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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Italian and Spanish Manner"/1) | (@(roleclean,performerclean) "Italian and Spanish Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2006 results for: Keyword - Italian and Spanish Manner
We found 1293 matches on Performance Title, 517 matches on Event Comments, 277 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1551
06 April 1723 @ King's Theatre

Event Comment: Original Weekly Journal, 6 April: We are told that the Italian Singers at our Opera, to the Number of five, of whom two are Eunuchs, have obtain Permission from the King of France...to go over thither in July next, for the Theatre, and a Gratuity of 35,000 Livres

Performances

Mainpiece Title: Erminia

1552
05 December 1723 @ Drury Lane Theatre

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

1553
24 March 1726 @ Haymarket Theatre

Event Comment: By the Company of Italian Comedians just arriv'd. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: La Fille Allamode; Ou, La Parisien Duppe

Afterpiece Title: L'Ombre D'Arlequin

Dance: Mr Poitiers, others

1554
11 May 1726 @ Haymarket Theatre

Event Comment: Being one of the best Comedies in the Italian Theatre

Performances

Mainpiece Title: Timon Misantrope

Entertainment: The Company

1555
21 September 1726 @ King's Theatre

Event Comment: DDaily Journal, 21 Sept.: A Company of Italian Comedians recently arrived here from beyond Sea, and being patronized by the Dukes of Montague and Richmond, 'tis said, that Leave will be given them to perform in the Opera-House in the Hay-Market

Performances

1556
28 September 1726 @ King's Theatre

Event Comment: By His Majesty's Command. By the Italian Company of Comedians newly arriv'd. Pit and Boxes together by tickets only at 4s. Gallery 2s. N.B. Whereas the Number of Subscribers for this Company that are in Town, is very little, some of the first Representations will not be on thair Account. Weekly Journal or British Gazetteer, 1 Oct.: Last Wednesday Night his Majesty and their Royal Highnesses the Prince and Princess of Wales, together with great Numbers of the Nobility and Persons of Distinction...saw the Comedy...The Faithful Wife

Performances

Mainpiece Title: The Faithful Wife; Or, Arlequin Strip'd, Sentry, Brave, Coward, Terrour Of The Turks, And Judge Of His Own Cause

Dance: Monsieur Poictier, others

1557
23 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. Daily Journal, 23 Nov.: The Italian Comedians, having not met with the Success they expected, we hear they design to return home soon after Christmas

Performances

Mainpiece Title: Argentina Strega Per Amore; Or, Harlequin Multiplied By Argentina's Witchcraft For Love: With Their Wonderful Flights And Apparations, And The Magick Transformation Of Silvio, Cincio, And Brighella

Dance: In divers Characters-Poitier, others

1558
13 February 1727 @ Lincoln's Inn Fields

Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine; With The Birth and Adventures of Harlequin

1559
27 April 1727 @ Lincoln's Inn Fields

Event Comment: Benefit Glover. With Two new Italian Songs composed by the Author and sung by Rochetti. Receipts: money #23 1s.; tickets #76 4s. Probable attendance: boxes, 28 by money and 187 by tickets; stage, 7 by money; pit, 45 by money and 155 by tickets; slips, 4 by money; first gallery, 37 by money and 62 by tickets; second gallery, 47 by money

Performances

Mainpiece Title: Camilla

Dance: new Ball Dance-Glover, Mlle Salle; Pastoral-Glover, Newhouse, Dupre, Mrs Bullock, Mrs Ogden; Pierot Dance-Nivelon, Poitier; Moors-Glover, Poitier, Pelling, Newhouse, Mrs Bullock, Mrs Ogden, Miss Latour

1560
28 November 1728 @ King's Theatre

Event Comment: DDaily Journal, 28 Nov.: We hear a Subscription has been compleated among the Nobility, in order to defray the Expence of a Concert twice a Week, to entertain the Ladies this Winter, the Italian Singers having refus'd to come over

Performances

1561
18 April 1729 @ York Buildings

Event Comment: Benefit an Italian Lady. Tickets a half guinea. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

1562
30 April 1729 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: I: Overture out of Ptolomy-; Songs: Dico su questa sponda-; Svenalo traditor-; Sonata by Corelli-; Songs: Ombre piante-; Sgombra dall' Anima-; Solo for German Flute-L. Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom

Performance Comment: Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom.
Cast
Role: from an Italian Song out of Ptolomy Actor:

1563
16 March 1730 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Barbier. This is the last Benefit Mrs Barbier will have in England. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #53 9s. 6d.; tickets #74 17s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Venus and Adonis (last Interlude)

Performance Comment: Venus-Mrs Barbier; with several of the best Italian Songs; Adonis-Mrs Seedo; Mars-Leveridge; with a Comic Ballad Scene-Mrs Cantrel, Salway.

Song: Mrs Wright, Mrs Chambers

1564
10 March 1731 @ Crown Tavern

Event Comment: At the Desire of several Gentlemen and Ladies. With Comical Songs, Scots, English, and Italian. Also his inimitable Medley of Plays, and Drunken Man. At Crown Tavern in Smithfield. N.B. A private Audience on a Day's Notice

Performances

Mainpiece Title: Phiz Oratory

1565
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland

1566
05 May 1732 @ Hickford's Room

Event Comment: Benefit Pasquale, the famous Italian Violoncello. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Consisting ofSeveral Pieces [of [Pasquale's] own Making, and the other Masters-the Best Hands

1567
22 February 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chronohotonthologos

Performance Comment: Cast not listed, but edition of 1734 lists: Chronohotonthologos-Winstone; Bombardinion-Ridout; Aldiborontiphoscophornio-Cross; Rigdum Funnidos-Oates; Captain of the Guards-Woodburn; Doctor-Gray; Cook-H. Tench; King of Fidlers-Davis; King of Antipodes-Jannot; Dumb-Gray; Signor Scacciatinello-Mrs Shirburne; Tatlanthe-Mrs Charke; Ladies-Miss Oates, Miss Dancy; Venus-Mrs Clark; Cupid-Master Arne. Prologue spoken by W. Mills. Epilogue by Mrs Shireburne. music and.
Cast
Role: Cupid Actor: Master Arne. Prologue spoken by W. Mills. Epilogue by Mrs Shireburne. music and

Dance: As17340221 Also A new Overture. With Songs (in the Italian Stile) a propos [to the Afterpiece]

Performance Comment: With Songs (in the Italian Stile) a propos [to the Afterpiece] .

1568
13 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Performance Comment: End of Afterpiece: English Maggot by S. Lally and Mrs Walter .

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

Performance Comment: II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier .

1569
06 September 1734 @ Lincoln's Inn Fields

Event Comment: For the Entertainment of Tomo Chachi [and others, as at LIF, 20 Aug.]. 6 P.M. Admission: 5s., 3s., 2s., 1s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

Performance Comment: Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English .
Related Works
Related Work: Three Hours after Marriage Author(s): Alexander Pope
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

1570
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

1571
18 December 1734 @ Haymarket Theatre

Event Comment: [Duke and the young Princesses present.]

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

1572
17 March 1735 @ Goodman's Fields

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Lover's Opera

Dance: I: Pierrots by Vallois and Delagarde. II: Scotch Dance by Mrs Bullock. IV: La Follette c'est Ravize by Tench and Mrs Woodward

Performance Comment: II: Scotch Dance by Mrs Bullock. IV: La Follette c'est Ravize by Tench and Mrs Woodward .

Song: III: Was ever Nymph like Rosamond by Miss Jones. V: In Italian by Mrs Chambers

Performance Comment: V: In Italian by Mrs Chambers .

1573
29 March 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Relapse

Performance Comment: Loveless-Giffard; Worthy-Delane; Foppington-Bowman Jr; Young Fashion-Hardin; Sir Tunbelly-Hulett; Lory-Penkethman; Sir John-Jenkins; Syringe-Rosco; Coupler-Lyon; Shoemaker-Ray; Amanda-Mrs Giffard; Berinthia-Mrs Roberts; Hoyden-Mrs Hamilton; Nurse-Mrs Wetherilt .
Cast
Role: Amanda Actor: Mrs Giffard

Afterpiece Title: The Contrivances

Dance: I: Pierrots by Vallois and Delagarde. III: A new Moors' Dance by Haughton, Vallois, Tench, Mrs Bullock, Mrs Woodward. V: Last new Scot's Dance by Haughton, Mrs Bullock, Vallois, Mrs Woodward, Tench, Miss Norman

Song: II: Song with French Horns by Mrs Jones. IV: Singing in Italian by Mrs Chambers

Performance Comment: IV: Singing in Italian by Mrs Chambers .

1574
09 April 1735 @ Goodman's Fields

Event Comment: Benefit Mrs Hamilton, and the Little Chimney-Sweepers, her Sons. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Devil to Pay

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .

1575
21 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Delane

Afterpiece Title: The Contrivances

Dance: II: La Follette c'est Ravize by Tench and Mrs Woodward. V: A new Dance by Delagarde and Mrs Bullock

Performance Comment: V: A new Dance by Delagarde and Mrs Bullock .

Song: III: A Song, called Goodman's Fields Theatre, addressed to the City, sung by Excell. IV: In Italian by Miss Jones

Performance Comment: IV: In Italian by Miss Jones .