SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jane Lessingham"/1) | (@(roleclean,performerclean) "Jane Lessingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 483 matches on Performance Title, 460 matches on Performance Comments, 87 matches on Event Comments, 2 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028

Event Comment: Mrs Barry, not being yet sufficiently recover'd of her Indisposition to undertake a Character of so much Exertion as Alicia, The Play of Jane Shore is oblig'd to be deferr'd till Saturday

Performances

Mainpiece Title: Othello

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 14 years. [See 22 Nov. 1760.] Last time of the Company's performing till Easter Holidays. On Easter Monday, the Tragedy of Jane Shore, with the (fifty-fourth Time) Druids. [In original text Douglas is call'd Norval and Norval is called Stranger, or Prisoner.

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Apprentice

Entertainment: Interlude.End: True Blue, as17750401

Dance: End Interlude: The Merry Sailors, as17741026

Event Comment: The Tragedy of Jane Shore oblig'd to be deferr'd on account of the sudden indisposition of Mrs Barry

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Cast
Role: Flora Actor: Mrs Lessingham

Afterpiece Title: The Druids

Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Event Comment: Hamlet is obliged to be deferred. [But on 11 Nov. Jane Shore is announced for this night.] Receipts: #124 3s. 6d

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: A ChristmasTale

Dance: Masquerade Scene,Dancing, as17761026Singing-_

Event Comment: Benefit for the Author [of mainpiece]. On account of the severe Indisposition of Mrs Yates Jane Shore [announced on playbill of 12 Dec.] is obliged to be deferred

Performances

Mainpiece Title: Buthred

Afterpiece Title: The Medley

Event Comment: By Command of Their Majesties. [Mainpiece in place of Jane Shore, announced on playbill of 8 Jan.] Receipts: #284 12s. 6d. (275/7/0; 9/0/6; 0/5/0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Apprentice

Event Comment: [Mainpiece in place of Jane Shore; afterpiece of The best Bidder, both announced on playbill of 17 Jan.] Receipts: #140 12s. (139/2; 1/10)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Triumph of Mirth

Dance: End of Act I of mainpiece, as17820917

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Event Comment: Mainpiece: Never acted here. Benefit for Mrs Wells [whose 1st appearance in tragedy was as Jane Shore at DL, 30 Apr. 1783; her 2nd was as Isabella at DL, 30 Apr. 1784, on which night she spoke the Address noted above]

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: Gretna Green

Music: End of Act II a concertante for clarinet and bassoon by Mahon

Song: In Act III of mainpiece an Epithalamium by Mrs Bannister and Miss George

Monologue: 1784 08 05 Previous to mainpiece an occasional Address (2nd time) by Mrs Wells

Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 23 Dec.] Receipts: #231 18s. 6d. (226.8.0; 5.10.6)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Picture of Paris

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 23 Dec.] Receipts: #231 18s. 6d. (226.8.0; 5.10.6)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Picture of Paris

Event Comment: Powell, 8 Oct.: Isabella rehearsed at 10 (Barrymore 1 scene, Mrs Siddons 2 scenes, R. Palmer 1 scene); 9 Oct.: Jane Shore rehearsed at 10 (for Kemble, Caulfield, Bensley & Mrs Siddons); Emilia Galotti at 12. Receipts: #463 16s. 6d. (364.2.0; 92.13.0; 7.1.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 15 Oct. Afterpiece: Prologue by George Colman, elder.] Receipts: #291 19s. (229.12.0; 56.18.6; 5.8.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Bon Ton

Event Comment: [Mainpiece in place of Jane Shore, advertised on playbill of 12 Mar.] Receipts: #311 8s. 6d. (233.7.0; 74.10.0; 3.11.6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Blue-Beard