SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "His Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of His Royal Highness. Receipts: #99 5s. [The Prince present.

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Necromancer

Event Comment: By Command of His Royal Highness. Benefit Mrs Younger. Receipts: money #73 19s.; tickets #135 3s. [The Prince, Princess Caroline, and Lady Ann Lumley present.

Performances

Mainpiece Title: The Conscious Lovers

Dance:

Event Comment: Benefit the Author. By Command of His Royal Highness. Receipts: money #42 2s. 6d.; tickets #17 11s. [Prince present.

Performances

Mainpiece Title: Orestes

Related Works
Related Work: Orestes Author(s): Lewis Theobald
Event Comment: By Command of His Royal Highness. Receipts: #176 17s. [The Prince and the Duke of Lorrain present.

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: By Command of His Royal Highness. [Prince, Duke of Lorrain, and Count Kinski present]

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Afterpiece Title: Cephalus and Procris

Event Comment: By Command of His Royal Highness. [Prince, Duke of Lorrain, and Count Kinski present.

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Cephalus and Procris

Event Comment: By Command of His Royal Highness. Mainpiece: Written by Beaumont and Fletcher. [The Prince present.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Jovial Crew

Dance: TThe Masques-

Event Comment: By Command of His Royal Highness. [Prince and Princess Caroline present.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Dance: Denoyer, Essex, Lally, Thurmond, Houghton, Mrs Walter, Miss Robinson

Event Comment: By Command of His Royal Highness. [Prince, Duke, and Princesses present.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restord

Event Comment: By Command of His Royal Highness [Prince present.]

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Cupid and Psyche

Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [The Prince present.]

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lottery

Dance: I: Ballet by Mlle Anne Roland. III: Grand Ballet by Denoyer, &c. V: Le Badinage de Provence by Poitier, Mlle Roland, &c

Event Comment: By Command of his Royal Highness. Mainpiece: Written by the late J. Addison, Esq. [Prince present.]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Mock Doctor

Music: Select Pieces

Dance: I: Comic Dance by Le Brun and Mrs Anderson. II: By Mlle Anne Roland. II: Revellers by Essex, Mrs Walter, &c. IV: Le Badinage de Provence by Poitier, Mlle Roland

Event Comment: By Command of their Royal Highnesses Prince George and the Lady Augusta. Benefit Desnoyer. Receipts: money #116 15s. 6d.; seals #105 17s. (Account Book); #230 (Rylands MS.). [According to the Account Book, Desnoyer received a Free Benefit, i.e., no deduction for the nightly charges.

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

Dance: SSerious Dance to Favourite Tunes from the Opera of Lothario-Desnoyer; The Matelots-Mechel, Mlle Mechel; Italian Peasants-Desnoyer, Signora Barberini; By Command, The Comic Dance of the Old Woman-with Pierot in the Basket; Louvre, Minuet-Desnoyer, Signora Barberini

Event Comment: We are informed his Majesty's Company of Comedians will perform a few pieces this summer, at the Theatre Royal in Drury Lane, for the Entertainment of his Serene Highness the Prince of Hesse; the Director of that theatre having order'd several of the principal performers to remain in town to be ready for that purpose

Performances

Event Comment: By Command. Present the Prince and Princess of Wales. Gifts to King's Footmen #2, 2s.; Chairmen #2 2s.; Prince of Wales' Footmen #1 1s.; Chairmen #1 1s.; Princess of Wales' Footmen #1 1s.; Chairmen #1 1s.; the Duke's Footmen #1 1s.; Chairman #1 1s. (Account Books, Egerton 2268). Receipts: #185 18s. 6d

Performances

Mainpiece Title: Jane Shore

Performance Comment: Gloster-Quin; Hastings-Garrick; Dumont-Ryan; Jane Shore-Mrs Pritchard; Alicia-Mrs Cibber. The other parts as usual.

Dance: [Mentioned in the Account Books, Egerton 2268, but not in the General Advertiser.]

Event Comment: By Command of the Prince of Wales. Receipts: #115 18s. 6d. Present Prince of Wales at #5 5s., with Duke of York; Princess of Wales at #5 5s., with Lady Augusta, Lady Caroline, Lady Louisa. Paid Woodfall for printing #46 18s. 6d. and another printing bill #31 12s. 6d

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Knights

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Event Comment: Betterton's Company. The date of the first performance is not certain, but contemporary sources refer to the fact that William Smith, who died in the last week of December, fell ill on the fourth day of its run; hence, it probably was first presented in mid-December. One song, O take him gently from the pile, set by John Eccles and sung by Mrs Bracegirdle, is in Deliciae Musicae, The Fourth Book, 1696. Downes, Roscius Anglicanus, p. 44: The Grand Cyrus, wrote by Mr Banks; it was a good Play; but Mr Smith, having a long part in it, fell Sick upon the Fourth Day and Dy'd, upon that it lay by, and ne'er have bin Acted since. Gildon, English Dramatick Poets, p. 6: Tho' this Play had been formerly refus'd the Action, yet it held up its Head about Six Days together, and has been since Acted several Times. A Comparison Between the Two Stages: Sullen, p. 16: Banks's, which the Players damn'd and wou'd not Act of a great while, but at length it was acted, and damn'd then in manner and form

Performances

Mainpiece Title: Cyrus The Great Or The Tragedy Of Love

Performance Comment: Edition of 1696: Prologue to Her Royal Highness-; Cyrus the Great-Betterton; Cyaxares-Smith; Hystaspes-Kynaston; Craesus-Bowman; Abradatas-Hudson; Artabasus-Thurmond; Thoiyris-Mrs Bowtell; Panthea-Mrs Barry; Lausaria-Mrs Bracegirdle; Epilogue-the Boy, Girl by way of Dialogue.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Performance Comment: Edition of 1697: Prologue-Mr Betterton by Mr Motteux; Old Mr Gerald-Bright; Young Mr Gerald-Hodson; The Doctor-Underhill; Wife to the Doctor-Mrs Leigh; Mrs Angelica-Mrs Bowman; Beatrice-Mrs Lawson; Martin-T. Harris; Crispus-Bowen; Simon-Trout; Waiting Woman-Mrs Robinson; Prologue to Her Royal Highness-Mr Motteux; Epilogue-Mr Motteux.

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: At Reynolds' Booth. The Beggar's Wedding acted until 8 p.m.; Damon and Phillida, 8 p.m. to 11 p.m.; The Humours of Harlequin added to each one. Daily Post, 25 Aug.: This Day his Royal Highness the Duke and their Royal Highnesses the Princesses Mary and Louisa intend to honour Mr Reynolds with their Presence at his Great Theatrical Booth

Performances

Mainpiece Title: The Beggars Wedding

Afterpiece Title: Damon and Phillida

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Tartuffe

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: Attendez Moy Sous lOrme

Dance:

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

Event Comment: By Command of his Royal Highness the Duke, and their Royal Highnesses the Princesses Caroline, Mary, and Louisa [who were present]

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restord

Cast
Role: Longbib the Vintner Actor: Salway

Music: In II: Solo on Violin by Charke

Dance: II: New Serious Dance by Denoyer, Mlle Anne Roland, &c. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander