SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Lewis"/1) | (@(roleclean,performerclean) "J Lewis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2003 matches on Performance Comments, 1122 matches on Author, 563 matches on Event Comments, 102 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: a new Ballet (1st time; composed by D'Egville) Hyppomene et Atalante-Deshayes, Laborie, Didelot, D'Egville, Mlle Parisot, Mme Laborie, Mme Hilligsberg, Mlle J. Hilligsberg, Mme Rose Didelot. [Cast from dl playbill of 14 May 1800 (and see18000322 Hyppomenus-Deshayes; +Adrastus-Laborie; +Pelus-Didelot; +Atalante-Mlle Parisot; +Zelie-Mme Laborie; +Clitie-Mme Hilligsberg; +Sererine-Mlle J. Hilligsberg.

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Gentleman Gardiner

Dance: Mr J. Granier, J. Granier's sister

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Phoebe

Song: III: a Ballad call'd Lothario-Miss Norris

Dance: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: Flora

Dance: I: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Phoebe

Song: Between the acts: Miss Young

Dance: I: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Colombine Courtezan

Dance: Phillips, J. Granier, J. Granier's Sister, others; particularly (by desire) a Minuet-LaLauze, two of LaLauze's scholars

Performances

Mainpiece Title: The Careless Husband

Song: I: Lothario-Miss Falkner; II: The Truly Happy Man-Leveridge; IV: Mirth Gives Courage-Leveridge

Dance: V: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and Miller

Song: IV: The Smiling Hours-Roberts

Dance: V: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: [Miss in Her Teens

Dance: [I: A Peasant Dance-Master Granier, Miss Granier; III: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Devil to Pay

Dance: III: Villeneuve, Mlle DeLaCointrie her 2nd appearance on English Stage; IV: Comic Dance-J. Granier, J. Granier's Sister; End: Louvre and Minuet-Villeneuve, a Young Lady Scholar of Villenueve

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: I: Comic Dance-J. Granier, J. Granier's sister; II: A New Scotch Dance, in which will be introduced by Particular Desire the Scotch Measure, the Highland Reel-Froment, Mad DeLaCointrie; V: Minuet-Froment, Mad DeLaCointrie

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Damon and Phillida

Song: A Dialogue of Jack and Jenny-Wilder, Miss Falkner

Dance: CComic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The King and Miller

Dance: IV: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Old Maid

Music: I: Violin Solo-J. Martin

Dance: II: A Hornpipe-Miss Daw; III: New Comic Dance-Duquesney, Granier, Dumay; IV: The Catalonian Marriage, as17630308 End: a Minuet-Dumay, Miss Twist

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Register Office

Song: II: A Song, The Judicious Choice-Kear

Dance: End: A Minuet-Miss Collett, Miss Giorgi, as17670508

Entertainment: BBucks Have At Ye All-J. Palmer

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lyar

Dance: II: The Cow@keepers- (with alterations and additions) (see17680426; IV: The Cotillion, as17680426 but Sga Lucchi to the dancers; End: +New Comic Dance, as17680116

Entertainment: End: Bucks Have at ye all-J. Palmer

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Double Disguise

Dance: End II: an entire New Dance-Hamoir, Miss J. Stageldoir; End: The Irish Fair, as17880306

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Event Comment: Benefit for Lewis. Last Night of performing before the Holidays. [See first version of this afterpiece under title What We Must All Come To, 9 Jan. 1764. It was damned then but now met with success. A Comedy by Arthur Murphy. The reviewer for the Westminster Magazine for April stamped the afterpiece with his approval.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17750920, but Ranger-Lewis, first time; Bellamy-Young; Frankly-Wroughton, first time.
Cast
Role: Ranger Actor: Lewis, first time

Afterpiece Title: Three Weeks After Marriage

Performance Comment: Parts by Lewis, Lee Lewes, Young, Quick, Mrs Green, Mrs Pitt, Miss Dayes, and Mrs Mattocks. Sir Charles Rackett-Lewis; Woodley-Young; Drugger-Quick; Lovelace-Lee Lewes; Lady Rackett-Mrs Mattocks; Dimity-Mrs Green; Mrs Drugget-Mrs Pitt; Nancy-Miss Dayes (Edition of 1776) the Edition lists Lovelace-$Booth, who took over the part on 11 April.
Cast
Role: Sir Charles Rackett Actor: Lewis

Entertainment: End: (By Particular Desire) Bucks Have At Ye All, with alterations, spoken-Lewis

Dance: Before Farce: The Merry Sailors, as17760314

Event Comment: [By David Lewis.] Benefit the Author. N.B. By reason of the Heat of the Weather, the said Tragedy will be perform'd only for the Benefit of the Aug&thor (this Season). Receipts: money #18 15s.; tickets #126 16s. Probable attendance: boxes, 16 by money and 386 by tickets; stage, 12 by money; pit, 30 by money and 202 by tickets; slips, 1 by money; first gallery, 34 by money; second gallery, 34 by money

Performances

Mainpiece Title: Philip Of Macedon

Related Works
Related Work: Philip of Macedon Author(s): David Lewis

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980409, but added; Mrs Powell [the only time her name is in the playbill of this play (and see17971214)]; Wentworth_; Gibbon_; Original Epilogue-Mrs Jordan; (for that night only) a new Additional Dialogue[, written by M. G. Lewis, Esq., Author of the Play,-Mrs Jordan, Mrs Powell.
Related Works
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Cast
Role: Theodore Actor: Lewis

Afterpiece Title: The Deaf Lover