SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: This Pantomime is a Medley patch up from several old ones was very well receive'd & applauded (Hopkins Diary). With New Music and an Overture. Receipts: #222 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Reddish; Dawson-Usher; Stukeley-Palmer; Jarvis-J. Aickin; Bates-Packer; Lewson-Cautherly; Charlotte-Miss Hopkins; Lucy-Miss Platt; Mrs Beverly-Miss Younge.

Afterpiece Title: Harlequin's Jacket; or, The New Years Gift

Performance Comment: Harlequin-Wright; Colombine-Mrs Sutton; other characters-Grimaldi, Davies, Messink, Burton, Wrighten, Waldron, Lamash, Wheeler, Everard, Griffiths, Legg, Fawcett, Kear, Carpenter, Blanchard, Watkins, Mas. Blanchard, Mrs Bradshaw, Mrs Millidge; Dances-Atkins, Mrs Sutton.
Event Comment: Paid Mr Powney (stationer) #15 16s. 5d.; Scott (copper laceman) #78; Cropley (linen draper) #33 18s. 6d.; J. Johnston's Music Bill #13 5s. 6d.; Hatsell (mercer) #123 12s.; Barrow & Co. (oil) #93 13s.; Mrs Vaughan (haberdasher) #17 3s.; Tabor & Pipe 7 nights (6th inst. incl.) #3 13s. 6d.; Spermacetti candle Bill (pd to Mr Johnston) #186 16s. 6d.; Bill for Portugal Dishes #8 8s. Receipts: #253 16s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17741028, but Verges-Wrighten; Conrade-Lamash.

Afterpiece Title: The Cobler

Performance Comment: As17741209.
Event Comment: Rec'd stopages #14 7s.; Paid salary list #567 11s.; Tallow chandler's 6th bill #38 8s. 7d.; J. French on acct #5 5s. Receipts: #254 5 s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife

Performance Comment: As17741124.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.
Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: Parts by Smith, Palmer, Aickin, Packer, Brereton, Davies, Hurst, Usher, Wright, Keen, Wrighten, Wheeler, Griffiths, Norris, Reddish, Mrs Johnston, Mrs Yates. With Prologue and Epilogue. Velasquez-Smith; Ribiro-Palmer; Almada-J. Aickin; Ramirez-Packer; Mendoza-Brereton; Pizarro-Davies; Corea-Hurst; Lemos-Usher; Roderick, 1st Citizen-Wright; Officer-Keen; Antonio-Wrighten; Mello-Wheeler; 2nd Citizen-Griffiths; Ferdinand-Norris; Duke-Reddish; Inis-Mrs Johnston; Duchess-Mrs Yates; Prologue-Palmer; Epilogue-Mrs Yates (Genest, V, 448).

Afterpiece Title: The Anatomist

Performance Comment: As17740927.
Event Comment: Rec'd stopages #13 19s. 6d.; Paid salary list #567 11s.; J. French on acct #5 5s. Receipts: #226 10s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: As17750217.

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17750204, but Pedro-Everard.
Event Comment: Paid Mrs Lowe@and@Co. (glaziers) #17 11s. 6d.; Hatsell, (mercer) #142 3s.; Scott (copper laceman) #16 11s.; Marshall & Co., (plumbers) #27 8s.; Ireland (upholsterer) #43 4s.; Stacy (colourman) #18 16s.; Gardner (shoemaker) #36 11s.; Barrow & Co. (oil) #103, 13s.; Thomson (smith) #27 8s.; Cubitt (tinman) #24 15s. Receipts: #143 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Performance Comment: Sir Benjamin Dove-Dodd; Belfield Sen-Packer; Belfield Jun-Brereton; Paterson-J. Aickin; Goodwin-Jefferson; Skiff-Wright; Philip-Davies; Capt. Ironsides-Moody; Francis-Wrighten; Jonathan-Griffiths; Sailors-Carpenter, Blanchard; Lucy Waters-Miss Platt; Kitty-Mrs Millidge; Sophia, first time-Mrs Baddeley; Lady Dove-Mrs Hopkins; Violetta-Mrs Greville; Fanny-Mrs Davies.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: Rec'd stopages #14 4s. 6d. Paid Salary List #567 11s.; J. French on acct #30. Receipts: #242 12s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: As17750217.

Afterpiece Title: The Rival Candidates

Performance Comment: As17750202.
Event Comment: Paid 4 day's salary list at #94 11s. 6d. per diem #378 7s. 4d.; J. French on acct #5 5s. (Treasurer's Book). [From the Westminster Magazine, March, p. 125: "A disturbance on account of Mrs Yates having left the theatre without speaking the Epilogue to Braganza. The House was clamorous and would not give up their right. Mr Vernon endeavoured to appease their fury, by declaring that Mrs Yates being taken with a hoarseness, had left the theatre,' but this excuse the Audience would not accept. Mr Vernon withdrew, and after a short time returned assuring the House that he had sent to Mr Garrick (who was confined to his room with a fit of the stone) but who had directed the messenger immediately to fetch Mrs Yates, and that her husband was then in the theatre. He was directly called for, and instantly came on the stage to know the pleasure of the Audience. They told him bluntly they did not want to see him, but to hear his wife, whose obstinacy and pride had betrayed her into the present insult. He in vain tried to assure them, that his wife's conduct proceeded from a very contrary cause from that which they alledged; and the cause was real illness. As the clamor was universal, Mr Yates quitted the stage; and at length, an hour and a half being spent in tumult, the overture was suffered, and the farce went on, but not in silence." See note, 9 March.] Receipts: #201 19s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: As17750217, but Prologue-_; Epilogue-_.

Afterpiece Title: The Rival Candidates

Performance Comment: As17750202.
Event Comment: Paid salary list 4 days #377 4s.; J. French on acct #5 5s.; Tallow chandler's 7th bill #39 9s. 7d. Receipts: #184 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: As17750309.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.
Event Comment: Benefit for Mrs Yates. Paid Miss Collett, a Gratuity, per order #5 5s.; Mr G. Garrick on acct, per Mr Hart #100. Receipts: #280 6s.; Charges: #67 5s.; Profits to Mrs Yates: #212 19s. (Treasurer's Book)

Performances

Mainpiece Title: Medea

Performance Comment: Creon-Smith; Jason-A Gentleman Farren, first appearance here; Aeson-Palmer; 1st Colchian-J. Aickin; Lycander-Cautherly; Children-Master Blanchard, Master Pulley; Hecate-Hurst; Theano-Mrs Hopkins; Medea-Mrs Yates; A New Epilogue-Mrs Yates.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17750302.

Song: The Azure God, composed by Giordani, sung-Mrs Smith

Event Comment: Benefit for Moody. Afterpiece: Not acted these 12 years. [See 16 May 1763.] Receipts: #236 6s. 6d. Charges: #66 4s. 6d. Profits to Moody: #170 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Teague (With Songs)-Moody; Col. Careless-Jefferson; Col. Blunt-J. Aickin; Abel-Burton; Committeemen-Waldron; Bailiff-Griffiths; Bookseller-Carpenter; Day's Servant-Everard; Jack-Master Blanchard; Mrs Day-Mrs Bradshaw; Lt Story-Fawcett; Mr Day-Baddeley; Obadiah-Parsons; Arabella-Miss Jarratt; Ruth-Miss Pope; Porter-Wrighten; Coachman-Keen; In Act IV, Rhetorical Description of a Man of War and Sea Fight-Moody.

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performance Comment: Amintas-Vernon; Chaunter-Usher; Justice Quorum-Hurst; Cant-Legg; Gage-Wheeler; Scrip-Griffiths; Swab-Fawcett; Mump-Carpenter; Grig-Wrighten; Tippet-Mrs Davies; Tib Tatter-Mrs S. Smith; Phebe-Mrs Smith; With a Crutch Dance incidental to the piece-.
Event Comment: Benefit for Weston. Afterpiece: Not acted these 3 years. [See 18 Jan. 1772.] [MacMillan notes the version here used to be that preceding the Fribble alterations.] Paid Renters's #44 for 11 Oratorio nights; Extra Music this night #2 5s. Receipts: #236 3s. Charges: #75 15s. 6d. Profits to Weston: #160 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Performance Comment: As17741005, but Robinette-Mrs Davies; first time. Original Prologue (by Desire)-Palmer.

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone-King; Fine Gentleman-Dodd; Old Man-Parsons; Drunken Man (by desire)-Weston; first time; Esop-J. Aickin; Frenchman-Baddeley; Mercury (with Songs)-Davies; Fine Lady-Miss Pope; Bowman-Lamash; Charon-Wrighten.

Entertainment: End: New Interlude: Weston's Return from the Universities of Parnassus-Weston

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Paid half yrs. Land & Window tax Covt. Garden to Lady Day last #3 3s. 6d. (Treasurer's Book). Receipts: #133 4s. Charges: #67 14s. Profits to Mrs Hopkins: #65 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Suffolk-Packer; Pembroke-J. Aickin; King Edward-Palmer, first time; Lady Elizabeth Gray-Mrs Baddeley; Lady Clifford-Miss Platt; Margaret of Anjou-Mrs Yates; Buckingham-Fawcett; Messenger-Griffiths.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17750330 but Sir Toby-Bransby (playbill); but Sir Toby-Usher (Public Advertiser).

Dance: End Act I: Grand Provencalle Dance, as17750202

Entertainment: End Act V: By Desire, Hippisley's Drunken Man-Weston

Event Comment: Benefit for Mrs Sutton. Paid half yrs. water to Xmas last #3 2s. Receipts: #156 8s. 6d. Charges: #74 14s. Profits to Mrs Sutton: #81 14s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17741029, but King Henry-J. Aickin (playbill).

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.

Dance: II: A New Pastoral Dance-Lariviere, Mrs Sutton; IV: Comic Dance-Lariviere, Mrs Sutton; V: (By Particular Desire) The Louvre, Minuet-Froment, Mrs Sutton (his scholar)

Event Comment: Matilda deferr'd Reddish ill. Afterpiece: Performed for the last time this Season. Mr Reddish was to have play'd in Matilda to Night but Sent word late last Night that he could not play Mr Brereton Play'd Posthumus & very well had great Applause-House (Hopkins Diary). Rec'd stopages #16 17s. 6d. Paid salary list #566 6s.; J. French on acct #5 5s. Receipts: #88 13s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17741217, but Posthumus-Brereton, first time; Arviragus-Davies; Lucius-Bransby; Doctor-Wrighten; Captain-Keen; Claudio-Griffiths; Original Occasional Epilogue for Charity-_.

Afterpiece Title: Bon Ton

Performance Comment: As17750408 but Gymp-Miss Platt.

Dance: III: The Pirates, as17750422

Event Comment: Benefit for Wright, Messink, and Widow Rooker. Receipts: #188 14s. Charges: #74 14s. Pbofits to Messink, Mrs Wright, Mrs Rooker: #114 (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Brereton, first time; Sealand-J. Aickin, first time; Cimberton-Waldron; Daniel-Burton; Myrtle-Jefferson; Tom-King; Sir John Bevil-Bransby; Phillis-Miss Pope; Lucinda-Miss Platt; Indiana-Miss Younge; Humphrey-Keen; Mrs Sealand-Mrs Cross; Isabella-Mrs Johnston; In Act II, Singing-Mrs Scott.

Afterpiece Title: Harlequin's Jacket

Performance Comment: As17750112.
Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Performance Comment: Sir Benjamin Dove-Dodd; Belfield Jun-Palmer; first time; Belfield, Sen-Usher; Goodwin-Jefferson; Patterson-Aickin; Philip-Davies; Skiff-Wright; Francis-Wrighten; Jonathan-Griffiths; Ironsides-Moody; Violetta-Mrs Whitfield, first appearance on this stage; Sophia-Miss Hopkins; Lucy Waters-Miss Platt; Fanny-Mrs Davies; Kitty-Mrs Millidge; Lady Dove-Mrs Hopkins.

Afterpiece Title: The Theatrical Candidates

Performance Comment: Mercury-Vernon; Harlequin-Dodd; Tragedy-Mrs Smith; Comedy-Mrs Wrighten.

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody.
Event Comment: Receipts: #142 14s. (Treausrer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Cymbeline-Wrighten; Guiderius-Brereton; Doctor-Cubitt; Captain-Norris; Cloten-Dodd; Pisanio-Packer; Belarius-J. Aickin; Arviragus-Davies; Lucius-Bransby; Frenchman-Fawcett; Iachimo-Smith; Queen-Miss Sherry; Imogen-Miss Younge; Philario-Wright; Claudio-Griffiths; in Act II a Masquerade Scene-; with Dancing-Giorgi, Lauchery, Mrs Sutton; and Singing-Mrs Scott.

Afterpiece Title: Bon Ton

Performance Comment: As17751024, but Davy-Waldron for Parsons.

Dance: End: The Savage Hunters, as17751020

Event Comment: In Saluting Cherry . She tumbled down upon the Stage--and Miss Jaratt being in certain condition Mr G. could not very easily raise her (Hopkins Diary). [MacMillan's note from Kemble suggests this as Miss Jarratt's first appearance in Cherry, but she first appeared in the character 20 Oct.] Paid Mr Griffith on note #10 10s.; Mr J. Johnston, Music Bill #19 3s. Rec'd stopages #12. Receipts: #259 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17751020, but Archer-Garrick; Scrub-Yates.

Afterpiece Title: The Deserter

Performance Comment: As17751127.

Dance: IV: The Irish Fair, as17751003

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Garrick; Edgar-Reddish; Bastard-Palmer; Kent-Bransby; Gloster-J. Aickin; Albany-Packer; Burgundy-Norris; Captain of Guards-Whitfield; Gentleman Usher-Burton; Cornwall-Hurst; Curan-Fawcett; Goneril-Miss Sherry; Regan-Mrs Hopkins; Arante-Miss Platt; Cordelia-Miss Younge.

Afterpiece Title: The Spleen

Performance Comment: As17760411 but Prologue-_; Epilogue-_.
Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No admittance behind the Scenes, nor any Money returned after the Curtain is drawn up. Doors to be opened at 6:00 p.m. To begin at 7:00.Servants to keep places to be at the House at 5:00 p.m. [Note repeated on subsequent bills and will not be repeated here.

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts by Foote, Whitfield, Fearon, Aickin, R.Palmer, Jackson, Palmer, Davis, Lloyd, Bannister, Stephens, Walters, Baddeley; Miss Sherry, Miss Ambrose, Miss Platt, Mrs Jewell. Sir Robert Riscounter-Foote; Sir James Biddulph-J. Aickin; Pillage-Palmer; Resource-Fearon; Margin-Baddeley; Robin-Whitfield; Phelim-Bannister; James-R. Palmer; Lady Riscounter-Miss Sherry; Lydia-Mrs Jewell; Lucy-Miss Ambrose; Kitty-Miss Platt (Genest, V, 528).

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Fearon; Leander-Davis; Sir Jasper-Lloyd; Harry-Stephens; James-Walters; Hellebore-Jones; Charlotte-Mrs Palmer; Dorcas-Mrs Love.

Dance: The Merry Lasses-

Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17760523.

Afterpiece Title: The Deserter

Performance Comment: As17760129, but Soldiers-Cubitt, _Griffith.

Dance: I: The Savage Hunters, as17751118

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Cassander-Palmer; Lysimachus-Hurst; Hephestian-Davies; Polyperchon-Chambers; Thessalus-Wright; Perdiccas-Chaplin; Eumenes-Norris; Aristander-Wrighten; Slave-R. Palmer; Clytus-Bensley; Roxana-Miss Younge; Parisatis-Miss Hopkins; Sisigambis-Mrs Johnston; Statira-Mrs Yates; A favorite Epilogue (written by D. Garrick, Esq.) with alterations spoken-Miss Younge.

Afterpiece Title: Second Thought is Best

Performance Comment: Principal Characters by Vernon, Dodd, Moody, Aickin, Baddeley, Bannister, Mrs Wrighten, Mrs Baddeley. Cast from text (Murray and Greenlaw, 1778): Morley-Vernon; Jingle-Dodd; O'Donavan-Moody; Frankly-Aickin; Conrad-Baddeley; Woudbe-Bannister; Agnes-Mrs Wrighten; Matilda-Mrs Baddeley.
Event Comment: [Edwin (who was from the Hay) was "unintelligible and too rapid" (Morning Chronicle, 25 Sept.).] Receipts: #142 19s. 6d. (142.2.0; 0.17.6)

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Clarke; Orlando-Lewis; Adam-Hull; Duke Senior-L'Estrange; Amiens (with songs)-Mattocks; Oliver-Whitfield; Corin-Thompson; Sylvius-Robson; Duke Frederick-Fearon; Charles-Wrighten; Touchstone-Edwin (Ist appearance on this stage); Caelia (1st time; with a song)-Mrs Morton; Audrey-Mrs Pitt; Phoebe-Mrs Whitfield; Rosalind-Mrs Bulkley.

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Mattocks; Pan (1st time)-J. Wilson; Jupiter-Simpkinson; Damaetas-Wewitzer; Sileno-Baker; Juno-Mrs Poussin; Daphne-Miss Brown; Mysis-Mrs Wilson; Nysa-Mrs Mattocks.

Dance: End I: The Dockyard-as17790922, but _Holland; V: a Dance of Foresters-

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffic-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Mrs Bulkley.

Afterpiece Title: The Mirror; or, Harlequin Every-where

Performance Comment: Cast from text (G. Kearsly, 1779) Jupiter-Robson; Pluto-Baker; Minos-L'Estrange; Belphegor-Reinhold; Astorath-Doyle; Cryer of Minos' Court-Thompson; Poor Spirit-Brundson; 3 Antipodeans-; Mercury-J. Wilson; Harlequin-W. Bates; Punch-Edwin; Lieutenant-Booth; Sailor-Fearon; Ceres-Mrs Kennedy; Little Girl-Miss Morris; Prude-Mrs Poussin; Sicilians-Mrs Willems, Miss Green; Colombine-Miss Brown [in text: Miss Cranfield (see17800110)].in text: Miss Cranfield (see17800110)].