SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Henry IV"/1) | (@(roleclean,performerclean) "Henry IV")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3489 matches on Author, 3234 matches on Performance Title, 1097 matches on Performance Comments, 529 matches on Event Comments, and 9 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Padlock

Dance: III: A Minuet (1st time)-Blurton, Miss Stede; End: A Hornpipe, in the character of a sailor-Miss Stede. [See17730522.

Performances

Mainpiece Title: Lecture On King Henry Iv Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Falstaff

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: King Henry Iv Part I With Humours Of Falstaff

Afterpiece Title: The Two Misers

Dance: II: The Italian Gamesters, as17760305

Entertainment: End: Epilogue Riding on an Ass-Shuter; End I Farce: (By Particular Desire) the Cries of London-Shuter

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Portrait

Dance: End II: The Merry Lasses, as17770611

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Recruiting Serjeant

Dance: As17770728

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: Polly Honeycombe

Dance: As17770728

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Portrait

Dance: As17770728

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: Piety in Pattens

Dance: As17770728

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Portrait

Dance: As17770728

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Afterpiece Title: The Minor

Dance: As17790216

Performances

Mainpiece Title: the Feast Of Thalia Or A Dramatic Olio

Afterpiece Title: First Course a substantial Dish from Henry IV

Afterpiece Title: Second Courae a Comic Dish never servd up before Kensington Gardens or The Walking Jockey

Afterpiece Title: Third Course an Operatic Dish The Son in Law

Afterpiece Title: Also by way of Entremet Ripe Fruit or The Marriage Act

Afterpiece Title: Desert Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

Event Comment: Containing an account of that notorious Pretender in the Reign of Henry VIII. Aith a short account of Lambert Simnel, a Pretender to the Crown, fostered in like manner by Richard Simon, a Priest of Oxfordshire, with many other Historical passages, similar to the present times [and a synoptic account of the play follows]. A reviv'd Historical Play (not acted in the Memory of Man, and written by an anonymous author, in Shakespeare's Style).--Daily Advertiser, 18 Dec. Prices, Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. [These prices continue.

Performances

Mainpiece Title: Perkin Warbeck

Performance Comment: Henry VII-Furnival; James IV-Cushing; Huntley-Paget; Skelton-Barnard Bourn, for his Diversion; Katherine-Mrs Hallam; Perkin-Shepard.
Cast
Role: Henry VII Actor: Furnival

Afterpiece Title: The Debauchees

Related Works
Related Work: The Old Debauchees Author(s): Henry Fielding
Event Comment: [Henry is identified in playbill of 15 Nov. He had been acting in America since 1767 (Dictionary of American Biography); and see 18 Apr. 1780.] "We cannot but object to [his] calling handkerchief hand-kercher, according to the old Saxon termination. Perhaps he may be justifiable [sic] on the strict rules of etymology, but singularity always looks like affectation" (Morning Chronicle, 18 Oct.). Receipts: #109 2s. 6d. (91.15.0; 17.2.0; 0.5.6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-A Gentleman (1st appearance upon the [recte: this] stage [Henry]); Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Norris; Gratiano-Wrighten; Iago-Bensley; Emilia-Mrs Hopkins; Desdemona-Miss Farren (1st appearance in that character).

Afterpiece Title: The Elopement

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Related Works
Related Work: Vortigern Author(s): William Henry Ireland

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Anne Bullen-Mrs Jefferson, her first appearance; Wolsey-Mossop; Buckingham-Ross; King Henry-Berry; Norfolk-Palmer; Surrey-Lacey; Cranmer-Havard; Lord Chamberlain-Davies; Gardiner-Taswell; Sands-Phillips; Suffolk-Blakes; Surveyor-Simpson; Cromwell-Mozeen; Queen Catherine-Mrs Pritchard; With an Exact Representation of the Coronation and the Ceremony of the Champion in Westminster Hallv; In Act IV a Song-Miss Thomas, proper to the play.
Cast
Role: King Henry Actor: Berry

Afterpiece Title: Scapin

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Buckingham-Wroughton; Cranmer-Hull; Cromwell-Whitefield; Sands-Quick; Gardiner-Shuter; Anne Bullen-Miss Ogilvie; Patience (with a Song)-Miss Dayes; Queen Catherine-Mrs Hartley; In I, The Banquet-; Dancing-Daguville, Helm, Sga Vidini; IV the Procession from the Abbey-at the Coronation of Anne Bullen.
Cast
Role: King Henry Actor: Moody

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.
Cast
Role: King Henry Actor: Moody

Afterpiece Title: The Musical Lady

Event Comment: Benefit Miss Robinson, the Dancer. At the particular Desire of several Persons of Quality. Prologue: in The Poems of Henry Carey, p. 65. Epilogue: Written by Mr Welsted

Performances

Mainpiece Title: The Rover

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

Event Comment: Benefit Milward. Tickets at Milward's in Brownlow-Street. [Henry Brooke has a note in the Daily Post, 17 March, stating that on 24 Feb. he gave to Chetwin, Deputy-Licencer of plays, a copy of Gustavus Vasa but has received neither a licence nor a statement of exceptions to it.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: II: Pierots-Master Ferg, Miss Wright; IV: Grand Ballet, as17390313 V: Aethiopian Dance-Muilment

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Devil to Pay

Dance: II: Dutchman and Frow-Philips, Miss Brett; IV: Muilment

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Song: II: Lowe; IV: Lowe

Music: III: Concerto on Violincello-Cervetti