SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Guise"/1) | (@(roleclean,performerclean) "Guise")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11 matches on Roles/Actors, 10 matches on Performance Title, 10 matches on Event Comments, 5 matches on Performance Comments, and 0 matches on Author.
Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performance Comment: Edition of 1683: Prologue by Mr Dryden-Mr Smith; King-Kynaston; Guise-Betterton; Mayenne-Jevon; Crillon-Smith; Cardinal-Wiltshire; Archbishop-Perrin; Corso-Montfort; Polin-Bowman; Aumale-Carlile; Bussy-Saunders; Curate-Underhill; Malicorne-Percival; Melanax-Gillo; Sheriffs-Bright, Samford; Queen Mother-Lady Slingsby; Marmoutier-Mrs Barry; Epilogue by Mr Dryden-Mrs Cook; Another Epilogue Intended to have been Spoken to the Play before it was forbidden last Summer-.
Cast
Role: Guise Actor: Betterton
Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.
Cast
Role: Duke of Guise Actor: Paget

Afterpiece Title: The Devil to Pay

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Bussy D'ambois; Or, The Husbands Revenge

Performance Comment: Edition of 1691: King Henry III of France-Freeman; Monsieur-Hodson; Duke of Guise-Kynaston; D'Ambois-Mountfort; Montfurry-Powell; Monsieur Masse-Bright; Monsieur Lassoil-Bowen; Bariser-Verbruggen; Lanoo-Harris; Melinell-Barnes; Pyorot-Sibber; Brisac-Kirkham; Dutchess of Guise-Mrs Lassells; Tamira-Mrs Bracegirdle; Teresia-Mrs Corey; Charlot-Mrs Richardson; Beaupre-Mrs Perin; Prologue-; Epilogue-.

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Edition of 1690: Prologue-Mr Mountfort; King Charles IX-Mountfort; Duke of Guise-Williams; Cardinal of Lorrain-Kynaston; Duke of Anjou-Pruet; Alberto Gondi-Harris; Lignoroles-Bowen; Admiral of France-Betterton; Cavagnes-Freeman; Langoiran-Alexander [Verbruggen (?)]; Queen Mother-Mrs Betterton; Marguerite-Mrs Barry; Queen of Navarre-Mrs Knight; Antramont-Mrs Jorden; Genius-Bowman; Epilogue-Mr Powell.
Cast
Role: Duke of Guise Actor: Williams

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Charles IX-Hale; Duke of Guise-Ryan; Queen Mother-Mrs James; Marguerite-Mrs Hale; Admiral of France-Cashell; Antramont-Mrs Pritchard; Cardinal of Lorraine-Gibson; Duke of Anjou-Anderson; Alberto Gondi-Carr; Ligneroles-Paddick; Cavagues-Ridout; Langorain-Arthur; Queen of Navarre-Mrs Havard; Prince of Navarre-Miss Ferguson; With the Original Prologue-.
Cast
Role: Duke of Guise Actor: Ryan

Afterpiece Title: Pyramus and Thisbe

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Song: Turner, Mrs Bowman; The Genius-Turner

Performances

Mainpiece Title: The Duke Of Guise

Afterpiece Title: The Stage Coach

Song: As17160809

Performances

Mainpiece Title: The Duke Of Guise

Afterpiece Title: The Stage Coach

Song: As17160809

Performances

Mainpiece Title: The Duke Of Guise; Or, The Massacre Of Paris

Afterpiece Title: The Stage Coach

Song: As17161022; The Genius-Turner

Performances

Mainpiece Title: The Massacre At Paris

Cast
Role: Duke of Guise Actor: Paget

Afterpiece Title: The Devil to Pay

Song: As17451028

Dance: As17451028

Performances

Mainpiece Title: The Massacre At Paris

Cast
Role: Duke of Guise Actor: Paget

Afterpiece Title: The Devil to Pay

Song: As17451028

Dance: As17451028

Performances

Mainpiece Title: The Massacre Of Paris

Cast
Role: Duke of Guise Actor: Ryan

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: The Massacre At Paris

Cast
Role: Duke of Guise Actor: Paget

Afterpiece Title: The Mock Doctor

Dance: As17451028

Performances

Mainpiece Title: The Massacre Of Paris

Cast
Role: Duke of Guise Actor: Ryan

Afterpiece Title: The Schoolboy

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Event Comment: Benefit Gwinn, Guise, Vaughan, Boxkeepers

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Toy Shop

Music: The Overture of Ariadne

Dance: I: Les Bergers Champetre by Mlle Grognet, Miss Rogers, Mlle Delorme. III: Richmond Maggot by Le Sac and Miss Rogers. IV: Flanderkins by Duke and Mrs Ogden. V: Tambourine by Glover and Miss Rogers. End Afterpiece: Minuet by Mlle Grognet in Men's Cloths, and Miss Baston

Song: II: As17350422

Event Comment: Benefit Gwinn, Guise, and Warriner, Boxkeepers. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Receipts: money #9 7s. 6d.; tickets #136 19s

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Song: II: By Leveridge

Event Comment: Benefit Gwinn, Guise, Warriner, Boxkeepers

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Lawyer

Dance: I: Serious Dance, with Minuet-Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Peasant-Lalauze, Desse, Dupre, Richardson, Baudouin, Mrs Moreau, Mrs Delorme, Miss Norman, Mrs Ogden; V: Nivelon, Misses Scott

Song: II: A Song originally Designed for the play by Sir Richard Steele, -Beard; III: Leveridge; V: Roberts

Event Comment: Benefit Guise, Warraner, Evans, Boxkeepers. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Beggar's Wedding

Dance: I: Comic Dance-Richardson, Miss Cantrel; II: Je ne scai quoy-Tench, Villeneuve, Miss Oates; III: Serious Dance-Mlle Roland; IV: Pantomime Dance-Nivelon, Mrs LeBrun; V: Grecian Sailors-Glover

Event Comment: Benefit Guise and Evans (Boxkeeper). At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Devil to Pay

Music: V: Handel's Water Musick-; with a Preamble on the Kettle Drums-Jo Woodbridge

Dance: I: Two Pierots, as17390514; II: Je ne scai quoy, as17390514; III: Hornpipe-Yates; IV: Glover's Grecian Sailors-