SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Man"/1) | (@(roleclean,performerclean) "Henry Man")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3489 matches on Author, 2621 matches on Performance Title, 1194 matches on Performance Comments, 837 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Performances

Mainpiece Title: Tit For Tat

Related Works
Related Work: Tit for Tat, or One Dish of his own Chocolate Author(s): Henry Woodward
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

Event Comment: Mainpiece: Not acted these 6 years [and in place of Every Man in his Humour, announced on playbill of 28 Oct.]. Receipts: #184 4s. (148.6; 34.17; 1.1)

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Antonio Actor: Miss Romanzini
Event Comment: [Mainpiece in place of The Grecian Daughter, advertised on playbill of 12 Oct.] Afterpiece: As originally Performed. With new Dresses, the Original Music, Scenery and Decorations. "When the hissing began there was an attempt by the Clown to put the audience in humour, by rolling over and over across the stage with a woman, or a man dressed in women's clothes. If this were a coup d'oeil for the Galleries, it was certainly an insult to the Boxes...We are glad to say that obscenity failed to rescue folly" (World, 16 Oct.). Receipts: #262 4s. (261.3; 1.1)

Performances

Mainpiece Title: Othello

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: [Edition of 1739 (Tho. Wood) lists the parts: Orpheus, Pluto, Ascalax, Furies, Friends, Harlequin, Pantaloon, Gawkey, Drudge, Taylor, Shoemaker, Drawer, Hostler, Porter, Eurydice, Rhodope, Nymphs, Bacchants, Colombine, Mrs Mannerly, Witch, Frothwell, Maid, Dwarf Woman.]
Related Works
Related Work: Orpheus and Euridyce: With Metamorphoses of Harlequin Author(s): Henry Sommer
Related Work: Orpheus and Eurydice Author(s): Francis Gentleman
Event Comment: The Lady of the Manor [advertised on playbill of 5 Feb.] is obliged to be postponed on Account of the Indisposition of a principal Performer. [Afterpiece in place of The Positive Man, advertised on playbill of 5 Feb.

Performances

Mainpiece Title: The Beaux Stratagem

Cast
Role: Sir Charles Freeman Actor: Davies

Afterpiece Title: The Farmer

Event Comment: Tickets to be had, and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre. Books of the Performance to be had at the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv, And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Performance Comment: Public Advertiser, 11 Feb., notes that Pious orgies [Judas Maccabaeus]-Mme Mara; Angels ever bright and fair [Theodora]-Mme Mara; Lord what is man? [Semele]-Mrs Crouch; Verdi prati [Alcina]-Mrs Crouch; Oh had I Jubal's lyre [Joshua]-Miss George; The sword that's drawn [Occasional Oratorio]-Reinhold.

Music: End II: a new concerto on the hautboy-Parke

Event Comment: The Duenna [advertised on playbill of 11 Mar.] is obliged to be postponed on Account of the Indisposition of a Principal Performer. [Afterpiece in place of The Positive Man, advertised as above.] Receipts: #226 10s. 6d. (223.4.0; 3.6.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Farmer

Dance: As17871129

Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Pope; Governor-Davies; Blandford-Hull; Captain Driver-Fearon; Stanmore-Cubitt; Jack Stanmore-Macready; Hotman-Thompson; Daniel-Quick; Aboan-Aickin; Charlotte Weldon-Mrs Bernard; Lucy-Mrs Lewis; Widow Lackit-Mrs Webb; Imoinda-Mrs Pope.
Cast
Role: Hotman Actor: Thompson
Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: Omai; or, A Trip round the World

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Related Works
Related Work: The Man of Parts Author(s): Isaac Jackman

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].

Afterpiece Title: Grand Selection 2

Performance Comment: The Prince unable to conceal his pain-Sga Storace [Alexander's Feast]; Welcome welcome mighty King-Chorus [Saul]; See the conquering Hero comes-Chorus; See the godlike youth advance-Sga Storace, Miss Romanzini, Chorus; March (Judas Maccabaeus)-; Concerto on the violin-Weichsel; Shall I in Mamre's fertile plain-Reinhold; For all his mercies we will sing-Chorus [Joshua]; O! Liberty-Cizo; accompanied on the violoncello-Mason; 'Tis liberty-Miss Romanzini [Judas Maccabaeus]; Arise O God with glory crowned-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Grand Concerto-; He shall feed his flock-Miss Romanzini; Come unto Him all ye that labour-Mrs Crouch (The Messiah); The list'ning crowd-Chorus [Alexander's Feast]; 'Tis mighty wine inspires us-Reinhold [Otho]; I'll proclaim the wondrous story-Miss Romanzini, Cizo [Esther]; How vain is man-Dignum [Judas Maccabaeus]; With plaintive notes-Mrs Crouch [Samson]; Gloria Patri-Chorus [Jubilate].Jubilate].
Event Comment: Benefit for Farren. Tickets delivered for Which is the Man? [originally advertised for this night] will be admitted. Gazetteer, 14 Apr.: Tickets to be had of Farren, Gower-street. Receipts: #379 (128.19.6; 1.19.6; tickets: 248.1.0)

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: Marquis Almanza Actor: Farren
Role: Amanthis Actor: Miss Brunton.

Dance: As17891128

Event Comment: Paid Scott, Copper lace man, #100. Mainpiece: Masquerade as 13 Sept. Receipts: #200 7s. 6d. (196.6.0; 4.1.6)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holman

Afterpiece Title: The Provocation

Song: As17900913, but Solemn Dirge-_Cubitt, Miss _Rowson

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17910311but PART II. How vain is Man-Dignum (Judas Maccabaeus); There beneath a lowly shade-_; What tho' I trace-Mrs Crouch (Solomon).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Archy Macsarcasm-Wilson (1st appearance in that character); Squire Groom-Lewis; Sir Callaghan O'Brallaghan (with You never did hear of an Irishman's fear and Let other Men sing of their Goddess's bright, with accompaniments by Shield)-Johnstone; Beau Mordecai-Quick; Sir Theodore Goodchild-Thompson; Charlotte-Mrs Bernard.

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Footman Actor: Spencer
Role: Countryman Actor: Jones

Afterpiece Title: No Song No Supper

Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Performance Comment: Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubitt; Muz [in all playbills beginning 1 Dec. called Midge]-Macready; Men [in text: Sailors]-Milburne, Thompson, Farley; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Rees; Lamp-C. Powell; Sheriff's Officer-Cross; Coachman-Ledger; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Harry Actor: Holman
Role: Coachman Actor: Ledger
Role: Amelia Actor: Miss Chapman

Afterpiece Title: Robin Hood

Cast
Role: Bowman Actor: Cubitt
Event Comment: [Afterpiece in place of The Positive Man, advertised on playbill of 15 Feb.] Receipts: #157 13s. 6d. (146.15.6; 10.18.0)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Oscar and Malvina

Music: As17920125

Event Comment: Benefit for Incledon. [Afterpiece in place of The Positive Man, advertised on playbill of 8 May.] Morning Herald, 20 Apr.: Tickets to be had of Incledon, No. 5, Bow-street, Covent-Garden. Receipts: #399 6s. (170.15.6; 3.15.6; tickets: 224.15.0) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love in a Camp

Dance: In III: a Hornpipe-Byrne

Song: End: Black Eyed Susan-Incledon

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Event Comment: Genest, VII, 88: On this evening there was not any play performed, from respect to the memory of the unfortunate monarch, Louis 16th, who was murdered in Paris on that day [sic] -Kemble, without consulting Sheridan, closed the theatre -Sheridan, who was out of town, arrived late that evening, and finding there was no play, was highly incensed at the shutting up of the theatre upon such an occasion; for, he said, it was an invariable maxim with him, that neither politics nor religion should be taken notice of in his playhouse, yet no man deplored the tragical event more sincerely than he did. (Kelly, Reminiscences, II, 37). [The playbill of 23 Jan. advertises Cymon and The Ghost for this present evening.

Performances

Mainpiece Title: At King's None

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Performance Comment: [Scene I. The Deck of a Man of War.] When on board our trim Vessel-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton, Gray; The Mid Watch When 'tis night-Incledon; The good subjects of Old England-Incledon, Gray, Darley; [Scene II. A Landscape.] A song-Mrs Martyr; A song-Johnstone; [Scene III] In storms when clouds-Incledon; Treble Hornpipe-Byrn, Holland, Mme Rossi; A new Loyal Song and Chorus-Incledon.

Afterpiece Title: Catherine and Petruchio

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Performance Comment: English Characters : Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mme Rossi; French Characters : General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters : Indian Chief-Follett; Female Savage-Mr Rock.
Cast
Role: Midshipman Actor: Jackson
Related Works
Related Work: The Shipwreck Author(s): Henry Mackenzie

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: THE WORLD IN A VILLAGE [advertised on playbill of 9 Dec.] is obliged to be deferr'd till Friday next on account of Johnstone's Illness. [Afterpiece in place of THE POSITIVE MAN, also advertised as above.] Receipts: #233 10s. 6d. (219/15/6; 13/15/0)

Performances

Mainpiece Title: Wild Oats

Cast
Role: Harry Actor: Holman
Role: Amelia Actor: Miss Chapman

Afterpiece Title: THE MIDNIGHT WANDERERS

Dance: As17931022