SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Brown"/1) | (@(roleclean,performerclean) "John Brown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9826 matches on Author, 2028 matches on Performance Comments, 1210 matches on Event Comments, 365 matches on Performance Title, and 4 matches on Roles/Actors.
Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

Event Comment: Benefit for Miss Farren. 2nd piece: Altered [by Henry Bate] from Prior's Nut Brown Maid, with new Airs and Chorusses composed by Shield. Receipts: #226 5s. (105.1.0; 29.3.6; 1.2.6; tickets: 90.18.0) (charge: #108.14)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Sir John Contrast Actor: Parsons
Related Works
Related Work: The Lord of the Manor Author(s): John Burgoyne

Afterpiece Title: Henry and Emma

Afterpiece Title: All the World's a Stage

Dance: As17810312

Event Comment: Benefit for Mrs Clendining. The Poetry of the additional Songs [in 1st piece] by Peter Pindar, Esq. [pseud. for John Wolcot]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Clendining, No. 19, Martlett-court, Bow-street, Covent-garden. "Mrs Clendining's endeavours to entertain were successful, and Fitzroy by Incledon gave a rich feast to the musical amateur. The air beginning, 'Dear Tom, this brown jug,' had a fine effect by the music being omitted" (Diary, 18 May). Receipts: #273 17s

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Inkle Actor: Johnstone

Afterpiece Title: The Soldier's Festival

Afterpiece Title: The Poor Soldier

Cast
Role: Patrick Actor: Johnstone
Related Works
Related Work: The Poor Soldier Author(s): John O'Keeffe

Music: End: a concerto of his own composition, on the Grand Piano Forte-King (1st appearance in public)

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Related Works
Related Work: The Royal Oake Author(s): John Tatham
Event Comment: Benefit Ion and Brown

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): John Fletcher

Song: Singing in Italian and English-a Gentleman who never perform'd on any Stage before

Dance: Topham Jr, Pelling, Newhouse, Miss Bullock, Sandham's Son, Miss Francis

Event Comment: Benefit for Barnard, Driscoll, Trott (Lobby Doorkeeper Doorkeeper) and Widow Banks. Tickets deliver'd by Ross, Brown, Elliott &c. will be taken

Performances

Mainpiece Title: The Committee

Afterpiece Title: The What D'ye Call It

Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Dance: TTwo Pierrots, as17520504; Drunken Peasant-Phillips, Smith

Related Works
Related Work: Cytherea; or, The Enamouring Girdle Author(s): John Smith
Related Work: The Enchanter; or, Love and Magic Author(s): John Christopher Smith
Related Work: The Fairies Author(s): John Christopher Smith
Related Work: Teraminta Author(s): John Christopher Smith
Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: Man and Wife

Dance: II: Comic Dance, as17711031

Event Comment: Paid Buxton and Enderby (oyl merchants) #116, and Brown (coal merchant) #44 9s. Receipts: #190 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Fair

Related Works
Related Work: The Fair Author(s): John Rich
Related Work: Penelope Author(s): John Mottley
Event Comment: Street Ballad, The Duenna or the Double Elopement, a new song to an old Tune: @In the days of Gay, they sing and say,@The town was full of folly:@For all day long, its sole sing-song@Was pretty, pretty Polly.@So now-a-days, as it was in Gay's,@The world's run mad again-a@From morn to night its whole delight@To cry up the Duenna.@One half the town still talks of Brown@The other of Leoni,@While those sly curs, the managers,@Keep pocketing the money... [Brown was the original Clara in the opera. See 16 Dec. 1775 (Hampden, Journal).

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Prometheus

Related Works
Related Work: Prometheus Author(s): John A. Fisher

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon (1st appearance in that character these 6 years); Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Gaudry; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Miss Collett; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Kirby; Diana Trapes-Mrs Love; Polly-Mrs Cargill (late Miss Brown; 1st appearance this season). 1st appearance this season).
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Citizen

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Event Comment: Benefit for Mrs Bulkley. 2nd piece [1st time; c 2, by James Brown Williamson. MS: Larpent 630; not published. Prologue probably by the author; Epilogue by the author; speakers' names (Public Advertiser, 3 Sept.)]

Performances

Mainpiece Title: The Triumph Of Honour

Related Works
Related Work: The Triumph of Honour Author(s): John Fletcher

Afterpiece Title: The Lawyer

Related Works
Related Work: The Little French Lawyer Author(s): John Fletcher
Related Work: The Lawyer's Panic; or, Westminster Hall in an Uproar Author(s): John Dent
Related Work: The French Lawyer Author(s): John Fletcher

Afterpiece Title: The Dead Alive

Related Works
Related Work: The Dead Alive Author(s): John O'Keeffe

Afterpiece Title: Chrononhotonthologos

Event Comment: [Mrs Brown is identified in MS list, in hay playbills now at Harvard, of new performers for the 1790 season.

Performances

Mainpiece Title: The English Merchant

Performance Comment: Freeport-Aickin; Sir William Douglas-Bensley; Lord Falbridge-Williamson; Owen-Usher; Officer-Chapman; La France-Baddeley; Spatter-Bannister Jun.; Lady Alton-Mrs Whitfield; Molly-Mrs Wells; Mrs Goodman-Mrs Webb; Amelia-A Gentlewoman (1st appearance on any stage [Mrs Brown]).Mrs Brown]).

Afterpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): John O'Keeffe

Entertainment: Monologue. As17900615

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performance Comment: [Altered from John Webster, Appius and Virginia, probably by ThomasBetterton.] Downes (Roscius Anglicanus, p. 30): Virginius-Betterton; Appius-Harris; Virginia-Mrs Betterton. [An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.
Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster

Performances

Mainpiece Title: The Beggar's Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Related Works
Related Work: The Beggar's Bush Author(s): John Fletcher

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: All the Parts to be perform'd by Lilliputians, but edition of 1728 lists: Peachum-Mary Shaftoe; Lockit-James Bencraft; Nimming Ned-James Bencraft; Macheath-Elizabeth Binks; Filch-Henry Woodward; Ben Budge-Henry Woodward; Beggar-Henry Woodward; Crookfinger'd Jack-James Weeks; Wat Dreary-James Weeks; Robin-John Wilson; Harry Paddington-Fisher Tench Charke; Player-Fisher Tench Charke; Mat-John Verhuyck; Mrs Peachum-Esther Wherrit; Diana Trapes-Esther Wherrit; Mrs Slammekin-Esther Wherrit; Polly-Elizabeth Rogers; Lucy-Susanna Rogers; Mrs Coaxer-Margaret Lowe; Dolly Trull-Sarah Foxwell; Mrs Vixen-Mary Vincent; Betty Doxy-Mary Weyman; Jenny Diver-Margaret Gold; Sukey Tawdry-Beatrice Boitar; Molly-Susanna Caun.
Cast
Role: Robin Actor: John Wilson
Role: Mat Actor: John Verhuyck
Related Works
Related Work: The Beggar's Opera Author(s): John Gay
Event Comment: Benefit John Roberts, now Confin'd in the Fleet Prison. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Sir John Actor: Cibber
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Lottery

Dance:

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron; Peter-Burton; Antony-Phillimore; Francisco-Chaplin; Surgeon-Jones; Frederick-Barrymore; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren. [Edition of 1791 (John Bell) adds: Musician-$Spencer; Antonio's Boy-$Alfred; Kinswoman-$Miss Barnes.]
Cast
Role: Don John Actor: Palmer
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Waterman

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Related Works
Related Work: The Roman Actor Author(s): John Philip Kemble

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Related Works
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): John Philip Kemble

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich
Related Work: The Cheats Author(s): John Wilson

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir John Swallow Actor: Smith
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Cast
Role: John Dryden Actor: Mohun.
Related Works
Related Work: Wit Without Money Author(s): John Fletcher

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part I

Performance Comment: Edition of 1677: The Prologue to the First Part-; the Epilogue to Part II states that Mrs Marshal acted Queen Berenice. The Epilogue to the First Part-; Downes (Roscius Anglicanus, p. 13): Titus Vespasian-Kynaston; Phraartes-Hart; Matthias High Priest-Major Mohun; John-Cartwright; Clarona D. to Matthias-Mrs Boutell; Queen Berenice-Mrs Marshall.
Cast
Role: John Actor: Cartwright
Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Related Work: The Misery of Civil War Author(s): John Crowne
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Related Works
Related Work: The City Politiques Author(s): John Crowne