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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hays"/1) | (@(roleclean,performerclean) "Hays")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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463 results for: Keyword - Hays

We found 252 matches on Event Comments, 135 matches on Performance Title, 68 matches on Roles/Actors, 67 matches on Performance Comments, and 0 matches on Author.

326
05 December 1781 @ Covent Garden

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Son-in-Law

Dance: As17811101

327
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

328
10 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

329
31 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Irish Widow

330
25 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece The Belle of the Village by Harris and Miss Matthews

331
27 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

332
07 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Too Civil by Half

Dance: End of mainpiece, as17821005

333
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

334
10 April 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

335
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

336
12 May 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

337
06 June 1783 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Rosina

338
25 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Alchymist

Dance: In Act I of mainpiece a Country Dance incident to the Piece (performers not listed); End of Act II, as17830918

339
10 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

340
30 March 1784 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: End of mainpiece September the Thirteenth proud Bourbon may mourn, from Gretna Green (composed by Dr Arnold) by Bannister

341
28 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

342
10 June 1784 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

343
10 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: Gretna Green

Afterpiece Title: The Election of the Managers

344
27 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Dance [probably The Medley], as17840528

345
03 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Music: End of Act III of mainpiece a clarinet concerto by Mahon

Song: End of Act II of mainpiece a favorite Scotch song; End of Act IV a favorite Irish ballad, both by Miss George

Monologue: 1784 08 03 End of mainpiece (for that night only) Buds, have at ye all! by Palmer

346
20 August 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Lord Russel

347
04 October 1784 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Rambler

Song: Mainpiece: Vocal Parts by Johnstone, Brett, Gaudry, Doyle, Lloyd; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs Morton, Mrs Chalmers, Mrs Davenett, Miss Stuart, Mrs Bannister

348
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

349
09 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece, as17850601

350
09 June 1785 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407