SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and C M Rich"/1) | (@(roleclean,performerclean) "J and C M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2081 matches on Event Comments, 1680 matches on Performance Comments, 682 matches on Author, 233 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Drury Lane--New Painted and Decorated. Miss Pope's good acting is said to have made up for her deficiency in singing (Genest, V, 314). On Sept. 19 Fisher, Musician, married the widow of the late Powell, Patentee of cg (Winston MS 10). Rec'd Mrs Johnston's 1 year's rent to Lady Day Last #6; Paid Mr French on Acct per order Mr G. G. #20. Paid Renters #8. [This payment occurs each playing night throughout the season, and is not noted further.] The total amounted to #1576 (Drury Lane Treasurer's Book). Receipts: #188 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Cautherly; Freeman-Fawcett; Duke's Servant-Palmer; Philip-Baddeley; Sir Harry's Servant-Dodd; Kingston-W. Palmer; Robert-Ackman; Kitty-Miss Pope (with a song and mock Minuet).

Dance: II: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano-Love; Trincalo-Baddeley; Caliban-Ackman; Ariel (with songs)-Mrs Scott; Hymen-Kear; Ceres-Mrs Dorman; Miranda-Miss Rogers; Francisco-Griffith; Master of Ship-Wrighten; Boatswain-Wright; Gonzalo-Burton; Alonzo-Bransby; Antonio-Hurst; Sebastian-Keen; With a Grand Dance of Fantastic Spirits-; The other Dances-Atkins, Sg and Sga Giorgi.

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-DuBellamy; Buck-Davis; Luke-Lewes; Snarl-Wignell; Fleece-R. Smith; Landlord-Morris; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Kniveton; Landlady-Mrs Gardner; Sally-by the young Lady who performed in the Maid of the Mill and the Fairy Prince.

Dance: II: Comic Dance, as17711031

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Beggars Opera

Dance: After II of Comedy: The Dutch Milkmaid, as17710923

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Wignell and Davis. Charges #64 10s. Deficit to each #7 12s. 3d., cover'd by income from tickets: Wignell #83 1s. (Box 80; Pit 311; Gallery 164); Davis, #61 5s. (Box 26; Pit 287; Gallery 117). Receipts: #49 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Apprentice

Dance: II: The Lilt, as17720326

Event Comment: Mrs Booth has lately erected a Monument to B. Booth, is now upwards of 90, was the famous Miss Santlowe so much admir'd as Actress and Dancer (Winston MS 10). Advanc'd Mr Barry (b:office keeper) #15; Ditto to Mr Watson (b:office keeper) #10 (Treasurer's Book). [Operating cash returned to treasury on 5 June 1773, but with a deficit of #6 5s. Barry seems not to have been hired thereafter, Archeveque taking his place the following season.] Receipts: #173 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance, as17720922

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Abram-W. Palmer; Gasconade-Baddeley; Snip-Parsons; Old Woman-Dodd; Corp. Bounce-Bransby; Simon-Moody; Justice-Hartry; Constable-Griffith; Forge-Ackman; Welshman-Waldron; Irishman-Messink; Dolly Snip-Miss Pope; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; To Conclude with a Grand Chorus-Champness, Mrs Wrighten, Bannister, Dibdin, Davies, Kear, Fawcett, Wheeler, Mrs Scott, Mrs Hunt.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: End: The Fingalian Dance with Double Hornpipe, as17721009

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-Perry; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Mattocks; Landlady-Mrs Gardner; Sally-Miss Brown, who performed last season in the Fairy Prince and in Man and Wife.
Event Comment: Man and Wife is deferr'd on account of Indisposition of a principal performer. Paid Mr Asselin for his performance #10 10s. (Account Book). [See Entertainments for 5 Nov.] Receipts: #120 4s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Deuce Is in Him

Dance: End Opera: The Recruits-Aldridge, Sga Manesiere, Miss Twist, Mas. Harris. [See17720501.

Event Comment: Mrs Smith Polly (first time) very well (Hopkins Diary). Paid Salary list #513 17s. 6d.; Miss Mansell and Mr Dimon 5 guineas each per order, #10 10s.; Mr Clinch ditt, #5 5s.; Rec'd stopages #20 13s. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023; II: Minuet, Allemande-Mas. Holland, Miss Armstrong, Scholars of Daigville

Performance Comment: Holland, Miss Armstrong, Scholars of Daigville.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Performance Comment: As17721106, but Grand Chorus-Mrs _Wrighten, _Bannister.

Dance: II: Comic Dance, as17720922

Event Comment: Paid Whitefield quarter year's salary due Xmas last #25, and Sarjant quarter year's salary due same time, #10. Advanc'd cash to Lee Lewes as per note #50 (Account Book). Receipts: #215 2s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Beggars Opera

Dance: II: Comic Dance, as17720922

Event Comment: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Event Comment: [Lucy identified as Miss Dayes by Kemble note on playbill and by Winston MS 10.] At the opening of this season Justice Sir John Fielding wrote to Garrick not to play the Beggar's Opera fearing it had a bad influence on the minds of the young. But both Garrick and Colman continued to play it (Winston MS 10). Receipts. #183 13s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: End: New Dance, as17731021

Event Comment: Mainpiece: By Particular Desire. Paid Younger for writting parts #10 4s. 9d.; Paid Mrs Giles for a Blue & Silver suit of women's cloaths #9 9s. (Account Book). To Covent Garden. Beggar's Opera and Commissary. Found the Pit not over fifth full, and on the 4th bench from orchestra orange woman showed me Pol. Kennedy alias Mrs Bevon, on which I went and sat immediately before her, and talked with her much during the play. Pol. Kennedy in cloak and large hat. She is tall, large and raw-boned. Irish features, yet had something in her face and person necessarily attracting notice--was very civil, curteous, and chatty (Baker, Diary, p. 270). [Pol. Kennedy was the Irish actress and contralto who later appeared as Mrs Farrell at dl in 1776 in Arne's Caractacus.] Receipts: #122 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus