SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Henry"/1) | (@(roleclean,performerclean) "Henry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3489 matches on Author, 2106 matches on Roles/Actors, 1213 matches on Performance Title, 658 matches on Performance Comments, and 385 matches on Event Comments.

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Bransby

Afterpiece Title: The Coronation

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Bransby

Afterpiece Title: The Coronation

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): Henry Woodward

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Bransby

Afterpiece Title: Harlequins Invasion

Afterpiece Title: The Coronation

Performances

Mainpiece Title: King Henry V

Cast
Role: Henry Actor: Smith

Afterpiece Title: The Coronation

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: The Padlock

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: The Commissary

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: The Country Madcap

Related Works
Related Work: Miss Lucy in Town Author(s): Henry Fielding

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: The Padlock

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: The Citizen

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: The Citizen

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Comus

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Henry Actor: Clarke

Afterpiece Title: Cross Purposes

Dance: End: New Dance, as17730206

Entertainment: End of Farce: (By Particular Desire) The Cries of London-Shuter

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Henry Fielding

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece: Never Acted before. [by Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Books of the Tragedy, with Notes by Way of Key, &c. will be sold at the Theatre, as also Books of the Farce

Performances

Mainpiece Title: The Tragedy Of Tragedies Or The Life And Death Of Tom Thumb The Great

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Letter Writers or A New Way to Keep a Wife at Home

Related Works
Related Work: The Letter Writers; or, A New Way to Keep a Wife at Home Author(s): Henry Fielding
Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Henry Fielding

Afterpiece Title: The Dramatic Puffers

Related Works
Related Work: The Dramatic Puffers Author(s): Henry Bate

Afterpiece Title: The Golden Pippin

Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur Or The British Worthy

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): Henry Purcell
Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Related Works
Related Work: The Flitch of Bacon Author(s): Henry Bate
Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Performance Comment: The music by Henry Purcell. Edition of 1690: Prologue-Mrs Bracegirdle; Jupiter-Betterton; Mercury-Lee; Phoebus-Bowman; Amphitryon-Williams; Sosia-Nokes; Gripus-Sandford; Polidas-Bright; Tranio-Bowen; Alcmena-Mrs Barry; Phaedra-Mrs Montfort; Bromia-Mrs Cory; Night-Mrs Butler; Epilogue-Phaedra.
Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell
Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Related Works
Related Work: The Fairy Queen Author(s): Henry Purcell