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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Cavendish"/1) | (@(roleclean,performerclean) "Henry Cavendish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5291 results for: Keyword - Henry Cavendish
We found 3481 matches on Author, 1213 matches on Performance Title, 663 matches on Performance Comments, 400 matches on Event Comments, and 0 matches on Roles/Actors.

5226
02 February 1759 @ Covent Garden

Event Comment: Pit and Boxes to be put together; and no persons to be admitted without Tickets, which will be deliver'd this day, at the office, at Half-a-Guinea each. Gallery 5s. Upper Gallery 3s. 6d. Galleries will be open'd at Four, Pit & Boxes at Five, and to begin at half an four after Six o'clock. Tickets delivered out for 25 Jan. will be take. Subscribers tickets may be had of Richard Dawson, at his house near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them, and receive the subscriptions. N.B. Tickets deliver'd to subscribers to this charity will admit one person into any part of the House. Benefit for Increase of a Fund establish'd for the support of Decay'd Musicians, or their Families. [The governors report that they have expended from June 1757 to June 1758 #541 8s. 6d. from this fund.

Performances

Mainpiece Title: Alfred The Great

5227
18 May 1759 @ Drury Lane Theatre

Event Comment: By Command of the Prince of Wales. Tickets deliver'd for Henry VIII will be taken Tuesday next. Prince & 4 (Cross). Receipts: #150 (Cross). Full Prices

Performances

Mainpiece Title: Antony And Cleopatra

Dance: By Command Spanish Dance, as17581014

5228
21 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Scrase, Mozeen, Ackman, Harrison. Afterpiece: A new farce written by Mr Mozeen (Indiff) (Cross). Ellis Ackman, Henry Scrase, Harrison, Thomas Mozeen advertised the above new piece for their benefit performance being founded on fact (Winston MS 8). Receipts: #170 Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress; or, The Antigallican

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

5229
28 September 1761 @ Drury Lane Theatre

Event Comment: KKing Henry VIII is obliged to be deferred till Wednesday

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Dance: I: New Comic Dutch Dance, as17610925; III: The Camp Alarm'd, as17610926

5230
10 October 1761 @ Drury Lane Theatre

Event Comment: CCoronation By desire. As it is introduc'd in King Henry VIII, the Coronation will be represented after other plays. Full prices

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Coronation

Dance: II: The Italian Gardiners-Grimaldi, Miss Baker

5231
17 February 1762 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: As17620215, but Drunken Servant-R. Smith; Peasant-Weller; In Act IV Song of Mad Bess, set to music by Henry Purcell, will be sung in Character-Mrs Vernon.

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Henry Carey

5232
04 November 1762 @ Drury Lane Theatre

Event Comment: Tomorrow (acted but once these 5 years) King Henry IV, Part II. New Dress'd in the characters of the times, to which be added, not acted this season, The Genii

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: A Duke and no Duke

Dance: I: Hearts of Oak, as17620925; III: The Bavarian Shoemakers, as17621009

5233
03 October 1763 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Sparks; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd A Solemn Hymn, set to music by Henry Purcell;-Beard, Tenducci, Peretti, Mattocks, Baker, Miss Miller, Miss Polly Young, Miss Davies, Legg, Ryley, Dibdin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Citizen

5234
12 May 1764 @ Drury Lane Theatre

Event Comment: Benefit for Johnston [housekeeper]. Tickets deliver'd for 2 Henry IV, and by Miss Berkley will be taken. Mainpiece: By Particular Desire. Afterpiece: By Desire

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Witches

Entertainment: End of play, for that night only, The Cries of London-Vernon

Related Works
Related Work: The Marriage Night Author(s): Henry Cary, Viscount Falkland
Related Work: The Genii, Arabian Night's Entertainment Author(s): Henry Woodward

5235
03 October 1765 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Walker; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd a Solemn Hymn, set by Henry Purcell, and-Beard, Mattocks, Squibb, Miss Poitier, Mrs Baker, Baker, Legg, Ryley, Dibdin, Waylin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Cheats of Scapin

Dance: End: New Grand Ballet call'd The Garland-Fichar, Miss Wilford

5236
12 April 1766 @ Drury Lane Theatre

Event Comment: Benefit for Love. A sequel to the 2nd part of Henry IV. Written in imitation of Shakespeare, and adapted to the stage with considerable alterations by the author (Winston MS 9). [Play by William Kenrick.

Performances

Mainpiece Title: Falstaff's Wedding

Afterpiece Title: A Fairy Tale

Dance: II: A Dance called Hearts of Oak-Aldridge, Miss Baker

5237
23 October 1770 @ Covent Garden

Event Comment: Mainpiece: Not acted these two years. [See 31 Dec. 1768.] Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted there. [Letter from Henry Woodward, Clement's Inn, says he fulfilled his seven years engagement and is now going to Scotland with Foote and next to the Hay Market. No direct application was made to re-engage him at Covent Garden or he was ready to meet it (Winston MS 10)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

5238
23 October 1772 @ Goodman's Fields

Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Performances

Mainpiece Title: None

5239
01 January 1773 @ Covent Garden

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

5240
27 February 1773 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Mrs Baks for walking 13 nights in King Henry VIII to 15th Inst.: #3 5s. (Account Book). [Mrs Baks as a walking super seems to have done better in salary at 4s. 1d. per night than did the men (Gard &c.) who perform'd as Ostriches, Asses, Hogs &c. in the afterpieces at 2s. 6d. per night. The difference may have depended upon whether one was a mute in a mainpiece or an afterpiece.] Receipts: #159 2s

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Afterpiece Title: The Golden Pippin

Dance: IV: The Fingalian Dance with Double Hornpipe, as17720921; End: New Dance, as17730206

5241
21 May 1773 @ Covent Garden

Event Comment: Benefit for Fox and Owenson. Tickets deliver'd by Holloway and Miss Bassan will be taken. Charges #64 10s. Deficit to beneficiaries #9 11s. 3d. apiece, covered by income from tickets: Fox #90 11s. (Box 123; Pit 328; Gallery 106); Owenson #69 7s. (Box 118; Pit 133; Gallery 199). Paid Mrs Singleton for walking 13 nights in Henry VIII, the 8th to 15th February #3 5s. and for walking 28 nights in the Sorcerer to the 13th inst. #3 10s. Paid Mrs Baks for the same #3 10s. (Account Book). Receipts: #45 7s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Padlock

Dance: IV: A Hornpipe (first time)-Miss Bassan; End: A Louvre and Minuet-Mr and Mrs Holloway

5242
14 December 1773 @ Covent Garden

Event Comment: The New Tragedy of King Henry II, is still oblig'd to be deferr'd on account of Indisposition of Mrs Hartley. Receipts: #133 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Dr Faustus

5243
31 December 1773 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. The tragedy of King Henry II cannot be performed, on account of the indisposition of Miss Miller. Paid Mr Nix the balance for London Lying In Hospital #23 6s.; Paid Garton balance for Theatrical Fund, #89 4s. 6d.; Paid Mr Helme the balance for the Discharge of persons imprison'd for small debts #4 5s. Receipts: #129 12s. (Account Book)

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: The Golden Pippin

5244
19 January 1774 @ Drury Lane Theatre

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

5245
26 April 1774 @ Covent Garden

Event Comment: Benefit for DuBellamy. Charges: #64 5s.; Profit to DuBellamy; #19 17s., plus #187 15s. - from tickets (Box 486; Pit 401; Gallery 61); Paid Singleton for performing 3 nights in the Sorcerer to 11 Oct. last #7 6s., for 5 nights in Henry VIII to 14 Feb. last #1 5s., for 4 nights in Macbeth to 13 Nov. last 10s., and for 40 nights in the Fair and the Sylphs to 4 April #2; Receipts: #84 2s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Frolick, as17740416

Song: End I the Farce: (By Desire) The Storm-DuBellamy

5246
06 May 1774 @ Covent Garden

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416

5247
03 November 1775 @ Covent Garden

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Man's The Master

Afterpiece Title: The Two Misers

Dance: End: The Pilgrim, as17750927

5248
09 October 1776 @ China Hall, Lower Road, Rotherhithe

Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

5249
04 September 1777 @ Haymarket Theatre

Event Comment: [Mainpiece in place of King Henry VIII, announced on playbill of 3 Sept.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Midas

5250
18 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. 2nd piece: By the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: As17800211