SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Brooke"/1) | (@(roleclean,performerclean) "Henry Brooke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3621 matches on Author, 1213 matches on Performance Title, 666 matches on Performance Comments, 398 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 9-12 May 1696, suggests that it was first acted not later than April 1696. It may, however, have been first performed sometime earlier, for two songs for it were set by Henry Purcell, who had died in November 1695. See Purcell's Works, Purcell Society, XXI (1917), vi-vii. A Comparison Between the Two Stages (1702), p. 18: Pausanias, or Lover of his Country, Damn'd, tho writ by a person of Quality, and protected by Southern. One song, My dearest, my fairest, is a dialogue between Mr Cooke and Mrs Hodgson

Performances

Mainpiece Title: Pausanius, The Betrayer Of His Country

Event Comment: London Gazette, No. 3266, 25 Feb.-1 March 1696@7: The Consort of Musick, which was perform'd last Wednesday in York-Buildings, will be perform'd again on Wednesday next being the 3 instant, with several Additions of Dr Blow, and Mr Henry Purcell's Musick

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. James Brydges, Diary: To ye playhouse in Lincolns inn fields, where I met Lds Henry Cavendish, Grey of Ruthia, & Abergavenny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Concert

Performance Comment: Of about thirty Instruments and Voices-; [with] a Verse with Flutes-; [set by Mr Henry Purcel, in a Song for the Birthday of the late Queen Mary- (Post Boy, 17 Aug. 1697).
Event Comment: Post Boy, 29-31 March 1698: To morrow being the First of April, in Paul's Alley, near St. Paul's Church-Yard, at Clark's School, will be perform'd a new Consort of Vocal and Instrumental Musick, compos'd by Mr Henry Simsons, beginning at Seven of the Clock exactly. Price of coming in 2s. 6d

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box at Caius Marius. 12s. See Hotson, Commonwealth and Restoration Stage, p. 378. On this night occurred a quarrel between Henry Arthur and one Barry of the playhouses. See Post Boy, 11-14 Nov. 1699, and other news accounts during November 1699

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

Event Comment: Betterton's Company. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, Ah Belinda I am pressed, in this play, appeared in Orpheus Britannica, 1698, the music by Henry Purcell, who had died some years before its appearance in this collection. A Comparison Between the Two Stages (1702), pp. 26-27, referring to the rivalry between lif and dl in reviving Shakespeare and Jonson: The Battel continued a long time doubtful, and Victory hovering over both Camps, Batterton Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with Measure for Measure

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Event Comment: Betterton's Company. James Brydges, Diary: About 6: he [Brydges' brother Henry] set me down at y- Playhouse in Lincolns inn fields, where I met Me Coke, Mr Hammond, & Sir Godfrey Coply: about 8: I came home (Huntington MS St 26)

Performances

Mainpiece Title: The Way Of The World

Event Comment: Benefit Pinkeman. Common Prices. All Persons that come behind the Scenes are desired to pay their Money to none but Mr Pinkeman. [This benefit had originally been advertised for 24 Oct. but deferred, the offerings for that day being a medley of The Death of King Henry VI, a Tragical Interlude of one Act only; Aesop, "several select Scenes" only; and The School-Boy; or, The Comical Rivals.

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Entertainment: Several pretty Entertainments-

Event Comment: A masque of music composed by Henry Purcell. Benefit Mrs Lucas. Mainpiece: Revis'd with large Alterations

Performances

Mainpiece Title: The Pilgrim

Event Comment: Benefit Cibber. Not Acted these Three Years. At the Desire of several Persons of Quality. Mainpiece: With the Famous Battle of Bosworth Fieldv, between him and the Earl of Richmond, afterwards King Henry the Seventh. Written Originally by Shakespear, who in the true and lively Character of Richard, has shewn his most Masterly Strokes of Nature

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Song: As17031102

Music: Sonata for violin and flute-Gasperini, Paisible

Dance: As17040204

Event Comment: Benefit Wilks. Not acted these Twenty Years. [A revision by Henry Norris of the Beaumont and Fletcher Beggar's Bush.

Performances

Mainpiece Title: The Royal Merchant; Or, Beggar's Bush

Song: As17050428

Dance: As17041124

Event Comment: Mainp1ece; With the Original Musick. Afterpiece: A masque by Henry Purcel

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Cupid and Bacchus

Dance: As17061227

Event Comment: Written by Sir George Etherige. [In Daily Courant, 17 Nov., I Henry IV had been announced for this day.

Performances

Mainpiece Title: She Wou'd If She Cou'd

Event Comment: [In Daily Courant, 13 Nov., I Henry IV had been announced for this day.

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Event Comment: Not Acted these Three Years. At the Desire of several Ladies of Quality. Containing the Distresses and Deathv of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landingv of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: Containing the Distresses and Death of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landing of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Ladies of Quality. Tickets for the New Medley will be taken. Receipts: #124 1s. 6d

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The City Ramble

Dance: delaGarde, Mrs Bullock; Scaramouch-a Gentleman for his Diversion

Event Comment: Benefit Henry Rich, Pit Officekeeper. At the Desire of several Persons of Quality. Receipts: money #24 14s. and tickets #55 13s

Performances

Mainpiece Title: The Plain Dealer

Dance:

Event Comment: Benefit Husband. With all the Original Musick, Scenes, Machines, Habits and Dances proper to the Play. N.B. That Night (only) the Front of the Gallery will be adorn'd with the Original Pictures of several of our most celebrated Poetsv, particularly those who have been most excellent in the Dramatick Way, as Shakespear, Ben. Johnson, Fletcher, Dryden, &c. together with that of our English Orpheus, the late Mr Henry Purcell. Receipts: money #52 9s.; tickets #43 16s. See also The Censor, No. 73 (9 April) and No. 75 (13 April)

Performances

Mainpiece Title: The Prophetess

Event Comment: Benefit Henry Rich, Pit Officekeeper. Receipts: money #15 4s. 6d.; tickets #43 2s

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Dance: Moreau, Thurmond Jr, Mrs Schoolding, Miss Smith; particularly Moreau's last new dance-Moreau, Miss Schoolding

Event Comment: Benefit Bickerstaff, who has not been able to wait on his Friends, by reason of his being lame. By Command. Tickets for Henry VIII taken. Original Weekly Journal, 25 April: His Majesty was to have come to Drury Lane... but was prevented by the arrival of some important Dispatches from abroad

Performances

Mainpiece Title: All For Love

Dance: Shaw, Thurmond Jr, Topham, Weaver, Mrs Santlow, Mrs Bicknell, Miss Tenoe, Miss Lindar

Event Comment: Afterpiece: [By Henry Carey.] A new Farce on one Act. Benefit Quin. Receipts: money #67 12s.; tickets #73 19s

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Hanging and Marriage; or, The Dead Man's Wedding

Related Works
Related Work: Hanging and Marriage; or, The Dead-Man's Wedding Author(s): Henry Carey

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Performance Comment: Edition of 1723 lists: Humphrey-Booth; Richard Plantagenet, Duke of York-Mills; Richard Novil, Earl of Salisbury-Thurmond; Richard Nevil, Earl of Warwick-Williams; Henry Beaufort, Cardinal and Bishop of Winchester-Cibber; William de la Pole, Duke of Suffolk-Watson; Humphrey Stafford, Duke of Buckinham-Mills Jr; Margaret-Mrs Oldfield; Eleanor, Dutchess of Gloucester-Mrs Porter; Prologue by Bartholomew Paman of the Middle Temple-Booth; Epilogue-Mrs Oldfield.