SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Murphey French"/1) | (@(roleclean,performerclean) "James Murphey French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2178 matches on Author, 1342 matches on Performance Comments, 765 matches on Event Comments, 577 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Universal Prayer

Performance Comment: In Two Parts with a Solo on the Violin-Hollendulla; Concerto on the Harpsichord and Hautbois by Barbandt-; Concerto upon the Tenor by Herschell-; And a Aacred Ode by Redmond, the Music by Barbandt-; To conclude with a grand Concerto on Clarinets and French Horns composed by Barbandt-.
Event Comment: Afterpiece: A New Musical Entertainment never perform'd before. The Music composed by Dr Arne. Full Prices. Boxes #53 (Account Book). [About 212 persons in Boxes. A profitable and popular afterpiece for Rich, but it cost him each night this season 10s. 6d. for Mr Wrexell for the Clarinet, and 5s. to Dell for the French Horn.] Receipts. #181 8s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Event Comment: Benefit for Smith. Part of Pit will be laid into Boxes. Tickets sold at the Door will not be admitted. The Charges include House charge: #63, plus Wax Candles #1 5s. plus Extra Guards #1 5s. 6d., plus a French Horn and 2 Side drums 7s. Receipts: #83 4s. 6d. plus #174 7s. from tickets (Box 382; Pit 447; Gallery 118) (Account Book). Charges: #65 17s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard III

Afterpiece Title: The English Tars in America; or, The Good Woman Without a Head

Dance: III: A Comic Dance-Poitier Jr, Mlle Capdeville; After Play: An Epilogue on the Humours of tne Age in Imitation of Shakespeare's Stage-Cresswick

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Performance Comment: Actors only: Irishman-Moody; Frenchman-Blakes; Scotchman-Foote; Capt Le Brush-King; Gulwell-Packer; Harwood-Austin; Frankly-Baddeley; Williams-Ackman; Lord Brilliant-Castle; Trickit-Fox; Maria-Miss Reed; Prologue-. Lady Wrinkle and Mrs Snarewell-not permitted to be played ($Genest, IV, 612).
Cast
Role: Frenchman Actor: Blakes

Performances

Mainpiece Title: Music In Four Acts

Performance Comment: Favourite songs. A good Choir disposed over the orchestra, and some extraordinary hands. End Act II, Handel's Grand Chorus from the Messiah-; [End Act IV, Handel's Coronation Anthem-. [After the music is over, in the Portico opposite the Octagone in the Garden, will be exhibited the Theatre of Shados [sic] representing several beautiful views of Italy, and moving figures...Between the acts the French Horns-; [and Clarinets- [will play favourite pieces- [in the Garden. The whole to conclude with a Ball..in the Garden. The whole to conclude with a Ball..
Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Apprentice

Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

Event Comment: Paid Mr French on account #50 [scene painter and maker of light props] (Treasurer's Book). Receipts: #85 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: A Fairy Tale

Event Comment: Paid French on account #50 (Treasurer's Book). Receipts: #137 15s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Paid Blandford (tallow chandler) bill #48 14s. 6d.; Waller (hosier) bill #18 13s. 6d.; Burgis (bricklayer) bill #46 18s.; Swan and Buck (mercers) bill #28 5s.; Mrs French on acct #21; Chorus singers 1 night #2 10s. 6d. (Treasurer's Book). Receipts: #198 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Performances

Mainpiece Title: La Buona Figliuola

Dance: [Unspecified.

Event Comment: [R+Rich's Register lists The English Merchant.] Paid Blandford (tallow chandler) #49 8s. 10d. Paid George Garrick for use of the managers #15 15s.; Paid French on account #20; Advanced to Granier on note #4 2s. 10d.; to Keen on note #4 4s. Rec'd stopages 16s. 6d. (Treasurer's Book). Sylas Neville (Neville MS Diary): With difficulty got into the Pit at Drury Lane, where I stood at the side so jambed up that I could not read the newspaper I carried: But I saw the play very well. It was Rule a Wife and Have a Wife, with the Farce of the Devil to Pay. Duke by Havard, Cacafago by Love, very well. Copper Capt. by Palmer, pretty well. Old woman pretty well by Mrs Baddeley, Astifania by Mrs Pritchard excellently, tho she is too old for the first part of this character. Leon inimitably by Garrick. I think he shows a good deal of Abel drugger, [both published and unpublished portions of the Neville Diary.] Receipts: #261 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Palmer. House charges #66 3s. 6d. [Profit to Palmer #74 18s. 6d.] Afterpiece: Not acted for 14 years. [See 11 Feb. 1748.] Last till after the holidays. Paid George Garrick on account #50 and French on account #20; Salary list #290 12s. 8d. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard III

Afterpiece Title: Flora; or Hob in the Well

Dance: End: The Vintage, as17661011

Event Comment: Benefit for Widow Vincent. House charges #64 15s. 6d. [Deficit Mrs Vincent #20 3s. 6d.] Rec'd by draft on Mr Clutterbuck #200, and from Sinking Fund #287; Paid Blandford (tallow chandler) #27 18s. 11d.; and French on account #12 12s. (Treasurer's Book). Fifteen minutes past 5 went to the 2s. gallery...(Widow Vincent's voice pleases me much. Holland did Oakly,-he imitates Garrick, but is very inferior to him (Neville MS Diary). Receipts: #44 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Contrivances

Dance: End: Comic Dance, as17670430

Event Comment: Benefit for Fox, Mrs Cross, Miss Simson. By Particular Desire. House charges #64 7s. [Profit to actors #1 2s. 6d. plus tickets. Received Mr Dickinson's deficiency #54 14s.] Rec'd of Clutterbuck #100. Paid French on account #40. Paid Florio for 7 nights in Cymon #7 7s.; Chorus singers #2 10s. 6d.; Rec'd repayment of Arne's note #50 and of Hopkins' note #28; Stopages #2 3s. (Treasurer's Book). Receipts: #65 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Cast
Role: Frenchman Actor: Baddeley

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson

Event Comment: Benefit for Mrs Barthelemon. Prices 3s. To begin at 6:30 P.M. Taken from the French of M Rousseau; Music by Barthelemon

Performances

Mainpiece Title: The Magic Girdle

Music: First violin and Concerto by Barthelemon; Concerto on Organ by Hook; Concerto on Trumpet by a young Gentleman Ten Years old

Event Comment: Paid Miss Younge, for men's cloaths #15 15s., Mrs Mott for women's Cloaths #10 10s.; Mr French on Acct #25; Mr King, Glassman #8 13s.; Half a year's poor's rate for St Martin's to Midqummer last #25 5s.; Mas. Brown 4 nights (10th inst. incl.) #1 10s.; Mrs Slaughter's bill, #1 (Treasurer's Book). Receipts: #147 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Le Brush-Palmer; Gulwell-Packer; Scotchman-Love; Frenchman-Baddeley; Margery Moorput-Mrs Love; New Character [Mrs Doggerel]-Miss Pope; Frankly-Davies; Harwood-J. Aickin; Williams-Ackman; Lord Brilliant-Fawcett.
Cast
Role: Frenchman Actor: Baddeley

Dance: V: The Sailors Revels, as17711008

Event Comment: Paid five days salary at #82 5d. per diem--#411 12s. 1d.; Paid Mr French on Acct #30; Miss Ambrose salary short paid 15s.; Mr J. Richard's for Trumpeter's coats and banners #100 16s.; Miss Hayward 15 nights not on [salary] list #7 10s. (Treasurer's Book). Receipts: #109 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Peep Behind the Curtain

Event Comment: The Serious part of the Entertainment Dull & heavy--Hopkins. Paid Supernumerary Soldiers & practices #2 6s. 6d.; Paid seven years sewer tax #13 9s. 4d.; Paid Mr Weston's note, per order Mr G. G. #12 5s. 5d.; Paid Mr Thos. French for painting 8 days to this day exclusive #3 4s.; Paid for license for Institution of the Garter #2 2s. (Treasurer's Book). Receipts: #189 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Institution of the Garter

Event Comment: Paid Mr French on Acct #30; Paid Supernumeraries in Institution of the Garter 10 Nights (7th inst. incl.) #44 10s. (Treasurer's Book). [N.B. at the rate of 2s. 6d. a night for walking in a procession, this afterpiece would seem to have required about 35 supers for each performance.] Receipts: #243 9s. 6d. (Treasruer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Miss in Her Teens

Dance: V: Comic Dance, as17710921

Event Comment: Rec'd stopages #13 2s. 6d.; Paid Salary list #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2; Paid Mr French, on acct 23rd inst. per order Mr L. #7 7s. (Treasurer's Book). Receipts: #98 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Institution of the Garter

Event Comment: Mrs Barry continuing ill, the reviv'd play of Timon of Athens oblig'd to be deferr'd till Monday when it will be performed for the Second Time. Rec'd stopages #13 13s.; Paid Salary list #501 3s. 6d.; Mrs Abington on Cloaths acct #2; Mr Costain on note #4 4s.; Mr Samuel French 11 days (5th inst. incl.) #2 15s. (Treasurer's Book). Receipts: #156 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Event Comment: Paid Mr Thomas French, 8 days, #3 4s.; Mr Caley, (hatter), #2 2s. (Treasurer's Book). Receipts: #153 10s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Register Office

Cast
Role: Frenchman Actor: Baddeley
Event Comment: Paid Mr Cole (turner) 2 Bills #73; Mr French's 2 drats. #200; Mr Lawrence (paper hanger) #19 11s.; Scott (copper laceman) #225 3s. 6d.; Hatsel (mercer) 2 bills, #365 1s.; Cropley (linen draper) #28 14s. 6d.; Cubitt (tinman) 2 bills, #22 8s.; Chamberlain & Co. (ironmongers) 2 bills, #44 7s. 6d.; Waller (hosier) #65 13s.; Barrow & Co. (oil merchts.) #21 17s. 6d.; Printer's Bill, #9 6s. (Treasurer's Book). Receipts: #162 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequin's Invasion

Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Amelia