Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Event Comment: The United Company. This performance is known by one of the rare playbills extant from this period. It is in HMC, Verney MSS., 7th Report, p. 509, and reproduced opposite page 240 in Lawrence, Elizabethan Playhouse, 2d Series: Never Acted but once. At the Theatre Royal, in Drury-Lane, this present Wensday being the Nineth day of November, will be presented, A New Play called, Henry the Second King of England. No money to be return'd after the curtain is drawn. By their Majesties Servants. Vivant Rex & Regina. Lady Margaret Russell to Katherine Russell, 10 Nov. 1692: You will be surprised that Lady Cavendish has been hindered by a little sore throat from going yesterday to a new play of King Henry and Rosamond, which is much commended (HMC, 12th Report, Appendix, Part V, Rutland MSS., p. 124)

Event Comment: Mainpiece: Never Acted before. [by Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Books of the Tragedy, with Notes by Way of Key, &c. will be sold at the Theatre, as also Books of the Farce

Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Event Comment: The King's Company. Pepys, Diary: I bought the play of Henry the Fourth, and so went to the new Theatre...and saw it acted; but my expectation being too great, it did not please me, as otherwise I believe it would; and my having a book, I believe did spoil it a little

Event Comment: Pepys, Diary, 24 Dec.: By and by comes in Captain Ferrers to see us, and, among other talke, tells us of the goodness of the new play of Henry VIII, which makes me think it long till my time is out

Event Comment: Pepys, Diary: But my wife and I rose from table, pretending business, and went to the Duke's house, the first play I have been at these six months, according to my last vowe, and here saw the so much cried-up play of "Henry the Eighth"; which, though I went with resolution to like it, is so simple a thing made up of a great many patches, that, besides the shows and processions in it, there is nothing in the world good or well done

Event Comment: The Duke's Company. Pepys, Diary: To White Hall, and got my Lord Bellasses to get me into the playhouse; and there, after all staying above an hour for the players, the King and all waiting, which was absurd, saw Henry the Fifth well done by the Duke's people, and in most excellent habits, all new vests, being put on but this night. But I sat so nigh and far off, that I missed most of the words, and sat with a wind coming into my back and neck, which did much trouble me. The play continued till twelve at night. A Prologue for this play is in A Letter from a Gentleman to the Honourable Ed. Howard (London, 1668)

Event Comment: The King's Company. Pepys, Diary: My wife and Willett and I to the King's playhouse, and there saw Henry the Fourth; and contrary to expectation, was pleased in nothing more than in Cartwright's speaking of Falstaffe's speech about "What is Honour?" The house full of Parliamentmen, it being holyday with them: and it was observable how a gentleman of good habit, sitting just before us, eating of some fruit in the midst of the play, did drop down as dead, being choked; but with much ado Orange Moll did thrust her finger down his throat, and brought him to life again

Event Comment: The King's Company. Pepys, Diary: [After looking in at the Nursery and at lif] and Henry the Fourth at the King's house; but, not finding them, not liking either of the plays, I took my coach again

Event Comment: The King's Company. Pepys, Diary: To the King's house, and saw a piece of Henry the Fourth; at the end of the play, thinking to have gone abroad with Knepp, but it was too late, and she to get her part against to-morrow, in The Silent Woman

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: y- Q: a Box & a Box for ye Maids Honr Henry 2. [See also Nicoll, Restoration Drama, p. 352.

Event Comment: The United Company. Constatijn Huygens, 16 Jan. 1692@2 O. S. [translation]: In the afternoon I went with Preswitz to the comedy, by Covent Garden, where there was a play about Henry II, but I could not very well understand the comedians, neither what they said. Mrs Barry played the King's wife and Mrs Bracegirdle his mistress, who let the King be poisoned in her presence. Sayer came and sat with us. The best places were for the English crown (Journaal van Constantijn Huygens, Publication of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 168)

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Event Comment: Benefit for Wood, Sub-Treasurer. Tickets deliver'd out for The Mistake will be taken (playbill). For ye Morocco Embassador, who, tho' unlearn'd in out Language, behav'd as if he understood nature -Mr Wood, the Subtreasurer had Tickets (Cross). [Mrs Frances Brooke, in The Old Maid, for 8 May 1756, gives the following eye-witness account of the evening: "I determined to watch the artless working of [the Ambassador's] surprise, and to catch, as well as I could his sentiments of the theatre, the Audience, the Play, and the performers. And shall give them to my readers, just as they appeared to me. On his first coming to the front of the Box, he was complimented with the Applause of the whole House, which seemed to give him great pleasure, and which he returned by two bows in the English, and afterwards by a reverence in the Moorish manner, which last I thought very graceful...tho' he is rather low of stature, yet his loose flowing robes, and his manner altogether gave him such an air of superiority, that I thought the Audience looked only like his attendants. "The House and Spectators attracted his notice so much for some time, that he seem'd very well entertained before the drawing up of the curtain. At the first scene between the Lords, I thought he looked disappointed, and after a transient view of the stage, directed his eyes again to the company; at the entrance of King Henry his attention was a little recover'd to the performance, but his majesty had not proceeded half way thru the scene, before he burst into a most immoderate fit, of apparently contemptuous laughter, which he repeated very often thro' the whole playing of the part. The manner in which this stranger was affected by it, amongst other considerations, fully convinces me that this character is most ridiculously burlesqued in the representation, and that both Shakespeare and the Monarch are very inhumanly sacrificed, to the polite taste, and elegant distinction of the upper gallery....I could point out many abuses of the like nature, which have increased upon us so much of late, that 'tis almost impossible to attend the theatres, with the expectation of receiving pleasure from some parts of the perfbrmance, without the certainty of suffering equal disgust from others; it was the case of many besides myself, at this of Henry, upon the absurdity of Winchester's brandishing his cane at Canterbury, upon the close of the Council Scene; and yet to give opportunity for this notable stage foolery, the Archbishop and Bishop are both made to walk out of their proper order, tho' in attendance upon the King....His character is drawn by Shakespeare very nearly as it stands in history, and in colours far different from the farcical ones, in which it is the present fashion to represent it. He is described indeed as imperious, but at the same time a great Monarch, and not withstanding his short interjections of anger, he is in my judgment upon every occasion a King. I wish this consideration may prevail with Mr Berry, when he plays this character for the future, to remember that tho' Harry as well as Jobson may be something rough and boistrous, yet the turbulency of a haughty prince, is a very different quality, and must therefore appear in avery different fashion, from the sawciness of an impudent cobbler. "Whatever neglect his Moorish Excellency might discover of this part, he paid great attention to that of Queen Catherine; but nothing seem'd to affect him so stronglyas Miss Young's singing, at which he appeared quite collected, and listened to her with all marks of rapturous admiration; his whole soul appeared touched, and at the end of the song, he joined the house in clapping, a mark of applause I did not observe him give at any other time. "I thought upon the King's kissing Anna Bullen, that he appeared surprized and offended, and looked about, to observe whether others were not affected in the same manner. "The procession was less marked by him than I had expected, but upon the Champion's entry on horseback, he burst into such an Immoderate fit of laughter, as to fall quite back in his seat. "At the end of the play he rose, as if to leave the House, but looked very well pleased upon being informed there was more entertainment to come; in the Pantomime he seem'd surprized and disgusted at the appearance of Harlequin, to whom he did not appear reconciled to the last; his wonder was still greater at the flying of the Genii cross the stage, and other parts of the machinery, which I thought he studied byt was puzzled to account for. He laughed heartily at the Clown, and admired Colombine not a little.... "I am jealous of the honour of my country in all respects. I would have this stranger leave it with as high opinion of our publick entertainments as possible, and could wish that at the Old House, he might see Mr Garrick in Richard or some equally striking part, and at the New, he may be present at plays, where rich dresses, magnificent show and graceful action, and uncommon personal perfections in the principal performers might contribute to give him a more elevated idea of our stage, than he can have receiv'd from King Harry."] Receipts: #210 (Cross)

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)