SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J Hough"/1) | (@(roleclean,performerclean) "J Hough")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 912 matches on Performance Comments, 456 matches on Event Comments, 95 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Harlequin and Oberon or The Chace to Gretna

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte or The Magic Arm

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard or Female Curiosity

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Apprentice

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Select Parts of the Funeral Anthem-; Lord what is man?-Miss Capper (Semele); Tears such as tender-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); What though I trace-Mrs Atkins (Solomon); Angels ever bright and fair-Mme Mara (Theodora); March, The trumpet's loud clangour-Chorus (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: The Magic Oak

Music: As17990205

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel boyce And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).
Cast
Role: What though I trace Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990306

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Dance: In: As17990316

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Spoild Child

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Albert and Adelaide

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Family Distress

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Family Distress

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Purse

Afterpiece Title: Family Distress

Afterpiece Title: The Prisoner at Large

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Ways and Means

Afterpiece Title: Fortunes Frolick