SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Danish Majesty"/1) | (@(roleclean,performerclean) "His Danish Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1054 matches on Event Comments, 39 matches on Performance Comments, 31 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performance Comment: The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate.
Event Comment: By His Majesty's Command. Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 22 Jan.: Last Saturday Night his Majesty, his Royal Highness the Duke, the Princesses, with several Foreign Ministers and their Ladies, were at [cg]: So great a Concourse of People came in order to see his Majesty there, as has scarcely been seen; many Persons who came to the Play-House at Four o'Clock, offering any Price, if they could possibly be admitted. In the Fury Dance of Macbeth, Mr Haughton had the misfortune to dislocate his Ankle-Bone, and fell down upon the Stage, and was obliged to be carried off; upon which his Majesty was graciously Pleased to send him Ten Guineas instantly, and to order him to be taken Care of

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Music: Vocal Parts [for Macbeth]-Leveridge, Salway, Roberts, Thompson, Stoppelaer, Mrs James, Mrs Wright, Mrs Vincent, Mrs Kilby

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Event Comment: Gentleman's Journal, November 1693: An Ode upon His Majesty's Birth-day, Set to Musick by Dr Staggins; and Perform'd before Their Majesties, Nov. 4. 1693. The Words by N. Tate, Servant to Their Majesties. [The Ode was published separately as a broadside in 1693. A song, Gallic force, in vain, set by Staggins and sung to the King on his birthday, is in Comes Amoris, The Fifth Book, 1694.

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Macbeth

Music: As17040101

Dance: duRuel, Cherrier, Mrs duRuel; [including] the same Entertainments of Dancing [performed last night at St. James's before Her Majesty-

Performance Comment: James's before Her Majesty-.
Cast
Role: Her Majesty Actor: .
Event Comment: Benefit Estcourt. At the Desire of several Persons of Quality. London in 1710 (pp. 138-39): On this occasion the actors represented a prodigiously satirical Interscenium, which was not to be found in the printed copy of the play....In this interlude a troop of soldiers came on, singing at the top of their voices an English song which had been made by the army in Flanders about the Duke of Marlborough. In it Prince Eugene is praised for his open-handedness, while Marlborough, on the other hand, is blamed for his avarice, so that every verse ended: 'but Marlborough not a penny.' The people, who are very bitter against the whole family, even the Duke himself, laughed prodigiously, and bandied about monstrous insults, although Marlborough's daughter, the Duchess of Montagu, was herself at the play and was so greatly shamed that she was covered with blushes....When the song was at an end, there was such a clapping and yelling that the actors were unable to proceed for nearly a quarter of an hour

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

Performance Comment: Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes.
Event Comment: Evening Post, 30 Aug.: Yesterday Mr Bullock, Master of the Play-House in Lincoln's-Inn-Fields, was commanded to attend his Majesty at Hampton-Court, where he receiv'd Orders for his Company to perform several Plays for the Entertainment of His Majesty during his Stay there, in the Winter Season, and there is a magnificent Theatre erecting for that Purpose

Performances

Event Comment: Benefit the French Comedians. [#40 paid to Bullock presumably the house charges]. By His Majesty's Command. Tickets given out for Pasquin and Marforio taken at this play. [His Majesty Present.] Original Weekly Journal, 29 Nov.: And we hear, his Majesty gave a 100 Guineas

Performances

Mainpiece Title: Le Maitre Etourdi

Afterpiece Title: Le Tombeau de Maitre Andre

Entertainment: Several new Entertainments which were never perform'd in England before-

Event Comment: By Command. As 12 March. Receipts: #164 17s. Daily Post, 18 March: His Majesty went...to see...The Country Wife and the Entertainment of Apollo and Daphne, in which was perform'd a particular Flying on that Occasion, of a Cupid descending, and presenting his Majesty with a Book of the Entertainment, and then ascended: At which new Piece of Machinery the Audience seem'd much pleas'd

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Birth and Adventures of Harlequin (Comic Part of The Rape of Proserpine)

Dance: Salle, Poitier, Mlle Salle; particularly a New Ballad, with New Habits-; In afterpiece (by Command): the Grand Dance of Momus-

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Music: Between the Acts: Select Pieces-

Dance:

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Boxes put together at 5s. [Their Majesties, Prince, and three eldest Princesses present.] Universal Spectator, 26 Feb.: For the Benefit of that celebrated Actress Mrs Porter, (who has not been able to appear upon the Stage this Season, from the unhappy Accident of breaking her Thigh Bone, by being overturn'd in her Chaise last Summer)

Performances

Mainpiece Title: The Modern Husband

Dance: Denoyer, Mrs Booth

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Dance: II: Tambourine-Miss Rogers; III: New Comic Dance-Nivelon, Mrs Laguerre, Pelling, Mrs Pelling, Newhouse, Miss Latour, Delagarde, Mrs Ogden, LeSac, Miss Baston; IV: A new Scottish Dance-Glover, Mrs Laguerre, DuPre, Mrs Pelling, Delagarde, Mrs Ogden

Performances

Mainpiece Title: The Scornful Lady

Dance: Denoyer, Mrs Booth, Miss Robinson, Mrs Walter

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress

Dance: Drunken Peasant by Le Brun

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Apollo and Daphne

Dance: As17331128 Also a new Dance in the Cbaracter of a Shepherd and Shepherdess by Malter and Mlle Salle

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Music: With the Original Musick

Dance: Le Badinage Champetre by Lally, Mrs Walter, &c

Event Comment: London Daily Post and General Advertiser, 4 Nov.: We are informed, that when Mr Handel waited on their Majesties with his New Opera of Ariodante, his Majesty . . . was graciously pleased to subscribe 1000/. towards carrying on the Opera [at CG. No confirmation of this point is known]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Colombine Courtezan

Dance: I: French Peasants by Poitier, Mlle Roland, &c. III: Minuet (in Modern Habits) by Denoyer and Miss Anderson. V: Revellers, as17351103 End Afterpiece: As17351104

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

Dance: I: Grand Serious Ballet by Essex, Mrs Walter, &c. II: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: Russian Sailor by Denoyer and others. V: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Royal Chace