Event Comment: [The Queen, Duke, and princesses present.] Lord Hervey to Henry Fox, 13 Nov.: I am just returned with the Queen from a long dull Opera, and a cold, empty House.--Ilchester, Lord Hervey and his Friends, p. 255

Event Comment: Afterpiece: With New Habits, Scenes, Machines, and other Decorations. 5s., 3s., 2s., 1s. After Money will be taken. [See Daily Journal, 31 Dec., for a Letter from Henry Giffard, discussing his relations with dl and the disturbance at lif on 28 Oct.

Event Comment: LLondon Daily Post and General Advertiser, 11 July: Speedily will be sold by Auction, a Large Quantity of Theatrical Goods, viz. Cloaths, Scenes. (Late the Property of Mr Henry Giffard.

Event Comment: LLondon Daily Post and General Advertiser, 26 July: To be Sold by Auction, On Tuesday, August 1, and the following Days, At the Great-House the Corner of Carlisle-street, Soho-Square...A Large Quantity of Theatrical Goods...late the Property of Mr Henry Giffard...By Bernard Warren, Auctioneer

Event Comment: Benefit Henry Plowman. By particular Desire. Mainpiece: Written by the late Sir Richard Steele

Event Comment: Afterpiece: A new Burlesque Opera. [By Henry Carey.] Being the Sequel to the Dragon of Wantley

Event Comment: Benefit Milward. Tickets at Milward's in Brownlow-Street. [Henry Brooke has a note in the Daily Post, 17 March, stating that on 24 Feb. he gave to Chetwin, Deputy-Licencer of plays, a copy of Gustavus Vasa but has received neither a licence nor a statement of exceptions to it.

Event Comment: Afterpiece: Written by Mr Dryden, and Composed by Mr Henry Purcell

Event Comment: At the Desire of several Ladies. Benefit Henry Plowman. Receipts: Money #34 14s. 6d.; Tickets #85 7s. (Account Book); #150 (Rylands MS.). [Account Book states that Plowman was charged #80 for his benefit. See a letter by Plowman in Daily Advertiser, 7 Nov., on his acting in this play.

Event Comment: Benefit Thomas Sheffer and Henry Rose. 7 p.m

Event Comment: FFawkes and Pinchbeck's Booth, end of Hosier Lane, West Smithfield. Noon to 10 p.m. Boxes 2s. Pit 1s. Gallery 6d. Mainpiece: Written by Henry Fielding, Esq. Afterpiece: The Present Tense...by Punch's Company of comical Tragedians from the Haymarket [i.e., a puppet show]

Event Comment: Benefit Shepard. Tickets of Hobson at the stage Door. Mr Shepard humbly hopes his friends will not be offended at the Alteration of the play, he being oblig'd to change it on account of the Indisposition of a Principal Performer. The Tickets deliver'd for Henry VIII will be taken this night (London Daily Post and General Advertiser). Shepard belonged for many years to the House. Fleetwood dismissed him. Let him have a benefit for the money accrued to him. Beard ill and did not act. (Winston MS. from Dyer MS.)

Event Comment: Benefit Whittingham. This Gentleman had acted Hotspur (10 Feb.) very ill (Winston MS. from Dyer MS). Failed in Pyrrhus (Genest, IV, 37). Tickets to be had of Hobson at the Stage Door, and at Batson's and Tom's Coffee Houses in Cornhill. Tickets deliver'd out for Whittingham for Henry IV will be taken

Event Comment: Benefit the Widow and Four Small Children of the late Henry Carey. Tickets at the stage door, or at the Widow Carey's in Cross St., Hatton-Garden; at Langbourn-Ward Coffee House; and of Mrs Suertt, at the Apple Tree in Cold Bath Fields. N.B. The Unfortunate Widow humbly hopes that the Good Nature and Humanity of her Friends will admit her melancholy circumstances, and the shortness of time, as a sufficient excuse for not waiting on them, and continue the favours, formerly shown to her late Husband, to her and her Distress'd Family, being left entirely destitute of any provision

Event Comment: We hear the New Historical Play, call'd King Henry the Seventh, or the Popish Imposter, now in rehearsal at Drury Lane will be acted on Saturday next

Event Comment: The Play of Henry IV oblig'd to be deferr'd on account of the Indisposition of a principal performer (General Advertiser). Paid Mr Bedwell in part of a note #50. Receipts: #34

Event Comment: [G+General Advertiser, 20 April: The Play of Henry V and the new farce which were to have been acted of Friday the 24th for Mrs Macklin's benefit are necessarily deferred until farther notice--which will be inserted in this paper.

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Event Comment: This day is publish'd written by Henry Fielding, Esq. the 4th edn. of An Old Man taught Wisdom; or the Virgin Unmask'd, a Farce, as it is now acting at Drury Lane. With the Music prefix'd to each song. Printed for I. Watts. Receipts: #170 (Cross); #171 12s. (Powel)

Event Comment: Benefit for Quin. Mainpiece: By Command of their Royal Highnesses Prince George, Prince Edward, Prince William, Prince Henry, Lady Augusta and the Lady Elizabeth. Six rows of the Pit will be laid into the Boxes. Stage will be Enclosed and form'd into an Amphitheatre. Paid Quin in full of his agreement #122; Advanced Servandoni #5 5s. [The Account Book itemizes the income this night as #93 15s. in money; #99 5s. in tickets, a total of #193 without stage (i.e., presumably without counting money to Quin gained from friends invited to sit in the Amphitheatre on stage.) This was also a "Free Benefit," i.e., clear of costumary house charges.] Receipts: #193

Event Comment: Tickets taken for Miss Haughton for 2 Henry IV #42 4s. Total value of House #109 14s. Paid Servandoni #5 5s. Last time of performing till the Holidays. Receipts: #67 10s

Event Comment: The play of King Henry IV is deferr'd on account of the Indisposition of Mr Barry

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Event Comment: By order of the Town. None to be admitted without tickets at 2s. 6d. each. The Roarings of the Lion disturbing some of the inhabitants of Covent Garden, his Leonic Majesty has adjudged it necessary to remove from that end of town to the place of performance. To begin at 7 p.m. [See Cross, History of Henry Fielding, II, 409, for an account of this piece and the way it was stopped by officers while the performance was in progress.