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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal HighnesssGardens"/1) | (@(roleclean,performerclean) "His Royal HighnesssGardens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2085 results for: Keyword - His Royal Highness's@Gardens
We found 1193 matches on Event Comments, 687 matches on Performance Title, 320 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

651
15 December 1769 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: The Jubilee

652
27 April 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: The Minor

Dance: II: By Particular Desire, for the first time, a Minuet, Allemande-Sieur Daigville, Miss Ross (his apprentice of 4 months); IV: The English Gardeners, as17691206

Entertainment: End: Bucks Have At Ye All-Palmer

653
07 May 1770 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Rape of Proserpine

Dance: IV: The Whim, as17691123

654
23 April 1771 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Deuce Is in Him

Dance: I: A New Comic Dance-Aldridge, Sga Manesiere; III: (By Particular Desire) The Old ground Young, as17710318 concluding with: Allemande, as17710318

Monologue: Interlude.End: Press Gang; True Blue. As 18 April, but Mrs Mattocks; Dance-Aldridge

655
28 August 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Il Dilettante

Music: Between the Acts: Concerto on Piano Forte-Hook (by Particular Desire); The Ode-Hook for the opening of the New Exhibition Room of the Royal Incorporated Artists of Great Britain. Chorusses will be supported by a number of Capital singers and young gentlemen of St Paul's Choir; The principal vocal parts-Reinhold, Bannister, Mrs Cartwright, Mrs Thompson

656
27 April 1773 @ Covent Garden

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

657
02 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Comerford; Aboan-Smith; Hotman-Johnson; Captain Driver-Saul; Blandford-Newport; Stanmore-A Gentleman [unidentified]; Jack Stanmore-Dancer; Daniel-Kenny; Governor-A Gentleman (1st appearance on this stage [unidentified]); Imoinda-A Young Lady of Rotherhithe [unidentified]; Widow Lackit-Mrs Ross; Lucy Weldon-Miss Taylor; Charlotte Weldon-Mrs Wilks.

Afterpiece Title: A Trip to Scotland

Song: As17760925

Entertainment: Monologue.Before: Bucks have at ye all-Master Russell; Imitations, as17760930

658
14 November 1776 @ Covent Garden

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda; Or, The Royal Convert

Performance Comment: Hengist-Wroughton; Seofrid-Hull; Offa-Whitefield; Oswald-Robson; Priest-L'Estrange; Officers-Fearon, Booth, Davis, Thompson; Aribert-Lewis; Rodogune-Mrs Ward (1st appearance on this stage); Ethelinda-Mrs Hartley.

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

659
25 May 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

660
27 May 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Mayor of Garratt

Dance: End: Hornpipe-Lady from the Theatre Royal, Drury Lane [unidentified]

661
15 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: Comical Courtship; or, The Battle Royal

Dance: As17780601

Song: As17780529

662
19 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Comus

663
20 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Catherine and Petruchio

664
22 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: All the World's a Stage

665
24 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

666
27 February 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

667
17 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

668
20 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

669
29 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

670
20 April 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

671
07 May 1781 @ Covent Garden

Event Comment: By Particular Desire of their Excellencies the Persian Ambassadors. Benefit for Wild. Wild begs leave to inform his friends Mons. DeLoutherbourg has no concern whatever in the invention or painting any of the above scenes [in Phusimimesis]. Receipts: #288 9s. (210.14; tickets: 77.15) (charge: #105)

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

672
17 May 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Lyar

Dance: End IV: The Devonshire Minuet (1st time)-the Miss Stageldoirs (scholars of LeMercier); End: The Butterfly, as17800921

Song: End I: As17810424

673
29 October 1781 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

674
17 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Triumph of Mirth

675
04 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)