SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Dean"/1) | (@(roleclean,performerclean) "J Dean")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 898 matches on Performance Comments, 498 matches on Event Comments, 107 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Great Room, Dean St. Benefit for Miss Formantel. Price: 5s. To begin at 7

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Mrs Ward. To prevent any interruption in the performance, there will be No Building on Stage. N.B. Tickets to be had of Mrs Ward, at Mr Dean's in Queen St., Soho; and of Mr Sarjant, at the Stage Door, where Places may be taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Englishman in Paris

Dance: I: The Jealous Woodcutter, as17621023

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Hull. Public Advertiser, 12 Apr.: Tickets to be had of Hull at his house in Duke's Court, near Dean's Yard, Westminster

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Song: As17850405

Event Comment: Benefit for Tenducci. Tickets, half a guinea each, to be had of Tenducci, No. 63, Dean-street, Soho

Performances

Mainpiece Title: Orfeo

Dance: As17850512

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Tom Thumb

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

Event Comment: Benefit for Ryder. Public Advertiser, 7 Mar.: Tickets to be had of Ryder, No. 68, Dean-street, Soho. 2nd piece: Written by Foote. 3rd piece: Not acted these 10 years [not acted since 29 Oct. 1773]. Receipts: #274 16s. (176.3.6; 5.3.6; tickets: 93.9.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lady Pentweazle in Town

Afterpiece Title: The Intriguing Chambermaid

Song: II: a song-King

Event Comment: Benefit for Hull. World, 17 Apr.: Tickets to be had of Hull, Duke's Court, near Dean's Yard, Westminster. Receipts: #209 11s. (124.11; 3.8; tickets: 81.12)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Poor Soldier

Dance: As17870217

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little; or, The Rival Queans

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

Event Comment: Benefit for Hull and Macready. 1st piece: In Act IV a Martial Procession with the Body of Marcus. 2nd piece [1st time: M. INT 1, author unknown. Larpent MS 1173; not published]: With appropriate Scenery and Dresses. The Music selected from Boyce, Purcell, Reeve and Shield. Morning Herald, 31 May: Tickets to be had of Hull, No. 7, Duke's-court, near Dean's-yard, Westminster; of Macready, No. 22, Charles-street, Tottenham-court-road. Receipts: #314 3s. (112.9.0; 4.14.6; tickets: 196.19.6, of which Hull sold 70.12.6, and Macready 126.7.0)

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Tea

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The National Prejudice

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Woman's

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert