SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1353 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: This celebration of the Queen's Birthday presumably was given on 30 April, her birthday. The music in the Royal Society of Music gives the singers as Mrs Ayliff, The Boy, Turner, Snow, Edwards, Howell, Bowman, Damascene, Bouchier, Williams, Woodeson, Roberts. See Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert

Performance Comment: A song, Celebrate this Festival the text by Nahum Tate, the music by Henry Purcell, is in Comes Amoris, 1693-.
Event Comment: By His Royal Highness's Command. According to the Original Weekly Journal 26 April the Prince was present, but Edward Harley Jr writing to Abigail Harley on 6 May stated: The P..., not long ago, bespoke at the Old Playhouse, a play called the Indian Emperor. The K...hearing of it, sent to the players to tell them that if the P...came, and they acted that play, he would turn them out of his service, which message they sent to the P..., who had the good sense not to come, so the Indian Emperor was acted.-Portland MS, V, 560

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: King Richard The Second

Performance Comment: King-Delane; York-Stephens; Gaunt-Johnson; Bolingbroke-Ryan; Norfolk-Walker; Carlisle-Chapman; Aumerle-Hallam; Salisbury-Lyon; Scroop-Aston; Bushy-Rosco; Bagot-Salway; Green-Arthur; Northumberland-Bridgwater; Piercy-Hale; Ross-Ridout; Willoughby-A. Ryan; Surry-Houghton; Fitzwalter-Stevens; Earl Marshal-Mullart; Queen-Mrs Horton; Dutchess of York-Mrs Hallam; Dutchess of Gloster-Mrs James; but see also Hogan, p. 377. A New Prologue addressed to the Ladies-.
Cast
Role: York Actor: Stephens
Role: Dutchess of York Actor: Mrs Hallam

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Performances

Mainpiece Title: The Tempest

Event Comment: Impartial Protestant Mercury, 2 May 1682: Mr Charles? Deering? son to Sr Edward D., and Mr Vaughan?, quarrelled in the Duke's Playhouse, and presently mounted the stage and fought, and Mr D. was dangerously wounded, and Mr V. secured lest it should prove mortal. [See also, Wilson, Theatre Notes from the Newdigate Newsletters, p. 80.

Performances

Event Comment: At Mr Penkethman's and Mr Miller's Booth, at the Horns-Inn at Pye Corner, entering into Smithfield. A Celebrated Droll, Shewing the Pomp and Grandeur she lived in King Edward the IVth's Time, and the Misery she fell into upon Richard Duke of Gloucester's being made Protector. How she was oblig'd to do Penance in a white Sheet, carrying a lighted Torch bare Foot thro' the City, and then turn'd out to Starve; as also how she wandering met with her Husband, and the Tragick End of them Both. With the comical and diverting Humours of Sir Anthony Noodle, a foolish Courtier, and his Man Weezel

Performances

Mainpiece Title: Jane Shore

Performance Comment: Sir Anthony Noodle-Miller; His Man Weezel-Penkethman; King-Williams; Shore-Wilks Jr; Captain Ayres-Oates; Blunderbuss-Shepherd.
Cast
Role: His Man Weezel Actor: Penkethman

Song:

Dance:

Event Comment: By His Majesty's Command. King, Duke, Princess, P. of Wales & P. Edward (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Way Of The World

Dance: Mad Auretti, Matthews, Mad Janeton Auretti

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The Bulstrode Papers, (I, 254), 27 Dec. 1672: This evening their Matyes and the whole Court are to be diverted with a comedy in the Theater in Whitehall by his Royal Highness's servants called Epsome Wells, at which will be present all the principal persons of quality

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

Event Comment: The Duke's Company. The players received the customary #20. See A Calendar of the Inner Temple Records, III, 183. Loyal Protestant and True Domestick Union. 4 Nov. 1682: London November 2. Yesterday began the Revels at the Temple; where all the Judges belonging thereunto were nobly entertained by a Splendid Banquet, and afterwards by an excellent new Comedy, acted by His Royal Highness's Servants in the Inner-Temple-Hall, called, Rule a Wife and have a Wife, to the great satisfaction of all the Spectators

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: Benefit Mrs Wantlow; By Their Royal Highness's Command. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The School Boy or The Comical Rivals

Related Works
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Dance: Wade, Mrs Santlow

Performances

Mainpiece Title: The Rover

Dance: DDrunken Peasant-Roger; Polonese-Rainton, Miss Robinson; Whitsun Holiday-Boval, Mrs Mills

Event Comment: With an Addition of some New Songs. [Prince, Princess Royal, Duke, and five Princesses present.

Performances

Mainpiece Title: Julius Caesar

Event Comment: [K$King, Queen, Duke, Princess Royal, and Princesses Amelia, Caroline, Mary, Louisa present. For an Epigram on the late Mrs Oldfield, see Grub St. Journal, 17 Dec.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: Rinaldo

Event Comment: [T$Their Majesties, Prince, Prince William, Princess Royal, the young Princesses, and Duke of Lorrain present. See also Lord Hervey and his Friends, p. 115.

Performances

Mainpiece Title: Porus

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes, and stage form'd into Front and Side Boxes. Tickets and Places to be had at Mrs Pritchard's in Duke's late Earl's Court, (Bow Street), at Mr Vaughan's at the Golden Fan, next the Royal Exchange, Cornhill; and of Hobson at the stage door. Receipts: #220 (Cross); house charges, #60 (Powel); cash, #63 10s. 6d.; tickets, #118 17s. (Clay MS). By her agreement she has ten Guineas return'd her out of this charge, and therefore I shall subtract that out of the rest (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Event Comment: Benefit for James Sturgis Adams (a Person in Distress) (Cross). Gave Xmas Box to Duke's Servts #1 1s. (Treasurer's Book). Tickets for Boxes to be had at the following Coffee Houses, St. James, St. James's St; Somerset in the Strand; Grigsby's behind the Royal Exchange; and the Union, Cornhill. Receipts: #205 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Chaplet

Song: I: Master Mattocks

Dance: IV: Hornpipe-Mathews