Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Event Comment: [The playbill assigns Mrs Page to Mrs Wilson, and Mrs Ford to Miss Younge, but on the Kemble playbill both these names are deleted. Mrs Whitfield's name is written above Mrs Wilson's, but the name of Miss Younge's substitute has been cut by the binder; she was almost certainly Mrs Mattocks (see 25 Jan. 1782).] Receipts: #155 1s. (149/18; 5/3)

Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Event Comment: Benefit Henry Ford

Event Comment: Rich's Company. The date of the premiere is not knwon, but the Dedication is dated February 1699@1700, the play was entered in the Term Catalogues in February 1699@1700, and advertised in the Flying Post, 16 March 1699@1700. The latest likely date for the first production is January 1700, but the play may have appeared in late December as a rival to lif's production of I Henry IV early in January 1700. Cibber, Apology, I, 275: But the Master of the Revels, who then licens'd all Plays for the Stage, assisted this Reformation [of the morality of the stage] with a more zealous Severity than ever. He would strike out whole Scenes of a vicious or immoral Character, tho' it were visibly shewn to be reform'd or punish'd; a severe Instance of this kind falling upon my self may be an Excuse for my relating it: When Richard the Third (as I alter'd it from Shakespear) came from his Hands to the Stage, he expung'd the whole first Act without sparing a Line of it. This extraordinary Stroke of a Sic volo occasion'd my applying to him for the small Indulgence of a Speech or two, that the other four Acts might limp on with a little less Absurdity! no! he had no leisure to consider what might be separately inoffensive. [Cibber continues with an explanation of the censor's argument for cutting the act.] Preface to Cibber's Ximena, 1719: Richard the Third, which I alter'd from Shakespear, did not raise me Five Pounds on Third Day

Event Comment: Benefit for Mrs Henry. [As afterpiece the playbill announces Arthur and Emmeline, but it was not acted. Kemble Mem. lists the substitute play.] Diary, 24 May: Tickets to be had of Mrs Henry, Bruton-street, Berkeley-square. Receipts: #153 12s. (38.6; 21.2; 0.19; tickets: 93.5) (charge: #111 13s. 9d.)

Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.

Event Comment: With the Ceremonial of her Coronation in the same Manner as it was Perform'd in the Play of King Henry the Eighth

Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Event Comment: Containing the Distresses and death of King Henry the Sixth; the Artful acquisition of the Crownv by King Richard; the Murder of Young King Edward V and his Brother in the Tower. The Landing of the Earl of Richmond, and the death of King Richard in the memorable battle of Bosworth Field, being the last that was fought between the Houses of York and Lancaster. [This notice accompanies subsequent performances of Richard III, but will not be recorded here further.

Event Comment: Play containing the distresses and death of King Henry the Sixth; the Artful acquisition of the Crown by King Richard; the cruel murder of Young King Edward the fifth and his brother in the Tower; the landing of the Earl of Richmond; and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York & Lancaster

Event Comment: Mainpiece containing the Distresses and death of King Henry VIv; The Artful Acquistion of the Crown by King Richardv; The Murder of Prince Edward and his Brother in the Towerv; the Landing of the Earl of Richmondv, and Death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York and Lancaster