Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Event Comment: Jacques Thierry and Will Schellinks attended this performance, but do not indicate the theatre. See Seaton, Literary Relationships, pp. 334, 336. As this play had been acted by the King's Company on 11 Jan. 1661@2, it has been assigned to Vere St.

Event Comment: Jacques Thierry and Will Schellinks saw this performance (Seaton, Literary Relationships, pp. 334, 336). Although this performance falls in Passion Week, the date seems correct. Because the patent theatres normally closed during Passion Week, this performance has been tentatively assigned to the red bull Company. As Jolly played Part I (A Girle Worth Gold) at Norwich, this is probably a presentation of Part I

Event Comment: Jacques Thierry and Will Schellinks saw a ballet somewhere in London (Seaton, Literary Relationships, pp. 334, 336)

Event Comment: In London Jacques Thierry and Will Schellinks saw: de France Comedij Andromeda (Seaton, Literary Relationships, pp. 333-34). The theatre is not known. This play may be Corneille's Andromede

Event Comment: This play was seen at the red bull by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Seaton speculates that the play may be: (1) Rowley's A Shoemaker a Gentleman; (2) a droll made out of the Christopher Sly prologue of The Taming of the Shrew; (3) Tourneur's lost The Nobleman or Great Man. William VanLennep ("The new-made Nobleman," Times Literary Supplement, 20 June 1936, p. 523) thinks that it may be Beaumont and Fletcher's Noble Gentleman. Nicoll (Restoration Drama, pp. 309-10) believes that this was Jolly's Company acting at the red bull

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Jolly's company acted this play at Norwich

Event Comment: The Duke's Company. This performance was attended by Jacques Thierry and Will Schellinks at the Duke's Theatre (Seaton, Literary Relationships, pp. 333, 335)

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As this play was presented by the King's Company on 15 Nov. 1660 and again on 30 Dec. 1661, it was probably given at Vere St.

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As this play was given as recently as 5 Feb. 1661@2 by the King's Company, it has been assigned to Vere St.

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As the King's Company is the only one known to gave given it since the Restoration, it has been assigned to Vere St

Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Event Comment: On this day Jacques Thierry and Will Schellinks saw fencing on the stage at this theatre (Seaton, Literary Relationships, pp. 334, 336)

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336). The company may have been Jolly's, but it may also have been the King's temporarily acting there. See Sprague, Beaumont and Fletcher, p. 22, and Hotson, Commonwealth and Restoration Stage, pp. 178-79

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336), but no theatre is named. The most recent dated performance was given by the Duke's Company, 5 Dec. 1661