SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: Mainpiece: A Comedy [by Wm Kenrick] never perform'd before. The characters New Dress'd. [Theatrical Monitor, No VIII (16 Dec. 1767) approved the mainpiece--"engages the mind, affects the passions, totally divested of indecency"--but thought Garrick's art of "puffing" was evident in his note at foot of playbills, "Those Ladies and Gentlemen, who have taken places for this day, are desired to send their servants by one o'clock, in order to ascertain the same, otherwise they cannot be secured," since the house, except the first night, had not been half full. N.B. This note appeared in an Advance Bill, but did not appear in the Bill of the Day.

Performances

Mainpiece Title: The Widowd Wife

Performance Comment: Parts by: Holland, King, Palmer, Reddish, Love, Dodd, Aickin, Watkins, Fox, Wright, Mrs Bradshaw, Mrs Clive, Mrs Palmer, Mrs Abington, Mrs Pritchard. With Prologue, Epilogue. Fred Melmoth-Reddish; Syllogism-King; General Melmoth-Holland; Col. Camply-Aickin; Alderman Lombard-Love; Furnival-J. Palmer; Lord Courtly-J. Aickin; Dr Mineral-Dodd; Mrs Mildmay-Mrs Pritchard; Narcissa-Mrs Abington; Sophia-Mrs Palmer; Sift-Mrs Clive; Susan-Mrs Bradshaw; Prologue-Holland; Epilogue-Mrs Palmer; Servants-Watkins, Wright, Fox (Genest, V, 160).

Afterpiece Title: The Old Maid

Performance Comment: As17671111.

Performances

Mainpiece Title: The Widowd Wife

Performance Comment: As17671205.

Afterpiece Title: Flora or Hob in the Well

Performance Comment: Hob-Moody; Friendly-Vernon; Sir ThomasTesty-Burton; Old Hob-Parsons; Dick-J. Burton; Countrymen-J. Palmer, Strange, Watkins; Hob's Mother-Mrs Bradshaw; Flora-Miss Young; Betty-Mrs Hippisley.
Event Comment: [Mainpiece changed to +Clandestine Marriage due to the sudden indisposition of Mrs Abington (Winston MS 10)

Performances

Mainpiece Title: the Widowd Wife

Performance Comment: Canceled. The Clandestine Marriage. As17671127.

Afterpiece Title: The Lyar

Performance Comment: Young Wilding-J. Palmer; Sir John Elliot-J. Aickin; Old Wilding-Bannister; Papilion-Weston; Miss Godfrey-Miss Simson; Kitty-Miss Matthews; Miss Grantham-Mrs Jeffries.
Event Comment: Characters New Dressed. [The Theatrical Monitor No X (30 Jan. 1768), gives a six-page review of the mainpiece under the usual Aristotelian topics: Fable, Characters, Moral, Sentiment, Diction, rather disapproving of the play on all of them. Praises the performers.

Performances

Mainpiece Title: False Delicacy

Performance Comment: Parts by Holland, King, Reddish, Cautherly, J. Palmer, Wright, Watkins, Mrs Abington, Mrs Baddeley, Mrs Jeffries, Miss Reynolds, Mrs Dancer. With Prologue, Epilogue. Cecil-King; Lord Winworth-Reddish; Col. Rivers-Holland; Sir Harry Newburgh-J. Palmer; Sidney-Cautherley; Lady Betty Lambton-Mrs Abington; Mrs Harley-Mrs Dancer; Miss Marchmont-Mrs Baddeley; Miss Rivers-Mrs Jeffries; Sally-Miss Reynolds; Footmen-Wright, Watkins; Prologue-King; Epilogue (writ. by Garrick)-Mrs Barry (Genest, V, 163, and Edn. 1768).

Afterpiece Title: Flora

Performance Comment: As17671216.
Event Comment: Benefit for Cautherly. [Farce never before acted, written by King.

Performances

Mainpiece Title: The Funeral

Performance Comment: Lord Hardy-Cautherly; Trim-King; Campley-Gentleman, 1st appearance on the stage; Sable-Moody; Puzzle-Baddeley; Lady Harriet-Mrs Abington; Lady Charlotte-Mrs Palmer; Lord Brumpton-Bransby; Trusty-Burton; Kate Matchlock-Ackman; Lady Charlot-Mrs Palmer; Mademoiselle-Mrs Cross; Mrs Fardingale-Mrs Bradshaw; Tattleaid-Mrs Love; Lady Brumpton (the last time)-Mrs Pritchard.

Afterpiece Title: Wits Last Stake

Performance Comment: Parts-King, Parsons, J. Aickin, Hartry, Strange, Mrs Jeffries, Mrs Johnston, Miss Pope. Martin-King; Linger-Parsons; Saville-J. Aickin; Lucetta-Miss Pope; Myra-Mrs Jeffries; Mrs Watchly-Mrs Johnston; Caveat-Hartry; Item-Strange; Boy-Mas. Cape (Genest, V, p. 170).

Dance: III: The Wake, as17680220

Event Comment: Benefit for Aickin. Tragedy not acted in 10 years. [See 9 April 1747.

Performances

Mainpiece Title: Theodosius

Performance Comment: Varanes-Barry; Thodosius-Reddish; Lucius-Keen; Leontine-Hurst; Atticus-Vernon; Aranthes-J. Palmer; Marcian-J. Aickin, 1st time; Julia-Mrs Smith; Delia-Mrs Hippisley; Athenias-Mrs Dancer; Pulcheria-Mrs W. Barry; Vocal parts-Champnes, Kear, Fox, Miss Young, Mrs Dorman (playbill). Vernon, Baddeley, (for Fox and Kear) in the Public Advertiser.

Afterpiece Title: Like Master Like Man

Performance Comment: As17680412.

Music: II: By Desire, Concert on Harpsichord-Master Love

Dance: III: The Medley, as17680416

Event Comment: Mainpiece: A New Tragedy [by John Home]. New Scenes and Dresses

Performances

Mainpiece Title: The Fatal Discovery

Performance Comment: Parts by: Barry, Reddish, Aickin, Jefferson, Palmer, J. Aickin, Strange, Keen, Mrs Barry, Prologue-Barry; Epilogue-Mrs Abington; Ronan-Barry; Orellan-Reddish; Connan-Aickin; Durstan-Palmer; Kathul-Jefferson; Euran-J. Aickin; Rivine-Mrs Barry; Calmar-Strange; Messenger-Keen (Edition of 1769).

Afterpiece Title: Damon and Phillida

Performance Comment: As17681221.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Cautherly; Mercutio-Dodd; Fryar Lawrence-Love; Benvolio-Packer; Capulet-Burton; Tibalt-J. Aickin; Prince-Keen; Paris-Fawcett; Peter-J. Burton; Nurse-Mrs Cross; Lady Capulet-Mrs Johnston; Juliet-Miss Younge, first time; With the Funeral Procession-; Vocal Parts-Vernon, Champnes, Mrs Scott, Mrs Baddeley, Miss Radley, Mrs Dorman; In Act I, a Masquerade-; a Dance-Giorgi.

Afterpiece Title: Harlequins Invasion

Performance Comment: As17690921, but Harlequin-Wright; Snip-Parsons; Abram-W. Palmer; Welchman-Clough.
Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: Parts by Love, Burton, Waldron, Palmer, Cautherly, J. Aickin, Moody, Hartry, W. Palmer, Keen, Clough, Wheeler, Miss Young, Mrs Bradshaw, Mrs Hopkins. Greedy-Love; Allworth-Cautherly; Marall-Waldron; Lovell-J. Aickin; Tapwell-Moody; Servants-Hartry, W. Palmer, Keen, Clough, Wheeler; Margaret-Miss Younge; Froth-Mrs Bradshaw; Lady Allworth-Mrs Hopkins (Genest, V, 257).

Afterpiece Title: The Jubilee

Performance Comment: As17691014.
Event Comment: Benefit for Bannister. Afterpiece: In Two Acts by Foote

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17700108, but Macheath-Bannister, first time; Polly-Mrs Scott.

Afterpiece Title: The Minor

Performance Comment: Shift, Smirk, Mrs Cole, with Imitations, Epilogue-Bannister; Richard Wealthy-Burton; Loader-Palmer; Sir William-Castle; Dick-J. Burton; Transfer-Weston; the Minor-J. Aickin; Lucy-Mrs Jeffries.
Event Comment: Afterpiece: By particular Desire. Juliet by Mrs Morland from the Norwich Theater a thin small figure too long a waist--wants power has a small impediment in her Speech she may be useful but never Capital--Pretty well receiv'd (Hopkins Diary). Mrs Morland the late Miss Westray (O. Smith) (Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Cautherly; Juliet-a young gentlewoman, first appearance [Mrs Morland]; Capulet-Moody; Mercutio-Dodd; Tybalt-J. Aickin; Apothecary-Castle; Peter-J. Burton; Nurse-Mrs Cross; Lady Capulet-Mrs Johnston; Friar Lawrence-Love; Benvolio-Packer; Prince-Keen; Paris-Fawcett; [With the Funeral Procession-; the Vocal Parts-Bannister, Dibdin, Champnes, Davies, Mrs Scott, Miss Radley, Mrs Dorman; [In Act I, a Masquerade and Dance-.

Afterpiece Title: Harlequins Invasion

Performance Comment: As17700929, but Corporal Bounce-Palmer; Forge-_; Sukey Chitterlin-Mrs Davies.
Event Comment: great applause to the Play (Hopkins Diary). Mainpiece: A tragedy never before acted [by Mrs Celisia]. Prologue (by Whitehead)-Reddish; Epilogue (by Garrick)-Mrs Barry. New Scenes, Dresses and Decorations (Winston MS 10). [The Gentleman's Magazine for Feb. reviewed the mainpiece in great detail, concluding: "A combat between two knights in the days of chivalry and honour, not to determine whether a person accused is innocent or guilty, but whether a person under the infamy of acknowledged guilt shall suffer, is, as the Scotch peasant says emphatically of his pupil, a phenomenon. It is, however, but justice to Mrs Barry, to say, that in performing the part allotted her in this piece, she rises like perfection out of chaos, and therefore those who have not yet seen it represented should by no means be deterred by these strictures on the composition, supposing them to be just."

Performances

Mainpiece Title: Almida

Performance Comment: Parts-Barry, Reddish, Aickin, Palmer, J. Aickin, Inchbald, Mrs W. Barry, Mrs Barry. Prologue-Reddish; Epilogue-Mrs Barry; Tancred-Barry; Arnolph-Reddish; Orbassan-Aickin; Catanio-Palmer; Loredan-J. Aickin; Aldamon-Inchbald; Sophia-Mrs W. Barry; Almida-Mrs Barry (Genest, V, 205).

Afterpiece Title: The Lyar

Performance Comment: As17701116.
Event Comment: This New Comedy [Mainpiece] written by Mr Cumberland receiv'd with the greatest applause imaginable particularly Mr Moody's part. He play'd finely--it will have a great run (Hopkins Diary). New Scenes, Dresses, Decorations, &c. (Winston MS 10). [A six and one-half column review of the plot appeared in the Gentleman's Magazine for Feb. 1771.

Performances

Mainpiece Title: The West Indian

Performance Comment: Parts-King, Aickin, Packer, Parsons, J. Aickin, Wheeler, Moody, Cautherly, Baddeley, Wright, Watkins, Mrs Baddeley, Mrs Hopkins, Mrs Egerton, Mrs Love, Mrs Bradshaw, Mrs Abington. Prologue-Reddish; Epilogue-Mrs Abington; Stockwell-Aickin; Belcour-King; Capt. Dudley-Packer; Charles Dudley-Cautherly; Major O'Flaherty-Moody; Stukeley-J. Aickin; Palmer-Baddeley; Varland-Parsons; Servant-Wheeler; Lady Rusport-Mrs Hopkins; Charlotte-Mrs Abington; Louisa-Mrs Baddeley; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw. Epilogue written by David Garrick Esq (Edition of 1771).

Afterpiece Title: Daphne and Amintor

Performance Comment: As17701212.
Event Comment: Benefit for King. Afterpiece, Not acted in 14 years. [But see 1 Feb. 1758.

Performances

Mainpiece Title: Cymon

Performance Comment: As17701121, but Dorcas-Mrs Bradshaw.

Afterpiece Title: The Author

Performance Comment: Cadwallader-King, first time that stage; Mrs Cadwallader-Mrs Abington; first time that stage; Vamp-Moody, first time that stage; Young Cape-J. Aickin; Sprightly-Packer; Poet-Parsons; Robin-Keen; Printer's Devil-J. Burton; Arabella-Miss Burton; Governor Cape-Bransby; Original Prologue-King, By Desire.
Event Comment: Benefit for King. King Played Bayes by desire and for the only time this season (Genest, V, 300). Part of Pit laid into Boxes. Mainpiece: Not acted in three years. [See 25 April 1767.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-King, first time; Smith-J. Aickin; Johnston-Jefferson; Baddeley, Parsons, Palmer, Moody, W. Palmer, Hurst, Castle, Bransby, Booth, J. Burton, Ackman, Kear, Keen, Johnston, Wrighten, Watkins, Rooker, Miss Platt, Mrs Davies, Miss Burton, Miss Collett; With an Additional Reinforcement of Mr Bayes's New Raised Troops-.

Afterpiece Title: The Elopement

Performance Comment: As17701201.

Dance: III: A New Dance call'd The Shepherds Frolic-Atkins, Mrs King

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.

Afterpiece Title: The Musical Lady

Performance Comment: Mask-Dodd; Musical Lady-Miss Pope; Freeman-Fawcett; Lady Scrape-Mrs Johnston; Old Mask-Baddeley; Laundress-Mrs Bradshaw; To conclude with a Country Dance-.
Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: As17711204.

Afterpiece Title: Amelia

Performance Comment: Parts-Vernon, Parsons, Davies, J. Burton, Mrs Fitzgerald, Mrs Hunt. Henry-Vernon; Sir Anthony Withers-Parsons; Frederick-Davies; Peter-J. Burton; Patty-Mrs Fitzgerald; Amelia-Miss Hunt (MacMillan).
Event Comment: Lethe is reviv'd with Alterations & a New Character-very well receiv'd & great Applause-Mr Garrick play'd with great Spirit & was much Applauded (Hopkins Diary). [MacMillan notes lack of Fribble parts in Larpent MS. Yet Theatrical Review, 11 Jan., describes briefly the alterations, suggesting, The character of the Fine Gentleman in the former Lethe had some strong allusions to the behaviour of Gentlemen behind the scenes at the playhouses, which custom being abolished of late years, the character had lost its importance, on which account it is altered to a Fribble, and consequently entirely new written." A methodist taylor, an Irishman, Mr & Mrs Carbine (originally Mr & Mrs Tatoo) are also new. See account also in Town and Country Magazine (Theatre NO. XXXIII).] Paid Salary list, #502 3s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French 6 days #1 10s.; Rec'd, Stopages. #11 13s. (Treasurer's Book). Receipts: #245 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17711003, but Duke-Bransby.

Afterpiece Title: Lethe

Performance Comment: Parts by: Garrick, Vernon, Dodd, Weston, Bannister, Baddeley, Keen, J. Aickin, Moody, Love, Parsons, Ackman, Miss Rogers, Miss Pope. Chalkstone-Garrick; Aesop-J. Aickin; Fribble-Dodd; Charon-Bannister; Old Man-Parsons; Snap-Weston; Mercury-Vernon; Frenchman-Baddeley; Bowman-Ackman; Carbine-Keen; Mrs Carbine-Miss Rogers; Fine Lady-Miss Pope (Winston MS 10).

Dance: III: The Amusements of Strasburgh-as17711118, but now By the scholars of Sg Daigville

Event Comment: This Comedy was written by Mr Cumberland was very well receiv'd & great Applause but it will not be so Successful as the West Indian was (Hopkins Diary). New Scenes and Dresses for the Mainpiece. [See Theatrical Review, 20 Jan. See also account in Town and Country Magazine (Theatre No. XXXIII). Larpent MS 329 again includes scene description by the author: "Hall in Lord Abberville's Housev with a staircase seen through an arch in the Flat."] Receipts: #248 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Performance Comment: Parts by: Barry, King, Reddish, Baddeley, Bransby, Waldron, J. Burton, Dodd, Moody, Griffith, Mrs Hopkins; Mrs Egerton, Mrs Love, Miss Platt, Mrs Barry. With Prologue and Epilogue. Aubrey-Barry; Mortimer-King; Tyrrel-Reddish; Lord Abberville-Dodd; Colin McLeod-Moody; Dr Druid-Baddeley; Bridgemore-Bransby; Napthali-Waldron; La Jeunesse-J. Burton; Jarvis-Griffith; Mrs Bridgemore-Mrs Hopkins; Lucinda-Mrs Egerton; Mrs Macintosh-Mrs Love; Maid-Miss Platt; Augusta Aubrey-Mrs Barry; Prologue-Weston; Epilogue-Mrs Barry (Winston MS 10).

Afterpiece Title: The Lyar

Performance Comment: As17720103.
Event Comment: Paid Mr J. French by consent of assignees [24 Jan.] #5 5s.; Paid Mr J. French's assignees his balance of acct with managers #60 9s. (Treasurer's Book). Garrick (Hopkins Diary). Receipts: #258 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17711017, but Friar-Inchbald; Hero-Miss Hayward, 1st time.

Afterpiece Title: The Padlock

Performance Comment: As17711113.
Event Comment: Mainpiece: Not played for 20 years. Afterpiece: By Desire. The Play very dull Little Applause (Hopkins Diary). Benefit for Reddish. Theatrical Review, 28 March: The plot of this piece is taken from a well known passage in history, which, however, is too barren of incidents for the support of a piece of 5 acts, on which account it is rather languid and tedious, notwithstanding the language in general is tolerable poetical. What could induce Mr Reddish to revive so dull a performance, after it had been neglected for 20 years, we cannot conceive, unless it was with a view of having an opportunity to rant a few speeches in favor of liberty; but (as the piece was miserably represented except in the characters of Timoleon and Eunesia) we think Mr Reddish extended his liberty a little too far with the public; for which neither his Occasional Prologue, the Solemn Sacrifice, nor the Epilogue spoken by Miss Younge, made sufficient atonement. Paid 4 days salary #333 19s.; Mrs Abington's Cloaths Acct #1; Mr S. French 6 days #1 10s. (Treasurer'sBook). Receipts: #205 16s.; Charges: #67 6s. 6d.; Profit to Reddish: #138 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timoleon Or Liberty Restored

Performance Comment: Timolean-Reddish; Dinarchus-Aickin; Timophanes-Palmer; Olinthus-Cautherly; Lycander-Wright; Ghost-Hurst; Orthagoras-Davies; Eschylus-Inchbald; Pheron-Wheeler; Egon-[?]; Senators-Wrighten, Follet; Cleone-Miss Hayward; Eunesia-Miss Younge; In V a Solemn Sacrifice-; the Vocal Parts-Champnes, Fawcett, Davies, Mrs Scott, Mrs Wrighten; [With a New Occasional Prologue-Reddish; Epilogue-Miss Younge.

Afterpiece Title: The Author

Performance Comment: Vamp-Weston, 1st time; Young Cape-J. Aickin; Arabella-Miss Ambrose; Cadwallader-King; Mrs Cadwallader-Mrs Abington; Governor Cape-Bransby; Sprightly-Packer; Poet-Waldron; Robert-Keen; Printer's Devil-J. Burton.
Event Comment: Paid a tow bill 10s. (Treasurer's Book). [This charge occurs about once a month throughout the season for wicks and will not be noted further, total payments this season #4 10s.] Receipts: #265 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Barry; Calippus-J. Bannister; Philotas-Reddish; Dionysius-Palmer; Melanthon-Aickin; Phocion-J. Aickin; Arcas-Hurst; Herald-Packer; Greek Officer-Davies; Euphrasia-Mrs Barry; Erixene-Miss Platt.

Afterpiece Title: The Register Office

Performance Comment: Capt. LeBrush-Palmer; Frenchman-Baddeley; Irishman-Moody; Gulwell-Packer; Scotchman-Love; Frankly-Davies; Harwood-J. Aickin; Williams-Ackman; Lord Brilliant-Fawcett; New Character-Miss Pope; Margery Moorpout-Mrs Love.
Event Comment: Benefit for Dodd. Paid Mr Weston per Mr G. G's note #4 16s. (Treasurer's Book). Receipts: #230 3s. 6d. Charges: #64 13s. Profits to Dodd: #165 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17730106, but Sir Toby Belch-Palmer, first time.

Afterpiece Title: Catharine and Petruchio

Performance Comment: Petruchio-Dodd, first time; Grumio-Baddeley; Baptista-Wright; Hortensio-J. Bannister; Pedro-Griffith; Tailor-J. Burton; Bianca-Miss Platt; Catharine-Miss Pope; Biondello-Hartry; Music Master-Fawcett; Curtis-Mrs Bradshaw.

Dance: V: A New Dance call'd The Surprize-Master Holland, Miss Ross, Miss Armstrong, others, scholars of Daigville

Event Comment: Mainpiece: By Command of their Majesties. This Comedy is reviv'd with great Alterations by Mr G. by particular desire of the Queen. The play went off vastly well Mr G. Play'd with great Spirit & much Applauded the Alterations are vastly lik'd it will now be a living Play (Hopkins Diary). Doors open half past five. Play to begin promptly at six. House (Hopkins Diary). Receipts: #156 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Don Frederick-Jefferson; Antonio-Parsons; Petruchio-J. Aickin; 1st Constantia-Miss Younge; 2nd Constantia-Mrs Abington; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Kinswoman-Miss Platt; Nurse-Mrs Love; Francisco-Wright; Surgeon-Wrighten; Peter-W. Palmer; Duke-Packer; Antony-Wheeler; Edition of 1774 adds Duke's Party-J. Bannister, Yates; Petruchio's Party-Fawcett, Griffith; Attorney-Burton.

Afterpiece Title: A Trip to Scotland

Performance Comment: As17721006.
Event Comment: Miss Hopkins 2d appearance Arethusa--well receiv'd (+Hopkins Diary). Benefit for Brereton. Tragedy reviv'd not acted these 7 years. [See 23 April 1765.] Receipts: #130 19s. 6d. Charges: #67 1s. Profits to Brereton: #73 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Brereton, first time; King-Bransby; Pharamond-Palmer; Dion-J. Aickin; Cleremont-J. Bannister; Countryman-Parsons; Captain-Baddeley; Bellario-Miss Younge; Arethusa-Miss Hopkins; Megra-Miss Sherry; Messenger-Master Cape; Galatea-Miss Platt; Thrasiline-Ackman.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17730309 but Wilson-Palmer (playbill).

Dance: I: A Dance-Daigville's scholars