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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Her Majestys United Company of Comedians"/1) | (@(roleclean,performerclean) "Her Majestys United Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2331 results for: Keyword - Her Majesty's United Company of Comedians
We found 2144 matches on Event Comments, 162 matches on Performance Comments, 45 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1926
26 November 1697 @ Drury Lane Theatre

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box at Timon 8s

Performances

Mainpiece Title: Timon Of Athens

1927
04 December 1697 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box at Prophetesse 10s. [See also 18 Dec. 1697.

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

1928
09 December 1697 @ Drury Lane Theatre

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box at Esop 8s

Performances

Mainpiece Title: Aesop

1929
18 December 1697 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Rich's Company. Post Boy, 16-18 Dec. 1697: We hear that the Marquiss of Carmarthen who lately Entertain'd the Great Officer from the Czar of Muscovy, at the Opera call'd the Prophetess, has this day Bespoke the Entertainment of the Indian Queen at the Theatre Royal

Performances

Mainpiece Title: The Indian Queen

1930
January 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 17-21 Feb. 1697@8, suggests that it was first given not later than January 1697@8. Downes, Roscius Anglicanus, p. 44: Heroick Love, Wrote by Mr George Greenvil, Superlatively Writ; a very good Tragedy, well Acted, and mightly pleas'd the Court and City. A Comparison Between the Two Stages (1702), p. 20: The Language is very correct: But with submission to him [Granville], his Fable is not well chosen; there's too little Business in't for so long a Representation: But if Mr G. had taken the Story at a greater length, and contriv'd the Incidents to surprize, he had made it an admirable Tragedy

Performances

Mainpiece Title: Heroick Love

1931
05 January 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. This play was also reprinted in 1698. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and two in the Pitt at the Relapse 5s

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

1932
15 January 1698 @ Dorset Garden Theatre

Event Comment: Rich's Company. Post Boy, 13-15 Jan. 1697@8: 'Tis said that this day will be Acted, at the Theatre in Dorset Garden, the Opera called Prophetess or Dioclesian, at the request of a Nobleman; they will not tell us who, but we presume for the Entertainment of a very great Foreigner. Luttrell, A Brief Relation, III, 332: He [the Czar of Muscovy] is this night at the Playhouse incognito to see the Prophetesse acted

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

1933
18 January 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. There is no certainly as to whether this performance is the premiere. Because the play was not published until 1715, the cast for the first performance is not known. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att Country House 8s

Performances

Mainpiece Title: The Country House

1934
07 February 1698 @ Dorset Garden Theatre

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and two in the Box at King Arthur 18s. [In The Female Wits--see September 1696--in Act I is a reference to the enlivening of King Arthur created by the Pudding and Dumbling Song.

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher

1935
25 February 1698 @ Dorset Garden Theatre

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att King Arthur 10s

Performances

Mainpiece Title: King Arthur

1936
March 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Flying Post, 29-31 March 1698, suggests that the first performance probably occurred in late February or very early in March. One song, Though over all mankind, the music by Leveridge and sung by Mrs Lindsey, was published in A Second Book of Songs with a Through Bass, 1699

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Cast
Role: Cassius Cheraea Actor: Thomas

1937
March 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders; Or, The Town Unmask'd

1938
March 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton; Or, The Fatal Divorce

1939
19 March 1698 @ Dorset Garden Theatre

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att King Arthur 10s

Performances

Mainpiece Title: King Arthur

1940
April 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 18-20 June 1698, suggests that its first performance occurred in late April or early May 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Beauty In Distress

Performance Comment: Edition of 1698: Prologue-Bowen [an induction scene, with a player coming forward to announce that there is no prologue, then Bowen entering, having forgotten it, but the prompter gets Bowen's memory restored and the prologue proceeds]; Epilogue-Mrs Bracegirdle; Don Vicentio-Betterton; Ricardo-Verbruggen; Duke Ferdinand-Kynaston; Fabiano-Hodgson; Zemet-Arnold; Laura-Mrs Barry; Placentia-Mrs Bracegirdle; Morella-Mrs Moore; Melinda-Mrs Prince.

1941
May 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, 4-7 July 1698, suggests that the first performance occurred not later than late May or early June 1698

Performances

Mainpiece Title: Fatal Friendship

1942
May 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 19-21 June 1698, suggests a first performance probably not earlier than the middle of May. Preface, Edition of 1698: I am sufficiently Recompenc'd by the Kind Reception it met with among those whom I design'd to please;...I am blam'd for suffering my Play to be Acted at the Theatre-Royal, accus'd of Foolish Presumption, in setting my weak Shoulders to Prop this Declining Fabrick, and of affronting the Town, in Favouring whom they Discountenance

Performances

Mainpiece Title: Victorious Love

Performance Comment: Edition of 1698: Prologue [Sent by a Friend Between a Tragaedian and a Comoedian-; Epilogue [by the same Gentleman-Mrs Cross [Apparently Zaraida was played by Mrs Cross, her husband by the author, William Walker].Apparently Zaraida was played by Mrs Cross, her husband by the author, William Walker].

1943
03 May 1698 @ Drury Lane Theatre

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances

1944
17 May 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, 14-17 May 1698: This Day will be Acted the last new Tragedy, call'd Phaeton, or the Fatal Divorce. For the Benefit of the Author, and for the Entertainment of several French Persons of Quality

Performances

Mainpiece Title: Phaeton

1945
June 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 2-5 July 1698, suggests that the first performance probably occurred not later than June 1698

Performances

Mainpiece Title: The Revengeful Queen

1946
June 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1698, suggests a premiere in June 1698. In addition, the Preface replies to Jeremy Collier, whose Short View had a second edition appear in mid-May, and the presence of some younger actors--Fairbank and Bullock, for example--in the cast suggests a summer performance. The music for the songs was composed by Daniel Purcell. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

1947
June 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 26-28 July 1698, suggests that the premiere occurred probably in mid-June or late June 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Queen Catharine; Or, The Ruines Of Love

1948
05 July 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, No 494, 2-5 July 1698: This Day is Acted the Tempest, at the Kings Playhouse in Drury-Lane, for the Entertainment of a Foreign Prince, who, we are positively inform'd, is the Prince of Parma in Person

Performances

Mainpiece Title: The Tempest

1949
09 July 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, No 496, 7-9 July 1698: This day is acted Oroonoko, at the King's Playhouse, for the particular Entertainment of some Persons of the highest Quality, with the Italian Shades, as they were perform'd with great Applause, before their Excellencies the Russian and Morocco Ambassadors, in the Reign of King Charles II. And an Entertainment after the manner of the Carnaval at Rome. With several Grotesque Dances

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

1950
11 July 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. A playbill for this performance was once in the possession of Thomas Hailes Lacy (1809-73); Fitzgerald, A New History, I, 389, refers to it; the playbill seems no longer to be extant

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Author(s): John Fletcher