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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Her Majesty\'s United Company of Comedians"/1) | (@(roleclean,performerclean) "Her Majesty\'s United Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3151 results for: Keyword - Her Majesty's United Company of Comedians
We found 2944 matches on Event Comments, 174 matches on Performance Comments, 60 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

326
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa Or The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Sidney; Thomas-Wilson; Huntsmen and Sailors-The rest of the Company; Dorcas-Mrs Fowler; Sally-Mrs Sterne.
Cast
Role: Huntsmen and Sailors Actor: The rest of the Company

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

327
01 January 1693 @ Whitehall or St. James's

Performances

Mainpiece Title: Concert

328
20 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. For details of the acting by young members of the company, see 21 March

Performances

Mainpiece Title: The Wedding Night

Performance Comment: [The Marriage Night] young actors of the company.

329
18 December 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

Performance Comment: . A cast in the edition of 1706 is compatible with the company at this time: Sir Peter Pride-Freeman; Cuningham-Verbruggen; Lovemore-Betterton; Barnaby Brittle-Dogget; Jeffrey-Fieldhouse; Clodpole-Bright; Merryman-Underhill; Lady Laycock-Mrs Leigh; Lady Pride-Mrs Willis; Mrs Brittle-Mrs Bracegirdle; Philadelphia-Mrs Porter; Prudence-Mrs Hunt; Damaris-Mrs Prince.

330
21 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: I alone out and to the Duke of York's play-house, where unexpectedly I come to see only the young men and women of the house act; they having liberty to act for their own profit on Wednesdays and Fridays this Lent; and the play they did yesterday, being Wednesday, was so well-taken, that they thought fit to venture it publickly to-day; a play of my Lord Falkland's called The Wedding Night, a kind of tragedy, and some things very good in it, but the whole together, I thought, not so. I confess I was well enough pleased with my seeing it: and the people did do better, without the great actors, than I did expect, but yet far short of what they do when they are there, which I was glad to find the difference of

Performances

Mainpiece Title: The Marriage Night

Performance Comment: See16670320 young actors of the company.

331
31 January 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.

332
06 February 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Related Works
Related Work: The Gentleman Dancing Master Author(s): William Wycherley

333
22 October 1730 @ Kew Gardens

Event Comment: DDaily Journal, 23 Oct,: Yesterday being the Anniversary of the Princess Royal's Birth-Day, a Masque was prepared at His Royal Highness's Command, on that Occasion, by Mr Rich, and perform'd by his Company in His Royal Highness's@Gardens at Cue, which were illuminated with above a thousand Lamps

Performances

Mainpiece Title: A Masque

Performance Comment: The company from Lincoln's Inn Fields.

334
18 September 1760 @ Southwark Fair

Event Comment: During the short time of the Fair, at a large Commodious Booth at the bottom of the Bowling Green. Boxes 2s. 6d. Pit 2s. 6d. First Gallery 1s. Upper Gallery 6d. The Company chose to wave [sic] the usual pompous and bombastic stuff generally crowded into Advertisements on these occasions. They early beg leave to say, that they humbly presume, their having been at an uncommon expence, care, and trouble in getting up this comedy, will entitle them to some degree of preference and encouragement above those paltry performances usually exhibited at Fairs. [But see the puff on 19Sept.

Performances

Mainpiece Title: The Female Minor

Performance Comment: the company who performed with Foote at the Haymarket.

Song: Several New Comic Songs-

Dance: The Dances-the same performers who were with Mr Shuter at Bartholomew Fair

335
05 July 1660 @ The City, London

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: Londons Glory Represented By Time Truth And Fame

336
08 October 1730 @ Southwark

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Comedians for both Houses.

337
16 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Suett. Morning Herald, 13 Aug.: Tickets to be had of Suett, No. 18, Clement's Inn

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Blue Devils

Cast
Role: Hereford Actor: Davenport

Afterpiece Title: My Grandmother

Cast
Role: Justice Mittimus Actor: Usher

Song: In course of Evening: The United Englishmen-Munden

338
30 May 1800 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp or Patrick in Prussia

Performance Comment: Captain Patrick-Johnstone; Darby-Munden; Quiz (1st time)-Simmons; Marshal Ferbelin-Claremont; Father Luke-Waddy; Olmutz-Emery; Rupert-Denman; Adjutant-Davenport; Mabel Flourish-Mrs Gilbert; Norah-Miss Mills; Flora-Mrs Martyr.
Cast
Role: Father Luke Actor: Waddy

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

339
04 January 1717 @ Globe and Marlborough's Head

Performances

Mainpiece Title: Tony Astons Medley

Entertainment: A lively Abstract of the most Comical Characters of our best Comedies which are reputed the Master-Pieces of the top Comedians-; with new proper Songs to each Character-

340
21 January 1717 @ Globe and Marlborough's Head

Performances

Mainpiece Title: Tony Astons Medley

Entertainment: Medley of Characters-the best Comedians

341
02 March 1727 @ King's Theatre

Performances

Mainpiece Title: A Comedy Within A Comedy Or The Foppish Merchant Turnd Comedian For Love By Pantalon

Entertainment: Singing Dancing and Serenading after the Venetian Manner-; To which is added, A most noble Concert of Musical French Horns-; Songs-; accompany'd-the said Concert; Dance-Turkish Men, Turkish Women; at the Sound of Trumpets and Kettle Drums-; Dance call'd the King of Morocco's Diversions-Signor Grimaldo Francolino of Malta; and his most surprizing Activity and Strength in a Dance on his Knees with a wonderful heavy Machine upon his Head, never yet attempted by any one before-Signor Grimaldo Francolino

342
17 November 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Tears and Triumphs of Parnassus

Dance: II: Reviv'd the Pantomime Dance, call'd The Prussian Camp The Prussian Soldiers by the Comedians, the Characters of the Dance-Grimaldi, Miss Baker

Music:

Song: n Ode for Music, call'dThe Tears and Triumphs of Parnassus-. The Music compos'd by Stanley

343
04 July 1754 @ Haymarket Theatre

Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory Or Mrs Midnights New Carnival Concert

Related Works
Related Work: The British Roratory; or, Mrs Midnight's New Carnival Concert Author(s): Christopher Smart
Related Work: Mrs. Midnight's New Carnival Concert Author(s): Christopher Smart

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

344
18 May 1703 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly a Song-[Hughes] [before Her Majesty, in Congratulation of Her Majesty's Happy Accession to the Crown; [Also several Entertainments-Mr Dean, Signior Francisco; [And three New Songs [never perform'd anywhere-Mr Hughs; [And that much celebrated Song for the Trumpet[, perform'd originally-Mr Pate [in The Island Princess, beginning Rouse ye Gods of the Main; [Also a Sonata for two Trumpets-; [and positively there will be perform'd an Extraordinary Entertainment on the Arch/Lutes-an Eminent Master [who never perform'd there before; accompanied-Mr Dean, others

345
01 May 1701 @ May Fair

Performances

Mainpiece Title: Rope Dancing

Entertainment: four of the most Famous Companies; as ever were in England (being the very same that were opposite to the Cross-Daggers in Smithfield last Bartholomew-Fair) who perform such variety of Curiosities both in Dancing, Walking on the Slack Rope, Tumbling, as far surpass any ever yet seen-

Music: You will likewise be entertain'd with that variety of Musick as was never in this Fair before-

346
25 August 1701 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

Dance: [By] 6 Companies of Rope Dancers; who] [are joyned in one, they being the greatest Performers of Men, Women, and Children, that could be found beyond the Seas, where will be performed such wonderful variety of Dancing, Vaulting, Walking on the Slack Rope, the Sloaping Rope-; [you will see a wonderful Girl of 10 years of Age, who walk backward up the sloaping Rope-Girl of 10 years[, driving a Wheel-barrow behind her; [also you will see the Great Italian Master, who not only passes all that has yet been seen upon the low Rope, [but he Dances[ without a Pole upon the Head of a Mast [as high as the Booth will permit, and afterwards stands upon his Head on the same-Great Italian Master; [You will also be entertained with the many Conceits of an Italian Scaramouch, who Dances on the Rope [with 2 Children and a Dog in a Wheel-barrow, and a Duck on his Head-Italian Scaramouch

Dance: Such variety of Dancing, Vaulting, Walking on the Slack/Rope, Tumbling, as has never been seen in this Fair before-

347
23 August 1703 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

Dance: Dancing on the Ropes , after the French and Italian Fashion-a Company of the finest Performers that ever yet have been seen in the whole World; For in the same Booth will be seen the two Famous French Maidens , so much admir'd in all Places and Countries where ever they come, (especially in May-Fair last) where they gain'd the highest Applause from all the Nobility and Gentry, for their wonderful Performance on the Rope, both with and without a Pole....To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-

348
28 May 1715 @ York Buildings

Event Comment: Steele's Censorium. For other accounts, see Loftis, pp. 108-9, and Blanchard, pp. 69, 108, 120

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

Performance Comment: ..We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June).

349
22 September 1722 @ Southwark Fair

Performances

Mainpiece Title: Distressd Beauty Or The London Prentice

Song: As17220905; Mrs Willis, Miss Francis, Sandham's Son, Sandham's Daughter

Dance: Mrs Willis, Miss Francis, Sandham's Son and Daughter

Entertainment: For the Diversion of Gentlemen and Ladies, several excellent Entertainments of Dancing on the Ropes and Tumbling-a Company lately arrived from Holland, which never perform'd on Mr Penkethman's Stage before; besides Dancing on the Rope without a Pole-a Youth lately come from France

350
11 May 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Timon Misantrope

Entertainment: The Company