SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Ford"/1) | (@(roleclean,performerclean) "Henry Ford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3492 matches on Author, 1223 matches on Performance Title, 807 matches on Performance Comments, 407 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel (King of Granada)-Silvester; Gonzales-Gray; Garcia-Gardner; Heli-Ford; Selim-Guilford; Alonzo-Ryder; Perez-Smith; Osmyn-Wilkinson; Almeria-Mrs Somerville; Leonora-Miss Laudermey; Zara-A Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Heli Actor: Ford
Role: Selim Actor: Guilford

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-Wilkinson; Wingate-C. Stanley; Gargle-Ryder; Dennis O'Connor-Skyo; MacAndrews-Gray; Watchman-Guilford; President-Gardner; Simon-Cox; Charlotte-Miss Laudermey.
Cast
Role: Watchman Actor: Guilford

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17961107, but Dr Caius-Murray (1st appearance in that character [in London]); Mrs Ford-Mrs Pope; Justice Shallow-_; Host-_; Jack Rugby-_.
Cast
Role: Mrs Ford Actor: Mrs Pope
Role: Mr Ford Actor: Pope

Afterpiece Title: Harlequin and Oberon

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17970927, but Mr Ford-Whitfield; added: Pistol-Davenport; Jack Rugby-_.
Cast
Role: Mr Ford Actor: Whitfield
Role: Mrs Ford Actor: Miss Chapman.

Afterpiece Title: A Divertisement

Afterpiece Title: Englands Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Event Comment: Benefit Ford, the Numberer, and Mrs Cantrell. At the particular Desire of several Persons of Quality. Receipts: money #49 3s. 6d.; tickets #117 9s. [A Ticket (Pit, No. 119) for this performance is in the Folger Library; another (Pit, No. 107) is reproduced in Thaler, Shakespere to Sheridan, facing P. 52.

Performances

Mainpiece Title: The Beggars Opera

Dance: TTwo Pierrots-Nivelon, Poitier; Numidian Dance-Glover, Miss LaTour

Event Comment: Benefit Ford (Numberer) and Gwinn. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #16 2s. 6d.; tickets #123 13s

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The School Boy

Dance: III: French Peasant-Mrs Laguerre; IV: Saraband, Tambourin-Miss Rogers, Scholar to Salle; After I afterpiece: Highlander and his Mistress-Salle, Mrs Laguerre

Song: II: Miss Rogers; V: Mrs Wright

Event Comment: Benefit Ford and Salle's Widow. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #20 4s.; tickets #154 18s

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Flora

Dance: I: Scottish Dance-Master Weeks; II: Tambourine-Miss Rogers; IV: Dutch Skipper-Jones, Mrs Ogden; V: Clown-Nivelon; End of Afterpiece: Scottish Dance, as17330501

Song: III: Chanson a Boire-Leveridge, Laguerre

Event Comment: Benefit Ford and Mrs Forrester

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Lottery

Related Works
Related Work: The Lottery Author(s): Henry Fielding

Dance: II: Tambourine by Glover and Miss Rogers. IV: The Kilkenny by Glover and Mrs Laguerre. V: By Malter and Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre. III: By Mrs Wright

Event Comment: Benefit Ford and Mrs Forrester. [For a discussion of the production of plays, see Prompter, 6 May.]

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422

Event Comment: Benefit Phillips, Dignam, Legar, Ford, Levy, and others

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Mrs Macklin. Mainpiece [by John Ford]: Reviv'd not acted these Hundred years. Afterpiece: A New Farce never acted before by Charles Macklin. Note: Tickets deliver'd out for 22 April will be taken. Tickets to be had of Mrs Macklin in Bow St., and of Hobson at the Stage door. Cross: The play lik'd--farce not. Receipts: #93 (Cross); house charges, #60 (Powel); cash, #80 19s. 6d.; tickets, #12 15s. (Clay MS)

Performances

Mainpiece Title: Lovers Melancholy

Afterpiece Title: The Club of Fortune Hunters or The Widow Bewitchd

Dance: III: Savoyards, as17471215; V: Pastoral Dance, as17480326

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: The Witches

Performance Comment: As17621123, but Lilliputians-Miss Ford, Miss _Froment; Aldridge_. Aldridge_.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Dance: III: A New Comic Dance call'd, the The Shepherdesses, or, La Faux a Veugle-Mas. Clinton, Miss Street, Miss Ford. scholars to Gerhardi

Performance Comment: Clinton, Miss Street, Miss Ford. scholars to Gerhardi.

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Oxonian in Town

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performance Comment: Blurton, Miss Ford.
Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

Performance Comment: Blurton, Miss Besford, Miss Ford 1st time.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Oxonian in Town

Dance: End: The Dutch Milkmaid-Mas. Blurton, Miss Ford. [See17671114.

Performance Comment: Blurton, Miss Ford. [See17671114.]

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Country Wife

Dance: II: A New Pantomime Dance call'd The Gardeners-Mas. Blurton, Miss Besford, Miss Ford

Performance Comment: Blurton, Miss Besford, Miss Ford.

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Catherine and Petruchio

Dance: III: The Provenzales-Mas. Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920

Performance Comment: Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920.
Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: Benefit for Mrs Jordan. Part of the Pit [9 rows (World, 23 Mar.)] to be laid into the Boxes. Afterpiece [1st time; F 2, probably by Isaac Bickerstaffe, but also ascribed to Mrs Jordan and to Richard Ford. Text 1st published (unauthorized), Dublin, 1799]. Kemble Mem.: The Farce is written by Mr Bickerstaffe. World, 29 Apr. 1790: The Spoil'd Child was sent to Mrs Jordan from Bickerstaffe in Italy, where her fame had reached. Public Advertiser, 13 Mar.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #352 18s. 6d. (137.13.0; 12.4.6; 1.7.0; tickets: 201.14.0) (charge: #111 6s. 11d.)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Spoild Child

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: King Henry Actor: Bensley
Role: King Henry Actor: Usher.

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge or A Receipt to make a Benefit

Afterpiece Title: The Son in Law

Cast
Role: Lord Alford Actor: Davies

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

Performance Comment: Edition of 1688: Cocklebrain-Nokes; Justice-Leigh; Lyonel-Montfort; Clermont-Kinaston; Longevile-Powel; Bewford-Bowman; Toby-Jevon; Usher-Powel Sr; Aurelia-Mrs Bowtel; Celia-Mrs Jordain; Prologue-Mr Jevon; Epilogue-Mr Montfort.
Cast
Role: Bewford Actor: Bowman
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian