SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Harry Carey"/1) | (@(roleclean,performerclean) "Harry Carey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 996 matches on Author, 760 matches on Performance Comments, 99 matches on Event Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: Benefit for Chapman and Wright. Public Advertiser, 2 May: Tickets to be had of Chapman, No. 47, Carey-street, Lincoln's-inn-fields; of Wright, No. 21, Berner-street, Westminster. Receipts: #224 18s. 6d. (33/19/0; 10/11/0; 0/8/6; tickets: 180/0/0) (charge: #113 9s.)

Performances

Mainpiece Title: The Convivial Coterie [i

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

Event Comment: Benefit for Marshall, Miss Williams & Mrs Warrell. Oracle, 3 June: Tickets to be had of Marshall, No. 11, York-street, York-buildings; of Miss Williams, No. 14, Martlett-court, Bow-street, Covent-Garden; of Mrs Warrell, No. 48, Carey-street, Lincoln's-inn-fields. Receipts: #147 9s. 6d. (14.16.6; 4.1.0; tickets: 128.12.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Poor Soldier

Song: End I: Had I a Heart for Falsehood framed-Marshall in imitation of Leoni; After Monologue: a New Song-Incledon

Entertainment: Monologue. End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performance Comment: S. Carey=, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance). 1st appearance).
Event Comment: The King's Company. Pepys, Diary: To the Theatre, and saw Harry the 4th, a good play

Performances

Mainpiece Title: Henry The Fourthe Part I

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke's playhouse, and there did see King Harry the Eighth; and was mightily Pleased, better than I ever expected, with the history and shows of it. We happened to sit by Mr Andrews, our neighbour, and his wife

Performances

Mainpiece Title: Henry The Eighth

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: King Hen. 8. See also Nicoll, Restoration Drama, p. 347. In The Rehearsal (II, V): Mr Bayes informs his actors that "you Dance worse than the Angels in Harry the Eight." The Epilogue to The Ordinary (in A Collection of Poems Written upon several Occasions by several Persons, 1673) may refer to the same spectacle: @Now empty shows must want of sense supply,@Angels shall dance, and Macbeths Witches fly.

Performances

Mainpiece Title: Henry Viii

Event Comment: Benefit Charke, who performs the Part of Harry Hunter

Performances

Mainpiece Title: The Beggar's Wedding

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17311025, but Falstaff-Gentleman who perform'd it in Harry the Fourth; Rugby-Williams; Sir Hugh-Norris; Mrs Ford-Mrs Giffard? (Daily Advertiser) or Mrs Roberts (Daily Post).

Afterpiece Title: The Devil to Pay

Dance: LLes Amants-Burney, Mrs Wherrit

Event Comment: The Company may depend upon having an Additional Treat of Chocolate, but vastly different from that lately distributed by Harry the Smuggler [repeated 12, 15 April 1749]. As the Italian Cats would not do for the Haymarket, he has dispos'd of them to Drury Lane. The Fourth Day. [See 3 April.

Performances

Mainpiece Title: The Knights

Dance: A new Country Dance-

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Tit for Tat; The Anatomist

Performance Comment: As17490408, but with fresh materials. N.B. The company will be waited on by Harry the Smuggler. As17490117 .
Event Comment: Benefit for Yates. Being positively the last time of performing the mainpiece this season. Afterpiece: Never acted before. Sad Farce (Cross). [Afterpiece sent to the Licenser under the title The Kept Mistress; or, The Mock Orators. Larpent MS 125 lists the parts: Harry, Belton, Hempton, Miss Belladue, her Maid; Old Ringworm, Widow Lovephrase, Servant; Lady Whiffle; Old Belladue, First Lady, Second Lady, First Orator, Second Orator, Third Orator, Doorkeeper; Press Gang (Mr Grapling Chart, Mr Anchorstock). The concluding sailor's Song most patriotic: "Our Navy see, spread o'er the Seas..."]. Receipts: #220 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Mock Orators

Dance: NNew Comic Dance-

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Modern Fine Gentleman; or, 1757

Performance Comment: Daffodil-Woodward; Tukley-Palmer; Dizzy-Yates; Sophia-Miss Macklin; Arabella-Miss Minors; Mrs Dotterel-Miss Barton; Widow Damply-Mrs Cross; Lady Fanny Pewit-Mrs Bradshaw; Racket-Blakes; Sir William Whister-Burton; Sir Tan Tivy-Jefferson; Spinner-Walker; Ruffle-Usher; Waiters-Ackman, Atkins; Harry Clough; Prologue-Garrick (Genest, IV, 481).
Event Comment: "DuBellamy, who played Douglas, and was to have assailed Falstaff, during the combat between Harry Percy and the Prince of Wales [in V.iv], went up to undress, having forgot that his part was not finished" (Morning Chronicle, 29 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Portrait

Dance: End II: The Merry Lasses, as17770611

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Who'd Have Thought It

Performance Comment: Characters by Wilson, Lamash, Wewitzer, R. Palmer, Webb, Kenny, Barrett, Painter, Ledger, Bannister, Mrs Wilson, Miss Hale, Mrs Webb. [Cast from Public Advertiser, 7 July: Strap-Wilson; Spangle-Lamash; Ishmael-Wewitzer; Pillage-Webb; Harry Horsfar [recte Hawser]-Bannister; Broadhem-Mrs Wilson; Miss Strap-Miss Hale [unassigned by Public Advertiser]; Mrs Strap-Mrs Webb; [Larpent MS 556 also lists: Lord George Willmore-; Clinker-; Clod-; Box-; Frank-.

Dance: End I: a Dance-Master Byrn, Miss Byrn; End I afterpiece: [another] Dance-Master and Miss Byrn

Event Comment: [In afterpiece the playbill assigns Sir Harry's Servant to Dodd, but "King [asked that] Dodd, on account of illness, be released from his part in the farce. Whitfield was in consequence Sir Harry " (World, 24 Sept.).] Receipts: #185 12s. (133.18.0; 50.6.6; 1.7.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Bannister Jun.; Duke's Servant-R. Palmer; Sir Harry's Servant-Whitfield; Philip-Baddeley; Freeman-Fawcett; Coachman-Alfred; Kingston-Lyons; Kitty-Miss Pope.

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Performance Comment: Principal Characters-Lee Lewes, Wewitzer, Fennell, Mrs Lee Lewes, Mrs Day, Mrs Everard, Miss Brown; Larpent MS lists the parts: Alderman Goslin, Young Goslin, Harry, Thomas, Peruque, Mrs O'Trigger-Mrs Lee Lewes (Oracle, 8 Mar.) Mrs Courtney, Kitty, Mrs Snip, Betty.

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Performance Comment: As17960614 but Dr Hellebore-Jones; James-_; Harry-_; Sq. Robert-_.

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer