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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Higden"/1) | (@(roleclean,performerclean) "Henry Higden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5169 results for: Keyword - Henry Higden
We found 3375 matches on Author, 1213 matches on Performance Title, 658 matches on Performance Comments, 385 matches on Event Comments, and 0 matches on Roles/Actors.

5051
06 April 1731 @ Goodman's Fields

Event Comment: Benefit Henry Ford

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Stage Coach [Opera]

5052
01 January 1732 @ Drury Lane Theatre

Event Comment: Afterpiece: [By Henry Fielding]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lottery

Related Works
Related Work: The Lottery Author(s): Henry Fielding

5053
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Henry Carey

5054
10 May 1732 @ Goodman's Fields

Event Comment: Benefit Henry Woodward and Miss Wherrit. By Desire. Afterpiece: With Alterations and Additions, particularly an entire new Scene, call'd Pierot's Encounter with a Bearv

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Contrivance

Dance: I: Tambourine-Miss Wherrit; II: The Merry Lass-Miss Wherrit; V: Passacail-Miss Wherrit

5055
17 February 1733 @ Drury Lane Theatre

Event Comment: A New Comedy. [By Henry Fielding.] 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

5056
24 November 1733 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Afterpiece: [Author not known, but probably Henry Carey; see 28 Nov.] The Scenes, Machines, and Habits entirely new

Performances

Mainpiece Title: Love For Love

Afterpiece Title: An Impromptu Revel Masque: On the Joyous Occasion of the Royal Nuptials

Related Works
Related Work: An Impromptu Revel Masque; On the Joyous Occasion of the Royal Nuptials Author(s): Henry Carey

5057
22 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere. Afterpiece: A new Tragedy of half an Act [By Henry Carey]. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chronohotonthologos

Dance: As17340221 Also A new Overture. With Songs (in the Italian Stile) a propos [to the Afterpiece]

5058
10 July 1734 @ Haymarket Theatre

Event Comment: Benefit Henry Tench. By particular Desire. N.B. Mr Tench having labour'd under a violent Fit of Illness, and not being quite recover'd, humbly hopes his Friends will excuse his [not] waiting on them as he could wish, and favour him with their Company

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Lottery

Related Works
Related Work: The Lottery Author(s): Henry Fielding

Dance: Two Pierrots by Davenport and Oldbeldiston

Song: As17340628

5059
21 September 1734 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late J. Addison, Esq. N.B. The Letter from some Gentlemen of the Inner-Temple (desiring the first Part of King Henry the Fourth to be play'd soon) was receiv'd, and, in Compliment to their Request, that Play will be Acted on Tuesday next

Performances

Mainpiece Title: Cato

Afterpiece Title: The Burgo-Master Trick'd

Dance: As17340919

5060
02 November 1734 @ King's Theatre

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

5061
07 May 1735 @ Lincoln's Inn Fields

Event Comment: Benefit Henry Chapman, Coachmaker

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Toy Shop

Song:

Dance:

5062
12 April 1736 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .

5063
28 September 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: Arthur-Johnson; Merlin-Hewitt; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Emmeline-Mrs Giffard; Philidel-Mrs Hamilton; Matilda-Miss Tollett; In which will be performed the Original Musick (composed by the late ingenious Mr Henry Purcell)-Corf, Hussy, Kelly, Touchbury, Nicholls, Kellnar, Mrs Chambers, Mrs Carter, Mrs Jones, Miss Gerrard; Venus-Miss Wilson; Cupid-Master Hamilton; being the first time of his appearing on this stage. Dancing-Haughton, Mlle Roland; Who never appeared on this stage before. With a New Prologue to the Town-Mr Giffard.
Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

5064
13 November 1736 @ Covent Garden

Event Comment: [The Queen, Duke, and princesses present.] Lord Hervey to Henry Fox, 13 Nov.: I am just returned with the Queen from a long dull Opera, and a cold, empty House.--Ilchester, Lord Hervey and his Friends, p. 255

Performances

Mainpiece Title: Alcina

5065
31 December 1736 @ Lincoln's Inn Fields

Event Comment: Afterpiece: With New Habits, Scenes, Machines, and other Decorations. 5s., 3s., 2s., 1s. After Money will be taken. [See Daily Journal, 31 Dec., for a Letter from Henry Giffard, discussing his relations with dl and the disturbance at lif on 28 Oct.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggar's Pantomime: With New Scenes and several Alterations and Additions, particularly a Sequel to the Contention, call'd Pistol in Mourning

5066
11 July 1738 @ Goodman's Fields

Event Comment: LLondon Daily Post and General Advertiser, 11 July: Speedily will be sold by Auction, a Large Quantity of Theatrical Goods, viz. Cloaths, Scenes. (Late the Property of Mr Henry Giffard.

Performances

5067
26 July 1738 @ Goodman's Fields

Event Comment: LLondon Daily Post and General Advertiser, 26 July: To be Sold by Auction, On Tuesday, August 1, and the following Days, At the Great-House the Corner of Carlisle-street, Soho-Square...A Large Quantity of Theatrical Goods...late the Property of Mr Henry Giffard...By Bernard Warren, Auctioneer

Performances

5068
06 December 1738 @ Covent Garden

Event Comment: Benefit Henry Plowman. By particular Desire. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lucky Discovery

Song: Roberts; Since Times are so bad-Leveridge, Salway

Dance: CComic Dance-Richardson, Miss Cantrel; Serious Dance-Villeneuve, Miss Oates; Grand Ballet-Glover, Mlle Roland

5069
09 December 1738 @ Covent Garden

Event Comment: Afterpiece: A new Burlesque Opera. [By Henry Carey.] Being the Sequel to the Dragon of Wantley

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Margery; or, A Worse Plague than the Dragon : Being the Sequel to the Dragon of Wantley

Related Works
Related Work: Margery; or, A Worse Plague than the Dragon: Being the Sequel to the Dragon of Wantley Author(s): Henry Carey

Dance: With Dances, incident to the Opera,-Glover, Lalauze, Haughton, Mlle Roland, Villeneuve, Richardson, Dupre, Thompson, Miss Oates, Miss Norman, Mrs LeBrun, Mrs Bullock

5070
17 March 1739 @ Drury Lane Theatre

Event Comment: Benefit Milward. Tickets at Milward's in Brownlow-Street. [Henry Brooke has a note in the Daily Post, 17 March, stating that on 24 Feb. he gave to Chetwin, Deputy-Licencer of plays, a copy of Gustavus Vasa but has received neither a licence nor a statement of exceptions to it.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: II: Pierots-Master Ferg, Miss Wright; IV: Grand Ballet, as17390313 V: Aethiopian Dance-Muilment

5071
10 December 1739 @ Covent Garden

Event Comment: Afterpiece: Written by Mr Dryden, and Composed by Mr Henry Purcell

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Afterpiece Title: Cupid and Bacchus

5072
07 November 1740 @ Covent Garden

Event Comment: At the Desire of several Ladies. Benefit Henry Plowman. Receipts: Money #34 14s. 6d.; Tickets #85 7s. (Account Book); #150 (Rylands MS.). [Account Book states that Plowman was charged #80 for his benefit. See a letter by Plowman in Daily Advertiser, 7 Nov., on his acting in this play.

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Tanner of York

Dance: PPeasants-Mechel, Mlle Mechel; Comic Ballet-Villeneuve, Miss Oates; Drunken Peasant-Phillips

5073
18 February 1741 @ Haymarket Theatre

Event Comment: Benefit Thomas Sheffer and Henry Rose. 7 p.m

Performances

Mainpiece Title: Concert

5074
26 August 1742 @ Bartholomew Fair

Event Comment: FFawkes and Pinchbeck's Booth, end of Hosier Lane, West Smithfield. Noon to 10 p.m. Boxes 2s. Pit 1s. Gallery 6d. Mainpiece: Written by Henry Fielding, Esq. Afterpiece: The Present Tense...by Punch's Company of comical Tragedians from the Haymarket [i.e., a puppet show]

Performances

Mainpiece Title: Humours Of Covent Garden; Or, The Covent Garden Tragedy

Related Works
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Henry Fielding
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding

Afterpiece Title: The Universal Monarch Defeated; or, The Queen of Hungary Triumphant

Entertainment: While the booth is filling, the Audience will be diverted by Curious Performances-Ruffian Boy

5075
05 April 1743 @ Drury Lane Theatre

Event Comment: Benefit Shepard. Tickets of Hobson at the stage Door. Mr Shepard humbly hopes his friends will not be offended at the Alteration of the play, he being oblig'd to change it on account of the Indisposition of a Principal Performer. The Tickets deliver'd for Henry VIII will be taken this night (London Daily Post and General Advertiser). Shepard belonged for many years to the House. Fleetwood dismissed him. Let him have a benefit for the money accrued to him. Beard ill and did not act. (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Song: End of Farce:By Particular Desire, Bumper Squire Jones-Beard