SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Herbert"/1) | (@(roleclean,performerclean) "Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 97 matches on Roles/Actors, 80 matches on Event Comments, 21 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Widow

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. An edition of this play, published in 1661, lists no cast, no prologue, no epilogue

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: Mr Shepley and I to the new Play-house near Lincoln's-Inn-Fields (which was formerly Gibbon's tennis-court), where the play of Beggar's Bush was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone [Mohun], who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England

Performances

Mainpiece Title: The Beggar's Bush

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Scornful Lady

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: I to the new playhouse and saw part of the Traitor, a very good Tragedy; Mr Moon [Mohun] did act the Traitor very well

Performances

Mainpiece Title: The Traitor

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Elder Brother

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Chances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company

Performances

Mainpiece Title: The Opportunity

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company

Performances

Mainpiece Title: Claricilla

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company

Performances

Mainpiece Title: A Kinge And No Kinge

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117, who gives the date as Monday 9, presumably an error for Wednesday 9

Performances

Mainpiece Title: The Wedding

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Pepys, Diary: To the Theatre, and there sat in the pit among the company of fine ladys, &c.; and the house was exceeding full, to see Argalus and Parthenia, the first time that it hath been acted: and indeed it is good, though wronged by my over great expectations, as all things else are

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: The King's Company. See Herbert (Dramatic Records, p. 117), where are listed The Loyall Subject, Mad Louer, The Wildgoose Chase following this play but preceding April 1661. Pepys, Diary: I went by coach to the play-house at the Theatre, our coach in King Street breaking, and so took another. Here we saw Argalus and Parthenia, which I lately saw, but though pleasant for the dancing and singing, I do not find good for any wit or design therein

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: See Herbert (Dramatic Records, p. 117) for The Mayd in the Mill acted in May and A Wife for a Monthe and The Bondman acted by the King's Company at an unspecified time following May

Performances

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Event Comment: The King's Company. This play appears in Herbert, Dramatic Records, p. 117, preceding 11 Dec., with no date assigned. See also 11 March 1661@2

Performances

Mainpiece Title: The Dancing Master

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Alchymist

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Spanish Curate