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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hon Admiral Boscawen"/1) | (@(roleclean,performerclean) "Hon Admiral Boscawen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 50 matches on Event Comments, 30 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For the Entertainment of the Grand Master of the Antient and Hon. Society of Free and Accepted Masons. Alter'd from Shakespear by Mr Betterton

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Event Comment: Benefit Chapman. Receipts: money #39 12s.; tickets #89 19s. Daily Post, 24 April: We hear that on Monday next the Hon. and Antient Company of Lumber Troopers will perform a fine Exercise in New-street Square, and from thence proceed in a Body...to...Lincoln's-Inn-Fields, to see...the Busy Body, with the Opera of Flora...for the Benefit of Mr Chapman, belonging to the said Troop

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Flora

Dance: II: Two Pierrots-Nivelon, Poitier; IV: Scotch Dance-Salle, Mrs Laguerre; V: Tambourin-Mlle Salle

Event Comment: At the Desire of several Ladies of Quality. Daily Advertiser, 20 Nov.: Yesterday Mr Harper was brought up to the Court of King's Bench . . . but the Right Hon. the Lord Hardwicke, Chief Justice, perceiving . . . that it might probably take up a long time to hear [the Counsels'] several Arguments, was pleas'd to put off the Affair till this Morning

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: At 7 p.m. [The Duke and the Princesses present.] Daily Post, 2 June: The same day [1 June] the Bill relating to common Players of Interludes pass'd the Hon. House of Commons

Performances

Mainpiece Title: Dido

Event Comment: Benefit Cunningham. At the Desire of the Hon. Bell Ara Moleck, and the worshipful Fraternity of Free-Masons. A Concert, etc. [customary notice]. Prices 3s., 2s., 1s. Although there was such ill Decorum the last time the Beggar's Opera was exhibited there, particular care will be taken to have it now in the most regular manner

Performances

Mainpiece Title: The Beggar's Opera

Music: Preamble on the Kettle@Drums-Baker

Event Comment: Fire Works for ye Peace (Cross). This evening the Fireworks will be exhibited in the Green Park. This morning three Regiments of Foot Guards are ordered to be on parade in St James's Park, at Six o'Clock, in order to mount guard in the Green Park. The Right Hon. the Lord Mayor having receiv'd a certain number of tickets for seeing the fireworks, sent them yesterday, by his officers, to the Aldermen, Commoncouncilmen, and the Governors and Directors of the several Publick Companies

Performances

Mainpiece Title: None

Event Comment: This Day Publish'd elegantly printed in one Volume Octavo (Dedicated to the Right Hon. Garret, Lord Mornington) A General View of the Stage, by Mr Wilks, of Dublin. Printed for J. Coote. [Contains 355 pages on the stage and its usefulness in presenting tragedy, comedy, opera, farce and pantomime. Discusses the art of acting, reviews plays and parts. Chapter VI on [Dress and its propriety" suggests the growing interest in historical authenticity in costume: [The judicious propriety in 'dress' adapted with sufficient exactitude to the age, time, and circumstances of [the] character...may be call'd the last colourings and finishings of [the] picture; and in this case very much will depend on knowledge of ancient history and historical paintings." Thirty-two pages praising Garrick the actor, and discussing in some detail all the characters he had performed to that time.

Performances

Mainpiece Title: Judas Maccabaeus

Event Comment: Benefit of the British Lying-In Hospital for Married Women in Brownlow St., By Special Licence of the Right Hon. the Lord Chamberlain...will be performed (for that night only) a new Comedy, never acted before...To avoid giving the least offence by too pressing a Solicitation, no Tickets have been sent to any of the Governours or Subscribers. But the Committee hope that this caution will induce every well-wisher to the useful Charity to exert their interest in its favors

Performances

Mainpiece Title: The Indiscreet Lover

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Performance Comment: Characters-Wroughton, Lee Lewes, Robson, Fearon, Wewitzer, Booth, Mrs Whitefield, Mrs Lessingham; [Larpent MS 429 lists the parts: Mr Warren, Sir James Middleton, The Hon. Capt. Turner, Mr Green, Robert, Thomas, Miss Warren, Miss Louisa Warren.] Address to the Public-Mrs Lessingham.

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for a Lady in Distress. To begin at 7:00

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Catherine and Petruchio

Entertainment: Monologues. End: [a Parody on Shakespeare's Stages [recte Seven Ages]-Creswick; Between Acts afterpiece: [an Epilogue[, concluding with Marplot's Address,-Creswick

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Mainpiece [1st time; C 5, based on Le Dissipateur, by Philippe Nericault, dit Destouches. Authors of Prologue and Epilogue, and speaker of Epilogue, unknown]: Written by the late Samuel Foote Esq. [The attribution to Foote is dubious.] Afterpiece [1st time in London; MF-2. See CG, 28 Mar. 1778]: Now acting in Dublin with applause; written by [i.e. altered from, by T. A. Lloyd] the author of Love in a Village, &c. &c

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time; T 5, by Samuel Jackson Pratt. Author of Prologue unknown. Epilogue attributed to the Hon. Richard Fitzpatrick (Crouch, 1, 125), and to Richard Brinsley Sheridan (I. A. Williams in The London Mercury, Aug. 1924, pp. 412-15)]: With New Scenes (see 29 Nov.), Dresses and Decorations. Public Advertiser, 12 Dec. 1781: This Day is published The Fair Circassian (1s. 6d.). Receipts: #149 19s. (126/19/0; 22/17/6; 0/2/6)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Apprentice

Music: In Act III of mainpiece an Epitbalamium [not listed in playbill, but see17811129]

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; C 3, by George Colman, ynger. Prologue by the Hon. Francis North. Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 2 Sept. 1788: This Day is published Ways and Means (1s. 6d.)

Performances

Mainpiece Title: Ways And Means; Or, A Trip To Dover

Afterpiece Title: The Padlock

Event Comment: Mainpiece [1st time; T 5, by the Hon. John St.John. Prologue by William Fawkener.-Epilogue by the author (see text)]. Public Advertiser, 1 May 1789: This Day is published Mary Queen of Scots (1s. 6d.). [As afterpiece the playbill announces Who's the Dupe?, but it was not acted. Kemble Mem. lists the substitute play.] Receipts: #240 9s. (226.4.0; 13.8.6;0.16.6)

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: High Life below Stairs

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Afterpiece [1st time; BO 2, by the Hon. John St.John. Prologue by the author (see text)]: With new Scenes, Dresses and Decorations. The Overture, new Songs and Accompaniments by Shaw. The Scenes by Greenwood. Receipts: #172 16s. (117.11.0; 53.9.6; 1.15.6)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Island of St

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Kentish Barons

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the Hon. Francis North. Epilogue by George Colman, the younger (see text)]. Morning Chronicle, 20 Mar. 1794: This Day is published THE BOX-LOBBY CHALLENGE (1s. 6d.)

Performances

Mainpiece Title: The Box-lobby Challenge

Afterpiece Title: THE QUAKER

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASK'D

Song: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley. Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa

Performance Comment: Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa.