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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jackson"/1) | (@(roleclean,performerclean) "Jackson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1343 results for: Keyword - Jackson
We found 1330 matches on Roles/Actors, 308 matches on Performance Comments, 68 matches on Author, 63 matches on Event Comments, and 61 matches on Performance Title.

1301
12 December 1759 @ Covent Garden

Event Comment: Receipts: Benefit for Jackson, Charges #84. Cash #49 16s. 6d. plus #113 19s. from tickets (Boxes 83; Pit 432; Gallery 284). Total Income #163 15s. 6d. Paid Rich on account #500; Paid Ledley for 16 doz. Wax Candles #24 16s

Performances

Mainpiece Title: Zara

Performance Comment: Osman-Jackson1st time (3rd appearance on any stage); Lusignan-Sparks; Nerestan-Dyer; Chatillon-Anderson; Orasmin-Ridout; Melidor-Perry; Selima-Mrs Elmy; Zara-Mrs Ward.
Cast
Role: Osman Actor: Jackson1st time

Afterpiece Title: Lethe

Dance: FFingalian Dance-Miss Hilliard

1302
07 October 1762 @ Drury Lane Theatre

Event Comment: MMr Jackson did Oroonoko for the first time (Cross Diary)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Ranger

1303
28 November 1766 @ Covent Garden

Event Comment: Rec'd of J. Jackson for an order for 3 in the Gallery the 28th inst. 6s. Paid Sutherland for playing bag pipes in Faustus six nights #1 10s. (Account Book). [Sutherland received his five shillings a night for this performance each time Harlequin Dr Faustus was put on for the rest of the season.] Receipts: #206 16s. (Account Book)

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Harlequin Dr Faustus

1304
05 December 1766 @ Covent Garden

Event Comment: Books of the opera to be had at the Theatre. A charge of #8 17s. for extras and music now appears regularly for this opera. Paid Cooper (Printer) as per bill #39. Rec'd of J. Jackson for an order for 2 in the Gallery 4s. (Account Book). Receipts: #175 8s. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Dance: TThe Garland, as17661203; Rural Love, as17661203

1305
20 April 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What D'ye Call It

Performance Comment: Jonas Dock-Weston; Sir Roger-Parsons; Squire Thomas-Moody; Sir Humphrey-Hartry; Justice Statute-Jacobs; Peter Nettle-Massink; Stave-Waldron; Joyce-Mrs Hopkins; Aunt-Mrs Love; Dorcas-Mrs Davies; Kitty Carrot-Miss Pope; The Original Song Twas When the Seas were Roaring[, as Set by Mr Jackson of Exeter, to be sung-Mrs Wrighten; [To conclude with a Country Dance-. [Advertised as not acted in 10 years. Actually not at dl since 21 March 1748.]Advertised as not acted in 10 years. Actually not at dl since 21 March 1748.]

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

1306
15 February 1773 @ Drury Lane Theatre

Event Comment: Last time performing Mainpiece till the Benefits. Paid Mrs Jackson for women's cloaths #9 9s. (Treasurer's Book). Receipts: #166 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023

1307
20 October 1774 @ Covent Garden

Event Comment: [The Gentleman in the mainpiece under the pseudonym of Melmoth was the voluminous writer Samuel Jackson Pratt. Identification by Hopkins MS Notes. He had acted first in Dublin, 1772-73.

Performances

Mainpiece Title: Philaster

Afterpiece Title: Daphne and Amintor

Dance: II: The Provencale, as17740928; III: The Vintage Festival, as17741007

1308
20 May 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts by Foote, Whitfield, Fearon, Aickin, R.Palmer, Jackson, Palmer, Davis, Lloyd, Bannister, Stephens, Walters, Baddeley; Miss Sherry, Miss Ambrose, Miss Platt, Mrs Jewell. Sir Robert Riscounter-Foote; Sir James Biddulph-J. Aickin; Pillage-Palmer; Resource-Fearon; Margin-Baddeley; Robin-Whitfield; Phelim-Bannister; James-R. Palmer; Lady Riscounter-Miss Sherry; Lydia-Mrs Jewell; Lucy-Miss Ambrose; Kitty-Miss Platt (Genest, V, 528).

Afterpiece Title: The Mock Doctor

Dance: The Merry Lasses-

1309
19 June 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Cozeners

Performance Comment: Parts-Foote, Edwin (first time that stage), Aickin, Bannister, Griffith, Stephens, Parsons, Baddeley, Burton, Jackson, Miss Sherry, Miss Platt, Mrs Love, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Merry Lasses-

1310
26 August 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Performance Comment: Parts by: Bannister, Dibdin, Jackson, Griffith, Lloyd, A Gentleman first appearance, Mrs Love, Mrs Jewell. Don Pedro-Wilson; Lysander-Bret; Fabio-Bannister; Perez-Weston (?); Marcella-Mrs Jewell; Juletta-Mrs Weston (Edition of 1776).

Dance: The Venetian Regatta-

1311
13 December 1781 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece St. David's Day; or, The Village Revels by Aldridge, Langrish, Jackson, Miss Rowson, Miss Besford

Performance Comment: David's Day; or, The Village Revels by Aldridge, Langrish, Jackson, Miss Rowson, Miss Besford .

1312
21 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Love At A Venture; Or, The Rake Reclaim'd

Performance Comment: Principal Characters by performers engaged from different Theatres: Morris, Barrett, Money, Whitely, Jameson, Sheene, Lewis, Jackson, Middleton, Stanley, Dancer; Miss Fitzherbert, Mrs Sauley, Mrs Waite, Miss Anderson, Miss Brice. Cast not listed. A new Prologue and Epilogue .

Afterpiece Title: The Tobacconist

Monologue: 1782 03 21 End of mainpiece (never performed here) Phelimoguffinocarilocarneymacframe's Description of a Man of War and a Sea Fight, with Explanations, by Mrs Kennedy

1313
06 May 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Performance Comment: Principal Characters by Barrett, Swords, Johnson, Jackson, Barnes, Lyon, Alfred, Morris; Miss Atkinson, Mrs Sauley, Miss Brice, Miss Churchill, Miss Williams. Cast not known. With a Prologue and Epilogue .

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

1314
16 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Thomas Hull; also ascribed to Samuel Jackson Pratt. Author of Prologue unknown. Epilogue by S. J. Pratt. {Miscellanies, 1785,1,271). MS: Larpent 603; not published]: With a grand Masquerade Scene, and Decorations incident to the Piece. Receipts: #234 17s. (223/13/0; 11/1/6; 0/2/6)

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: The Gentle Shepherd

1315
25 November 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Performance Comment: Francisco (with an occasional Prologue in the character of Harlequin)-Pressley; Abrahamides-Cross; the other Characters by Marks, Bailey, Singer, Thomas, Sparrows, Middleton, Stephens, Jones, Browne, Goodman, James, Barnet, Newton, Hunt, Jackson, Hurst, Bulls, Crowther; Tailors' Ladies-Mrs Burden, Miss Nash, Miss Jameson, Miss Hemet .

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

1316
26 May 1791 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Trowion, Rock, Blurton, Ledger, Evatt, Jackson, Ratchford, Cross, Letteney, Williamson. Mrs Davenett, Mrs Lefevre, Mrs Lloyd, Mrs Arnold, Mrs Gray, Mrs Masters, Mrs Goodwin will be admitted. Receipts: #435 9s. (45.8; 3.2; tickets: 383.19)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deaf Lover

Dance: As17910507

1317
23 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

Performance Comment: What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character .

1318
04 March 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.

1319
30 May 1795 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by W. Wilde, Curteen, Jackson, Gillet, Goostree, Mrs Masters, Miss Hill, Mrs Norton, Finley, Ashwin, Standen, Burton, Goodwin, Coates will be admitted. Receipts: #394 19s. (43.11.6; 4.12.6; tickets: 346.15.0)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: The Farmer

Dance: End: The Irish Lilt-

1320
10 December 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

Performance Comment: , [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart.

1321
12 March 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Performance Comment: Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson.

1322
19 November 1796 @ Covent Garden

Event Comment: Mainpiece [1st time: CO 3, by Joseph George Holman. Text: George Cawthorn, 1796]: The new Music composed by Shield. The Selections from Gretry, Giornovichi, Jackson, and Mahon. The new Scenery painted by Richards. Books of the Songs to be had in the Theatre. Oracle, 7 Dec. 1796: Tomorrow will be published Abroad and at Home (2s.). Receipts: #220 9s. (219.2; 1.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Deaf Lover

1323
03 March 1797 @ Covent Garden

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

1324
29 May 1797 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Farley, Cresswell, Jackson, Street will be admitted. Afterpiece: A short Description of the Scenery, as 22 May. The Music, &c. as 8 Apr. [Mainpiece in place of A Cure for the Heart Ache, advertised on playbill of 27 May.] Receipts: #247 16s. (105.10.6; 7.5.6; tickets: 135.0.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Oscar and Malvina

1325
10 June 1797 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [by Wm. Banks, Dale Sen., Chippendale, Gregson, Jacobs, Wells, Thompson, Whitmell, Mrs Byrne, Mrs Butler, Miss Jackson (Account-Book)] will be admitted. Receipts: #305 4s. (17.4.6; 22.0.0; 1.7.0; tickets: 264.12.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro