SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hon Francis North"/1) | (@(roleclean,performerclean) "Hon Francis North")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 992 matches on Author, 698 matches on Performance Comments, 148 matches on Event Comments, 63 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: See17861122, but Sir Richard Vernon-; Francis-Sir Richard Vernon and Francis not acted, respectively, by Farren, Edwin [their substitutes not known].their substitutes not known].

Afterpiece Title: Barataria

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Event Comment: London Gazette, No 742, 26-30 Dec. 1672: These are to give Notice, that at Mr John Banister's House, now called the Musick School, over against the George Tavern in White Fryers this present Monday, will be Musick performed by Excellent Masters, beginning precisely at four of the Clock in the afternoon, and every afternoon for the future, precisely at the same hour. Roger North on Music: But how and by what stepps Musick shot up in to such request, as to croud out from the stage even comedy itself, and to sit downe in her place and become of such mighty value and price as wee now know it to be, is worth inquiring after. The first attempt was low: a project of old Banister, who was a good violin, and a theatricall composer. He opened an obscure room in a publik house in White fryars; filled it with tables and seats, and made a side box with curtaines for the musick. 1s. a peice, call for what you please, pay the reckoning, and Welcome gentlemen. Here came most of the shack [vagabond] performers to towne, and much company to hear; and divers musicall curiositys were presented, as, for instance, Banister himself, upon a flageolett in consort, which was never heard before nor since, unless imitated by the high manner upon the violin. But this lasted not long, nor another meeting of like kind neer Paul's (headed by one Ben. Wallington) for voices to an organ, where who would, that was gifted, might performe, and no payment, but the reckoning (ed. John Wilson [London, 1959], pp. 302-3)

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: At the Sign of the Sun at North-Hall

Performances

Mainpiece Title: Entertainments

Song: Entertainment-several of the best Masters

Dance: An extraordinary intermixt Entertainment-several of the best Masters

Event Comment: Benefit Beard. Tickets at Beard's House, New North Street, Red-Lion Square

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Turkish Dance-Muilment; IV: Comic Dance-Poitier

Song: II: Wou'd You Taste the Noontide Air (from Comus)-Beard; IV: (By Desire,) Oh Happy Pair (out of Alexander's Feast)-

Event Comment: Benefit Beard. [Part of the Stage will be formed into Side-Boxes. Tickets at Beard's House, New North Street, Red Lion Square.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Dance: I: Muilment; III: La Matelote-Desnoyer, Mlle Chateauneuf; V: Muilment

Song: II: See from the Silent Groves-Beard; IV: By particular Desire, a Song in the Character of a Sea Captain (as17400325-Beard

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Benefit Beard...Tickets and Places to be had at Beard's lodgings on the North Side of Red Lyon Square. Those Ladies who have already taken places, are humbly requested to send for Tickets. Tickets and places also to be had of Hobson at the stage door. Stage will be form'd into side boxes

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Event Comment: Benefit for Beard. Part of Pit will be rail'd into Boxes, where servants may keep Places and on the Stage. Tickets to be had of Beard at his House in New North St., Red Lion Square, and of Hobson at the stage door. Rec'd front Cash #67 12s., plus #132 13s. in tickets. Total #200 5s. Paid Hobson for 2 suits of cloaths #21; Salary list #203 7s.; Norton for 1 chorus 5s. (Treasurer's Book). Receipts: #205 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

Dance: III: L'Entree de Flore-Mlle Auretti

Event Comment: Benefit for Beard. No part of pit will be rail'd into the Boxes. Servants allow'd to keep Places on the stage. Tickets and Places to be had of Beard at his House in North St., Red-Lion Square, and at the Sta ge Door. Tickets deliver'd out for the 21st of March will be taken. Last time of performing the mainpiece this season. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: Devisse, Mad Auretti, Mathews, Mad Camargo, the Little Swiss

Song: A Cantata set by Dr Boyce-Beard

Entertainment: End Cantata: the Parody of Shakespeare's Stages of Life-Garrick

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: Oratorio [1st time in public. It had 1st been performed at Oxford, 8 July 1773, as part of the ceremony of the installation of Lord North as Chancellor.

Performances

Mainpiece Title: The Prodigal Son; Judas Maccabaeus

Song: With additional airs-

Music: End Part I: solo on the German flute-DeCamp; End Part II: concerto on the violin, as17770214

Event Comment: Benefit for Peile. [In the playbill his part is specified.] Public Advertiser, 15 Apr.: Tickets to be had of Peile at his House, North-street, Westminster. Receipts: #184 7s. 6d. (69.6.6; tickets: 115.1.0) (charge: #105)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Harlequin's Frolicks

Cast
Role: Prometheus Actor: Mahon

Dance: As17770121

Event Comment: Benefit for Peile. Mainpiece: Not acted these 6 years. Tickets delivered by Dagueville will be taken. Public Advertiser, 1 May and 27 Apr.: Tickets to be had of Peile at his house in North-street, Westminster; of Dagueville, Bow-street, Covent Garden. Receipts: #149 2s. 6d. (56.14.6; tickets: 92.8.0) (charge: #105)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: The Upholsterer

Dance: End II: new dance, The Arts and Sciences-Dagueville, Dagueville's pupils; End: new pantomimical dance, The Russian Light Infantry and Cossack Camp-Dagueville, Sga Tinte, Sga Vidini (1st appearance this season), fifty more performers

Song: End IV: a song-Mrs Farrell

Event Comment: Benefit for Peile. Mainpiece: With the Triumphal Entry of Alexander into Babylonv. Public Advertiser, 22 Apr.: Tickets to be had of Peile, North-street, Westminster

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Alexander the Great

Cast
Role: Beaufort Actor: Mahon

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

Cast
Role: Pan Actor: Mahon
Event Comment: Benefit for Peile. Public Advertiser, 20 Apr.: Tickets to be had of Peile at his house, North-street, Westminster. Receipts: #190 4s. 6d. (95.11.6; tickets: 94.13.0) (charge: #105)

Performances

Mainpiece Title: The Volunteers

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Dignum. Part of the Pit will be laid into the Boxes. Public Advertiser, 14 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #56 16s. (43.1.0; 11.8.6; 2.6.6; tickets: none listed) (charge: #121 6s. 4d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Song: End I: My Poll and my Partner Joe (composed by Dibdin)-Dignum

Event Comment: Benefit for Dignum. Afterpiece [1st time; F 2]: Written by George Saville Carey. Morning Herald, 15 May: Tickets to be had of Dignum, No. 23, North-street, Red Lion-square. Receipts: #525 15s. (67.15; 22.19; 5.10; tickets: 429.11) (charge: #173 6s. 10d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Dupes of Fancy; or, Every Man his Hobby

Song: End II: The Race Horse-Dignum; End: Cheerily Merrily or The Sailor's Life at Sea-Dignum; In course afterpiece: Sally in our Alley, The Poor Recruit-Dignum

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Event Comment: Benefit for Dignum and Mrs Powell. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 May.] Morning Herald, 23 May: Tickets to be had of Dignum, No. 25, New North-street; of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #510 1s. (54.13.6; 26.7.6; 3.17.0; tickets: 425.3.0) (charge: #160 5s. 10d.)

Performances

Mainpiece Title: At King's Twelfth Night

Afterpiece Title: The Mariners

Song: End II: The Lucky Escape-Dignum; End IV: Primroses deck the banks (composed by Linley? Sen.)-Master Welsh; End: Fair Rosale-Master Welsh

Event Comment: Benefit for Dignum. Morning Chronicle, 19 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #667 14s. (127.2.6; 35.17.6; 7.16.0; tickets: 496.18.0) (charge: #222 0s. 8d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Spoil'd Child

Afterpiece Title: No Song No Supper

Song: End I: Within a mile of Edinburgh-Dignum; End II: I never lov'd any dear Mary but you (composed by Hook)-Dignum; End I 2nd piece: Sally in our Alley-Dignum; End 2nd piece I that once was a Ploughman a Sailor am now (composed by Dibdin)-Dignum

Event Comment: Benefit for Dignum. Morning Herald, 20 May: Tickets to be had of Dignum, No. 23, New North-street, Red-lion-square. Receipts: #148 10s. 6d. (81.10.0; 57.6.6; 2.3.0; tickets: none listed; odd money: 7.11.0) (charge: #214 1s. 7d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Afterpiece Title: A Musical Olio

Song: End II: The Little Waist- (composed by Hook); End IV: The Sailor's Journal (composed by Dibdin)-Dignum