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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Burgess Jr"/1) | (@(roleclean,performerclean) "Henry Burgess Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3381 matches on Author, 1765 matches on Performance Title, 1561 matches on Performance Comments, 505 matches on Event Comments, and 1 matches on Roles/Actors.
Event Comment: KKing Henry, Mr Garrick (Cross Diary)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: A Trip to Scotland

Event Comment: Paid Younger for 2 Licenses (King Henry II, and The Man of Business) #4 4s. Paid Farrington & Scarr (haberdashers) #26 16s. Receipts: #179 7s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Event Comment: [On this night Sg and Sga Zuchelli, Henry and Sga Crespi also danced in 3 ballets at king's. A probable explanation is that the play at dl began three-quarters of an hour earlier than did the opera.] Receipts: #103 4s. (69.16; 31.18; 1.10)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Lyar

Dance: End: The Countryman Deceiv'd-Sg and Sga Zuchelli, Henry, Sga Crespi, Delpini

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece: To conclude with a Dance by Henry, Miss Armstrong, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.] hathi.

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Performance Comment: Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.] hathi.
Related Works
Related Work: Miss Lucy in Town Author(s): Henry Fielding
Related Work: The Country Madcap in London Author(s): Henry Fielding

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Related Works
Related Work: Miss Lucy in Town Author(s): Henry Fielding
Related Work: The Country Madcap in London Author(s): Henry Fielding

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Barataria

Event Comment: At the Desire of several Ladies. Benefit Henry Plowman. Receipts: Money #34 14s. 6d.; Tickets #85 7s. (Account Book); #150 (Rylands MS.). [Account Book states that Plowman was charged #80 for his benefit. See a letter by Plowman in Daily Advertiser, 7 Nov., on his acting in this play.

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Tanner of York

Performance Comment: As17401001, but Mrs Modish-Miss Burgess.
Cast
Role: Mrs Modish Actor: Miss Burgess.

Dance: PPeasants-Mechel, Mlle Mechel; Comic Ballet-Villeneuve, Miss Oates; Drunken Peasant-Phillips

Event Comment: Benefit the Author of the Farce, and Miss Burgess. Mainpiece: As originally written by Shakespear. Supervised, Read over, Revised, and Unalter'd. [For a puff (signed by W. Shakespear), see Daily Advertiser, 4 March.

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: Prince Arthur-Miss Burgess; With a New Prologue- in the Characters of Shakespear's Ghost, the Squire, Mr Student, and Mr Bays; concluding with an Address to the Ladies- of the Shakespear's Club.
Cast
Role: Prince Arthur Actor: Miss Burgess

Afterpiece Title: The Rival Milliners

Event Comment: Benefit Arthur and Mrs Woodward. Tickets for Miss Burgess, Mrs LeBrun, and Miss Morrison taken

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: Wanton Wife-Mrs Horton; Barnaby-Hippisley; Sir Peter-Rosco; Lovemore-Hallam; Cunningham-Gibson; Merryman-James; Clodpole-Arthur; Philadelphia-Miss Burgess; Lady Laycock-Mrs Woodward; Lady Pride-Mrs Cook; Damaris-Mrs Vincent; Prudence-Mrs Mullart.
Cast
Role: Philadelphia Actor: Miss Burgess

Afterpiece Title: The School Boy

Dance: I: Tambourine-the French Girl; II: Comic Dance-Richardson, Mrs LeBrun; III: Miss Morrison; IV: A new Serious Ballet-Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Event Comment: [By Henry Fielding.

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding
Event Comment: Afterpiece: [By Henry Fielding]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lottery

Related Works
Related Work: The Lottery Author(s): Henry Fielding
Event Comment: A New Comedy. [By Henry Fielding.] 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding
Event Comment: Benefit for Scrase, Mozeen, Ackman, Harrison. Afterpiece: A new farce written by Mr Mozeen (Indiff) (Cross). Ellis Ackman, Henry Scrase, Harrison, Thomas Mozeen advertised the above new piece for their benefit performance being founded on fact (Winston MS 8). Receipts: #170 Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress; or, The Antigallican

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

Event Comment: The United Company. The date of the first performance is not known, and the play is one of a large group commonly assigned to September-December 1690. As the Prologue implies an autumn production, it has been placed at late September, although the premiere may have been October. It was advertised in the London Gazette, 18-22 Dec. 1690, and entered in the Term Catalogues, Feb. 1690@1. The music was composed by Henry Purcell. See Purcell, Works, Purcell Society, XXI (Dramatic Music, III, 1917), xii-xiv. Dedication: So visibly promoting my Interest on those days chiefly (the Third and the Sixth) when I had the tenderest relation to the welfare of my Play [i.e. Southerne had two benefits]. Langbaine (English Dramatick Poets, 1691, Appendix): This Play was acted with extraordinary Applause, the Part of Sir Anthony Love being most Masterly play'd by Mr Montfort: and certainly, who ever reads it, will find it fraught with true Wit and Humour. Gentleman's Journal, January 1691@2: [The Wives' Excuse, newly performed] was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town have lik'd so well

Performances

Mainpiece Title: Sir Anthony Love; Or, The Rambling Lady

Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters; Or, The Violence Of Love

Event Comment: Benefit Miss Robinson, the Dancer. At the particular Desire of several Persons of Quality. Prologue: in The Poems of Henry Carey, p. 65. Epilogue: Written by Mr Welsted

Performances

Mainpiece Title: The Rover

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

Event Comment: Afterpiece: With New Habits, Scenes, Machines, and other Decorations. 5s., 3s., 2s., 1s. After Money will be taken. [See Daily Journal, 31 Dec., for a Letter from Henry Giffard, discussing his relations with dl and the disturbance at lif on 28 Oct.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggar's Pantomime: With New Scenes and several Alterations and Additions, particularly a Sequel to the Contention, call'd Pistol in Mourning

Event Comment: Afterpiece: Written by Mr Dryden, and Composed by Mr Henry Purcell

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Afterpiece Title: Cupid and Bacchus

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; viz., A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers

Performances

Mainpiece Title: The Devil To Pay; Or, The Wives Metamorphos'd

Dance: new dance %Bartholomew Fair-Fisher Tench, Miss Brett

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Patie and Peggy; or, The Fair Foundling

Dance: Mrs Booth, Miss Robinson