SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J French"/1) | (@(roleclean,performerclean) "J French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1191 matches on Performance Comments, 799 matches on Event Comments, 655 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: N.B. The sixth night of the New Tragedy of The Grecian Daughter is oblig'd to be deferred till Monday. Paid 2 Clarinets 3 nights (22 Feb. incl.) #4 14s. 6d.; Paid 4 Days' salary at #83 9s. 9d.; #333 19s.; Mrs Abington's cloaths acct, #1; Mr S. French 6 days, #1 10s.; Extra soldiers, #1 4s.; Rec'd Mr Condill's 2nd payment for fruit office #20 (Treasurer's Book). Receipts: #156 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Mrs Barry. King Arthur oblig'd to be deferr'd on account of Mr Barry's illness. Tickets deliver'd for The Distressed Mother will be taken. Pit and Boxes are laid together. Send servants by Four o'clock. Afterpiece: Not acted these seven years. [See 21 April 1760.] The Farce hiss'd. Mrs Barry Sir Harry (Hopkins Diary). Paid Salary list #333 19s.; Mrs Abington's Cloaths Acct, #1; Mr S. French 6 days, #1 10s. (Treasurer's Book). Receipts: #296 14s. Charges: #65. Profit to Mrs Barry: #231 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Upholsterer

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: Benefit for Miss Pope. Afterpiece: By Desire. Mainpiece: Not acted these 2 years. [See 15 Feb. 1770.] Paid salary list #333 19s.; Mrs Abington's Cloaths acct #1; Mr S. French 6 days #1 10s. (Treasurer's Book). Receipts: #250 6s. 6d. Charges: #69 16s. Profits to Miss Pope: #180 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. Addison's Hymn-(music by Handel); with a solo on the Violincello-Duport; Part II. Milton#s Morning Hymn, with a Duetto on the Hautboy and French Horn-Fisher, Ponta; Part III. Dixit Dominus, with concerto on Violin-Sga Sirmen; Her last time of performing in England. Part IV. Anthem-Negri (Theatrical Review, p. 223).
Event Comment: Zara first time Miss Younge-very well (Hopkins Diary). Benefit for Miss Younge. Paid Salary List #333 19s.; Mrs Abington's Cloaths acct, #1; Mr S. French 6 days, #1 10s. (Treasurer's Book). Barry Ill (Winston MS 10). Last time of performing till the Holidays (playbill). Receipts: #253 7s. 5d.; Charges: #65 17s. Profits to Miss Younge: #187 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lottery

Monologue: End of Play: Linco's Travels. As 24 March followed by

Dance: The Sailors Revels, as17711008

Event Comment: Benefit for Mr Moody. Paid Mr S. French 6 days #1 10s.; Master Thomson, 13 nights #3 5s. (Treasurer's Book). Receipts: #246 6s. Charges: #64 12s. Profits to Moody: #181 14s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What D'ye Call It

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

Performances

Mainpiece Title: Concert

Music: Part I.Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon

Performance Comment: Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon.
Event Comment: Benefit for Bannister. Rec'd stopages #11 15s. 6d.; From Sinking Fund, 1st, #157 10s. (Treasurer's Book). [N.B. this last bookkeeping transfer seems to have enabled treasurer to pay off Mr Calthorpe. See 1 May 1772.] Paid Salary list #497 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Master Brown 3 nights #1 2s. 6d. Receipts: #140 9s. 6d. Charges: #58 16s. 6d. Profits to Bannister: #81 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mayor of Garratt

Entertainment: IV: Scrub's Trip to the Jubilee, as17720427 (for that Night only) a Variety of Imitations-Bannister

Dance: End: The Sailors Revels, as17711008

Event Comment: Mrs King being to Quit the Stage at the end of this Season Mr G. kindly play'd for her Benefit great Applause (Hopkins Diary). Benefit for King. Pit and Boxes laid together. Paid salary list #494 18s. 6d.; Mrs Abington's Cloaths acct #2; Mr S. French, 6 days #1 10s. Receipts: #287 6s. Charges: #64 4s. Profits to Mrs King: #223 2s. [Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Trip to Scotland

Dance: V: A Minuet-Giorgi, Mrs King

Event Comment: Majr O Flaherty Mr Hurst-not enough upon the Brogue (Hopkins Diary). Benefit for Hurst and Rooker. Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mrs S. French #1 10s.; Rec'd stopages #9 8s. 6d.; from Sinking Fund #42. Receipts. #229 19s. Charges: #74 14s. Profits to Hurst and Rooker: #155 5s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Event Comment: By Desire. House (Hopkins Diary). Last time performing Mainpiece this season. Rec'd from Mr Clutterbuck #150; Stopages #7 17s. 10d.; Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Dr Nares & Mrs Cooke's boys 3 nights (13th inst incl.) #6 (Treasurer's Book). Receipts: #64 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: Mr G very fine-Voice clear to the last great Applause. House (Hopkins Diary). Ladies and Gentlemen requested to come early to prevent confusion. Rec'd Stopages #6 5s. 6d.; from Mr Clutterbuck #100; Paid salary list #494 18s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French #1 10s.; Signora Vidini, 1 day in full of this season 16s. 8d. Receipts: #268 8s. 6d. (Treasurer#s Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Event Comment: Rec'd Stopages #1 3s. Paid 4 days salary list #289 5s. 8d. at #72 6s. 5d. per diem; Mrs Abington in full of #60, for cloaths #1; Mr S. French #1 10s.; Mr S. Barry and Wife 1 days salary in full #8 6s. 8d.; Sieur Daigville and Wife ditto #1 (Treasurer's Book)

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Il Dilettante

Performance Comment: Parts by Reinhold, Bannister, Mrs Thompson. In which will introduce the German, French, Italian style of singing-Bannister; Crotchet-Reinhold; Col. Cockade-Bannister; Widow Wishful-Mrs Thompson (Edition of 1772).

Music: Between the Acts: Concerto on Piano Forte-Hook (by Particular Desire); The Ode-Hook for the opening of the New Exhibition Room of the Royal Incorporated Artists of Great Britain. Chorusses will be supported by a number of Capital singers and young gentlemen of St Paul's Choir; The principal vocal parts-Reinhold, Bannister, Mrs Cartwright, Mrs Thompson

Event Comment: Afterpiece: With alterations and additions, particularly Two Views of the Eruption of Mt Vesuviusv. [See 26 Dec. 1771.] Garrick has withdrawn his motion, King's Bench (Winston MS 10). [See 2 July 1772.] Paid Mrs Abington's cloaths, 2 weeks, #2; Paid Messrs Baddeley, Jacobs, Lings & Mrs Egerton, salary short-paid last week, 18s. 6d.; Paid Mr Weston's note to Mr Spencer #10 10s. [Mrs Abington's contract seems to have included #60 for clothes which she provided for herself. The amount was paid to her in 26 weekly payments of #2 each and 10 payments of #1 each throughout the season. No further listing of this expenditure will be made.] Paid 3 days salary list at #80 16s. 1d. per diem, #242 8s. 3d.; Mr S. French, 6 days, #1 10s. (Treasurer's Book). Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches; or, A Trip to Naples

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I, Overture in Artaserse-(Giordani); Songs-Savoi, Sga Carara, Ristorini; Concerto on the Basson-Richter, first time of performing publicly in England; Part II, Songs-Savoi, Sga Girelli, Ristorini, Millico; Concerto on the German Flute-Tacet; Concerto on the Violincello-Crosdill; Concerto on the French Horn-Spandau; Part III, Songs-Sga Carara, Sga Girelli, Millico; Concerto on the Hautboy-Fischar; Solo on the Violin-Hay; a favourite overture for two orchestras composed by Bach. a favourite overture for two orchestras composed by Bach.
Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Event Comment: House (Hopkins Diary). Paid salary list #525 2s.; Mr King's extra salary #3; Mr French on acct #5 5s.; Mr C. Bannister per order #19 10s.; Miss Hopkins 140 nights not on List #46 13s. 4d. Rec'd stopages #18 4s. 6d. Receipts: #165 3s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Genii

Event Comment: Benefit for Mrs Bulkley. Mainpiece: A New Comedy [by a Lady] never perform'd in this Kingdom. As performed with Universal Applause at the Theatre Royal in Dublin. [The Edition of 1774 lists the Irish Actors. The characters are: Mowbray, Sir Thomas O'Shaughnesy; Admiral Swivel; Leslie; Egerton; Capt. Egerton; Issacher; Donald M'Pherson; Strap; Elfrida Audley; Henrietta Egerton; Mrs Ornel; Mrs Issacher; Jenny, a Mantua Maker, a Maid; French servants and porters. Genest suggests a casting for ten of the characters.] Charges: #66 6s. 6d. Profit to Mrs Bulkley #33 17s., plus #93 13s. from tickets Box 232; Pit 177; Gallery 91). Paid Mrs Carne half year' salary due Lady day last #15. Paid half year's water rent due Xmas last #4. Receipts: #100 3s. 6d. (Account Book)

Performances

Mainpiece Title: The South Briton

Afterpiece Title: The Apprentice

Dance: IV: A Double Hornpipe-Mas. Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley

Monologue: Interlude.End: True Blue. As 26 March

Performances

Mainpiece Title: Il Dilletante

Performance Comment: Parts-Reinhold, DuBellamy, Miss Wewitzer; with Imitations of the German, French, and Italian style of singing-Reinhold.
Event Comment: These performers will entertain the audience with singing in the same manner as at the Synagogues. Before the Entertainment they will sing in French, and after the first part in Italian

Performances

Mainpiece Title: Don Quixote

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Event Comment: By Particular Desire. A dispute...between a German Baron and a French Gentleman would have terminated in a duel, but that an Englishman of rank sent an account of the matter to Bow Street, on which the parties were desired to attend when it appeared that the Baron had insulted the Gentleman at the Opera, insisted on his fighting immediately in the street or the next morning at Hyde Park with pistols. [The Baron was charged with the responsibility of keeping the peace (Public Advertiser)]

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: Le Retour des Matelotes, as17760319 II: La Fete du Village, as17760224

Ballet: End Opera: Astolphe. As17760312