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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Pierre Claris de Florian"/1) | (@(roleclean,performerclean) "Jean Pierre Claris de Florian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1905 results for: Keyword - Jean Pierre Claris de Florian
We found 995 matches on Performance Title, 583 matches on Performance Comments, 299 matches on Author, 196 matches on Event Comments, and 0 matches on Roles/Actors.

1426
13 February 1735 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

1427
09 May 1735 @ Haymarket Theatre

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Afterpiece Title: Le Cocu Imaginaire

Dance:

1428
29 April 1749 @ Haymarket Theatre

Performances

Mainpiece Title: L'opera Du Gueux

1429
26 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

1430
23 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

1431
09 February 1798 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

1432
14 December 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mangora, King Of The Timbusians

1433
23 August 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al' Fresco

1434
04 September 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Comical Humours of Sir John Falstaff, Justice Shallow, Ancient Pistol, and Others

Afterpiece Title: The Ridotto Al' Fresco

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

1435
01 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Cg The Busy Body

Afterpiece Title: Apollo and Daphne

1436
17 October 1735 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: The Mistaken Beauty; or, The Lyar Author(s): Pierre Corneille

Afterpiece Title: Apollo and Daphne; or, The Burgo-Master Trick'd

1437
01 January 1736 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Apollo and Daphne

Dance: French Peasant by Lalauze and Mlle D'Hervigni

1438
28 October 1741 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

1439
05 May 1743 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The School Boy

Dance: LLes Boufons du Cour, as17430305 Characters of Dancing, as17421025; Dutch Skipper, as17421025

1440
25 March 1746 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

1441
03 February 1747 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Miss in Her Teens

1442
07 January 1748 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Royal Chace

1443
25 April 1763 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

1444
29 April 1766 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Twist; III: The Venetian Gardeners, as17650925; End: The Village Romps, as17651019

1445
06 May 1769 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: New Comic Dance, as17681210

1446
28 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

1447
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

1448
18 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

1449
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard
Related Work: Le Prince Travestie; ou, L'Illustrie Avanturier; or, Harlequin an Innocent Traytor Author(s): Pierre Marivaux
Related Work: La Double Inconstance; ou, Arlequin a la Cour Malgre Luy Author(s): Pierre Marivaux
Related Work: The Deserter Author(s): Pierre Monsigny
Related Work: Cinna's Conspiracy Author(s): Pierre Corneille

1450
20 December 1785 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World