barry.
Related Works
Related Work: Valentinian Author(s): John Fletcher
Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].
Cast
Role: Timolin Actor: Johnstone
Role: John Actor: Ledger
Related Works
Related Work: Life's Vagaries Author(s): John O'Keeffe

Afterpiece Title: Rosina

Cast
Role: Belville Actor: Johnstone

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: Mainpiece [1st time: CO 3, by John Burgoyne, based on Silvain, by Jean Francois Marmontel]: With entirely new Music [by William Jackson], Scenes, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. Public Advertiser, 3 Apr. 1781: This Day is published The Lord of the Manor (price not listed). Receipts: #226 19s. (216.15; 9.16; 0.8)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Principal Characters by Vernon, Dodd, Parsons, Bannister, Aickin, Baddeley, Du-Bellamy, Suett, R. Palmer, Williams, Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme, Palmer, Miss Prudom, Mrs Wrighten, Miss Farren. Cast from text (T. Evans, 1781): Trumore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Captain Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom; Peggy-Mrs Wrighten; Sophia-Miss Farren; unassigned-Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme.
Cast
Role: Sir John Contrast Actor: Parsons
Related Works
Related Work: The Lord of the Manor Author(s): John Burgoyne

Afterpiece Title: The Elopement

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Performance Comment: Characters-Wroughton, Suett, Whitfield, Fawcett, Phillimore, Alfred, Aickin, Mrs Kemble, Mrs Jordan. Cast from text (J. Debrett, 1789): Modely-Wroughton; Shacklefigure-Suett; Heartwell-Whitfield; Sir John English-Fawcett; Constables-Phillimore, Alfred; Freehold-Aickin; Flora-Mrs Kemble; Aura-Mrs Jordan.
Cast
Role: Sir John English Actor: Fawcett
Related Works
Related Work: The Farm House Author(s): Charles JohnsonJohn Philip Kemble
Related Work: The Country Lasses: or, The Custom of the Manor Author(s): Charles Johnson
Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Performance Comment: At the Magnificent Triumphs and Entertainment of His Most Sacred Majesty Charles the II...At Guildhall on Thursday the 5th day of July 1660.
Related Works
Related Work: London's Glory Represented by Time, Truth, and Fame Author(s): John Tatham
Related Work: Troilus and Cressida; or, Truth Found Too Late Author(s): John Dryden
Event Comment: The Duke's Company. This play is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. A song in this play, Thus all our Lives, with music by John Banister, is in Choice Songs and Ayres, 1673. Downes (Roscius Anglicanus, p. 31): [Concerning several plays] All which Expir'd the third Day, save the Royal Shepherdess, which liv'd Six. Pepys, Diary: To the Duke of York's house, and there before one, but the house infinite full, where, by and by, the King and Court come, it being a new play, or an old one new vamped, by Shadwell, called The Royal Shepherdesse!; but the silliest for words and design, and evepything, that ever I saw in my whole life, there being nothing in the world pleasing in it, but a good martial dance of pikemen, where Harris and another do handle their pikes in a dance to admiration; but never less satisfied with a play in my life

Performances

Mainpiece Title: The Royal Shepherdess

Performance Comment: [Adapted by ThomasShadwell from John Fountain, The Rewards of Virtue.] Edition of 1669: Prologue-; Epilogue-.
Related Works
Related Work: The Royal Shepherdess Author(s): John Fountain
Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Cast
Role: John Dryden Actor: Mohun.
Related Works
Related Work: Wit Without Money Author(s): John Fletcher
Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Performance Comment: By J. B.? Quinault and John Baptist Lully. By French performers.
Related Works
Related Work: Cadmus et Hermione Author(s): John Baptist Lully
Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Hart?; First Constantia-Rebecca Marshall?.
Cast
Role: Don John Actor: Hart?
Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: John Moody Actor: Miller
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh
Event Comment: Mainpiece: Written by Sir John Vanburgh [sic], with Alterations [by John Philip Kemble]. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 22 Oct.] Receipts: #176 1s. (140.1.0; 31.9.6; 4.10.6)

Performances

Mainpiece Title: The False Friend

Performance Comment: Characters by Kemble, Bannister Jun., Barrymore, R. Palmer, Packer, Wroughton, Miss Pope, Mrs Goodall, Miss Farren. Cast from European Magazine, Nov. 1789, p. 378: Don John-Kemble; Lopez-Bannister Jun.; Don Guzman-Barrymore; Galindo-R. Palmer; Don Felix-Packer; Don Pedro-Wroughton; Jacintha-Miss Pope; Isabella-Mrs Goodall; Leonora-Miss Farren.
Cast
Role: Don John Actor: Kemble
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Afterpiece Title: The Doctor and the Apothecary

Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Cast
Role: Sir John Actor: Bowen
Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Event Comment: [By John Vanbrugh. Date of premiere unknown. Published 10 Feb.

Performances

Mainpiece Title: The False Friend

Performance Comment: Edition of 1702 lists: Don Felix-Griffin; Don Pedro-Wilks; Don Guzman-Mills; Don John-Cibber; Lopez-Penkithman; Galindo-Bullock; Leonora-Mrs Rogers; Isabella-Mrs Kent; Jacinta-Mrs Oldfield; Prologue-Griffin; Epilogue-Mrs Oldfield.
Cast
Role: Don John Actor: Cibber
Related Works
Related Work: The False Friend Author(s): John Vanbrugh
Event Comment: Written by Sir John Vanbrugh. Receipts: #15 2s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Quin; Heartfree-Leigh; Constant-C. Bullock; Razor-Spiller; Lady Brute-Mrs Seymour; Lady Fanciful-Mrs Cross; Mademoiselle-Mrs Egleton; Belinda-Mrs Bullock.
Cast
Role: Sir John Actor: Quin
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance:

Event Comment: Not Acted these Ten Years. Written by Sir John Vanbrug. Receipts: #22 9s

Performances

Mainpiece Title: The False Friend

Performance Comment: Felix-Boheme; Pedro-Ryan; John-Quin; Guzman-Walker; Lopez-Egleton; Galindo-Hippisley; Leonora-Mrs Bullock; Isabella-Mrs Moffat; Jacinta-Mrs Egleton.
Cast
Role: John Actor: Quin
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Dance: PPastoral-Mrs Wall; Peasant-Nivelon; Passacaile-Mrs Wall

Event Comment: Benefit Quin. Written by Sir John Vanbrugh. Receipts: money #48 4s.; tickets #93 9s

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Quin; Constant-Walker; Heartfree-Ryan; Razor-Egleton; Lady Brute-Mrs Parker; Belinda-Mrs Bullock; Mademoiselle-Mrs Legare; Lady Fanciful-Mrs Younger.
Cast
Role: Sir John Actor: Quin
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Song: With new Songs proper to the Play-Leveridge, Legare

Dance: Nivelon, Salle, Mlle Salle, Mrs Bullock

Event Comment: Benefit Lesac and Miss Latour. Written by the late Sir John Vanbrugh. Receipts: money #12 10s. 6d.; tickets #54 2s

Performances

Mainpiece Title: The False Friend

Performance Comment: Felix-Boheme; Pedro-Ryan; John-Quin; Guzman-Walker; Lopez-Egleton; Galindo-Hippisley; Leonora-Mrs Bullock; Isabella-Mrs Moffet; Jacinta-Mrs Egleton.
Cast
Role: John Actor: Quin
Related Works
Related Work: The False Friend Author(s): John Vanbrugh

Dance: SSpanish Dance-Young Lesac; Chacone-Miss Latour Dupre's Scholar; Shepherd and Shepherdess representing Acis and Galatea -Young Lesac, Miss Latour

Song: Mrs Barbier

Music: Set of Mr Hendel's Lessons on Harpsicord-Miss Latour , Scholar of Mr Troas